Category: Casual
Frankie Avalon’s Red Paisley Party Shirt in Beach Party
Frankie Avalon in Beach Party (1963)
Vitals
Frankie Avalon as Frankie, lovestruck surfer
Malibu, California, Summer 1963
Film: Beach Party
Release Date: August 7, 1963
Director: William Asher
Costume Design: Marjorie Corso & Renié
WARNING! Spoilers ahead!
Background
Four years after Gidget launched the beach party subgenre, the formula was refined with less morals and more midriffs in the simply titled Beach Party. Released 63 years ago today on August 7, 1963, Beach Party was the first of about a dozen similar movies released by American International Pictures that occasionally veered from the beach into ski country or the race track but almost always featured pop singers Frankie Avalon and Annette Funicello in leading roles.
Filmed across the beaches of Southern California over three weeks in the spring of 1963, Beach Party established a blueprint that most of its successors would follow: a score by exotica stalwart Les Baxter supplemented by the surf rock stylings of Dick Dale and his Del-Tones; a supporting cast of older, most established stars—like Bob Cummings, Dorothy Malone, and Morey Amsterdam in this first film; and the easy chemistry between Frankie and Annette.
Frankie and Annette played essentially the same teen lovers driven apart by an easily explained misunderstanding that is invariably resolved by the close of each approximately 90-minute runtime. In Beach Party, it’s Dolores’ hesitation that drives Frankie away—straight into the arms of the buxom “Hungarian goulash” Ava (Eva Six), one of the women whom he serenades with “Don’t Stop Now” during the raucous party at Big Daddy’s. Continue reading
John Saxon’s Floral-collared Chambray Shirt in Moonshine County Express
John Saxon in Moonshine County Express (1977)
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John Saxon as J.B. Johnson, race car driver and occasional moonshine runner
Jackson County, Kentucky, Fall 1976
Film: Moonshine County Express
Release Date: June 1, 1977
Director: Gus Trikonis
Wardrobe Coordinator: Adrianne Levesque
WARNING! Spoilers ahead!
Background
Moonshine County Express was produced by Roger Corman’s New World Pictures in 1977 during the height of the cinematic “hick flick” trend that often posited guys like Burt Reynolds as rural heroes driving fast cars full of booze. Directed by Corman favorite Gus Trikonis, Moonshine County Express stars the late John Saxon in its central role—no doubt due to the actor’s own considerable talent and his resemblance to a pre-mustached Reynolds—as well as Susan Howard, William Conrad, a post-Brady Bunch Maureen McCormick as a Daisy Duke protoype, and “hick flick” regulars Jeff Corey and Dub Taylor; Seinfeld fans may also recognize Uncle Leo (aka Len Lesser) in a supporting role as a bargain barn owner. (Both Saxon and McCormick share their August 5th birthday, with McCormick celebrating her 70th today while Saxon would have turned 90 this year.)
Marcia, Marcia, Marcia! Except it’s Betty, Sissy, and Dot.
It would be hard to recommend in good faith to all my readers, but Moonshine County Express is the kind of movie you throw on when you want that raw, Southern-fried tale of fast-driivng whiskey runners in the same authentic, dobro-twanging, semi-exploitative ilk as Moonrunners, the 1975 B-movie that directly inspired The Dukes of Hazzard, though Moonshine County Express also features many of the elements that would be familiar in Hazzard County: a corrupt and corpulent county boss, a white-suited antagonist, short-shorted Southern beauties, and a liquor-hauling hero speeding around in a Dodge muscle car. Continue reading
Richard Egan’s Cream Camp Shirt in The Revolt of Mamie Stover
Richard Egan in The Revolt of Mamie Stover (1956)
Vitals
Richard Egan as Jim Blair, writer
At sea from San Francisco to Hawaii, Summer to December 1941
Film: The Revolt of Mamie Stover
Release Date: May 11, 1956
Director: Raoul Walsh
Costume Designer: Travilla
WARNING! Spoilers ahead!
Background
Though it made waves for its controversial themes and Jane Russell’s eponymous performance at the time it was released 70 years ago in May 1956, The Revolt of Mamie Stover remains a barely remembered movie today aside from generally positive reappraisals from critics and reviewers. And while Russell remains an icon of Hollywood’s brassy bombshell era, her co-star Richard Egan—once a nearly ubiquitous leading man in the late 1950s—is also little-discussed today. Continue reading
James Stewart’s Western Gear as The Man from Laramie
James Stewart in The Man from Laramie (1955)
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James Stewart as Will Lockhart, freight hauler and former cavalry officer
New Mexico, Late 1870s
Film: The Man from Laramie
Release Date: September 20, 1955
Director: Anthony Mann
WARNING! Spoilers ahead!
Background
Since 2008, the National Day of the Cowboy has been observed on the fourth Saturday in July to recognize the spirit of the pioneering men and women who helped establish the American West. James Stewart’s homespun persona naturally lent itself to Western cinema as the actor’s prolific Western filmography includes Destry Rides Again (1939), Winchester ’73 (1950), The Man Who Shot Liberty Valance (1962), and John Wayne’s swan song The Shootist (1976). Among these, Stewart recalled that his favorite Western was his eighth and final collaboration with director Anthony Mann: The Man from Laramie. Continue reading
Sam Elliott’s Aloha Shirt in Lifeguard
Sam Elliott in Lifeguard (1976)
Vitals
Sam Elliott as Rick Carlson, charismatic 32-year-old beach lifeguard
Southern California, Summer 1975
Film: Lifeguard
Release Date: July 23, 1976
Director: Daniel Petrie
Wardrobe Credit: Margo Baxley
WARNING! Spoilers ahead!
Background
Before his magnificent mustache and gravely voice made him a mainstay of Westerns, Sam Elliott’s breakthrough performance was in the romantic drama Lifeguard, released fifty years ago today on July 23, 1976.
In the half-century since its release, Lifeguard continues to polarize audiences as some praise it as a thoughtful character stufy of American masculinity in crisis while others disregard it as a vapid endorsement of statutory rape. While my own response falls somewhere in between, I do agree with even the film’s detractors that Sam Elliott’s undeniable charisma can’t help but to shine through even the more problematic elements of Ron Koslow’s screenplay. As the filmmakers cycled through potential leads like Beau Bridges and Adam Roarke, Elliott was considered after director Dan Petrie and his wife Dorothea noticed the actor’s masculine yet mustache-less performance opposite Roarke in the 1972 eco-horror film Frogs.
A former lifeguard himself, Elliott stars as a career lifeguard Rick Carlson working the beaches of Los Angeles County, where his easy-go-lucky barefoot life picking up chicks is washed into an identity crisis after he receives an invitation to his 15-year high school reunion while also countering his father (George D. Wallace) constantly criticizing his vocation: “You know what’s crazy? I still wonder what you’re gonna be when you grow up!” Although swayed by the promise of more “acceptable” success selling Porsches in the Valley, Rick ultimately decides to continue his sun-baked career as a professional lifeguard, having honed his abilities to the point where the only drowning allowed on his beach is drowning in tail. Continue reading
Robin Williams’ Black-on-White Floral Silk D&G Shirt in The Birdcage
Robin Williams in The Birdcage (1996)
Vitals
Robin Williams as Armand Goldman, South Beach nightclub manager
Miami Beach, Winter 1996
Film: The Birdcage
Release Date: March 8, 1996
Director: Mike Nichols
Costume Designer: Ann Roth
WARNING! Spoilers ahead!
Background
I’m honored to share my birthday with Robin Williams, who was born 75 years ago today on July 21, 1951. One of my favorite of the late comedian’s movies is The Birdcage, crafted by the iconic married team of director Mike Nichols and writer Elaine May as an adaptation of the French play and subsequent film La Cage aux Folles.
Williams stars as Armand Goldman, owner of the titular Birdcage, a South Beach drag club starring his more flamboyant partner Albert (Nathan Lane). When Armand’s son Val (Dan Futterman) reveals he’s marrying the daughter of the ultraconservative Virginia senator Kevin Keeley (Gene Hackman) who insists on meeting his future in-laws, Armand and Val conceive a plan to host the senator’s family by luring Albert away from the couple’s ostentatious apartment—allowing time for Armand to renovate himself and his home to support Val’s untruth that his father is actually Armand Coleman: a heterosexual cultural attaché to Greece… “whatever the hell that is.” Continue reading
The Four Seasons: Alan Alda’s Sky-Blue Summer Shirt and White Trousers
Alan Alda in The Four Seasons (1981)
Vitals
Alan Alda as Jack Burroughs, married lawyer
Saint Thomas, Summer 1980
Film: The Four Seasons
Release Date: May 22, 1981
Director: Alan Alda
Costume Designer: Jane Greenwood
WARNING! Spoilers ahead!
Background
Six months ago, I observed Alan Alda’s 90th birthday with my first post of his seasonal wardrobe in The Four Seasons, his 1981 comedy following four pairs of couples vacationing together throughout a tumultuous year in their lives, scored by Vivaldi’s concerti of the same name. (The film was recently adapted as a Netflix series co-created by and starring Tina Fey with Alda’s endorsement, as the actor also appears as Fey’s father.)
The second segment of The Four Seasons is set during the summer when the group sails their rented boat Sandavore through the U.S. Virgin Islands. The dynamic has shifted since the salesman Nick (Len Cariou) left his wife and has brought his much younger girlfriend Ginny (Bess Armstrong) on the trip, distracting the rest with loud sex at night and nude swimming in the morning. Alda’s moralistic lawyer Jack tries to openly explore how this has affected the group, but denies to his wife Kate (Carol Burnett) that he harbors any fantasties of his own around Ginny or a woman like her, instead venting his frustrations about Nick and Ginny treating the group expedition like a private holiday:
They’re not even on this trip! They walk around mooning all the time, making goo-goo eyes. My God, if one of them farts, the other one thinks it’s Guy Lombardo!
Marlon Brando’s Snakeskin Jacket in The Fugitive Kind
Marlon Brando in The Fugitive Kind (1960)
Vitals
Marlon Brando as Valentine “Snakeskin” Xavier, guitar-playing drifter seeking redemption
Mississippi Delta, January 1959
Film: The Fugitive Kind
Release Date: April 14, 1960
Director: Sidney Lumet
Costume Designer: Frank L. Thompson
WARNING! Spoilers ahead!
Background
For National Snake Day on July 16th, let’s celebrate the famous snakeskin jacket that Marlon Brando wore as Valentine “Val” Xavier in The Fugitive Kind, adapted from Tennessee Williams’ 1957 play Orpheus Descending—itself a modern retelling of the ancient Greek myth of Orpheus and Eurydice. Continue reading
Paris, Texas: Harry Dean Stanton’s Red Road Trip Shirt and Ranchero
Harry Dean Stanton in Paris, Texas (1984)
Vitals
Harry Dean Stanton as Travis Henderson, once-wandering drifter
Los Angeles to Houston, Fall 1983
Film: Paris, Texas
Release Date: September 19, 1984
Director: Wim Wenders
Costume Designer: Birgitta Bjerke
WARNING! Spoilers ahead!
Background
One of my favorite actors, Harry Dean Stanton, was born 100 years ago today on July 14, 1926 in Kentucky. Following his U.S. Navy service during World War II, Stanton began an acting career that lasted more than six decades until his death from heart failure at age 91 in September 2017 after completing his penultimate film Lucky, which also afforded Stanton the rare starring role. He was a close, respected friend of many A-listers like Francis Ford Coppola, David Lynch, and Jack Nicholson, who included Stanton as best man in his 1962 wedding and habitually scrawled “H.D. Stanton” on the sets of his films.
Stanton typically made the most of supporting roles in films like Cool Hand Luke (1967), Dillinger (1973), The Godfather Part II (1974), Alien (1979), Escape from New York (1981), Christine (1983), Red Dawn (1984), Pretty in Pink (1986), Wild at Heart (1990), Twin Peaks: Fire Walk with Me (1992), Fear and Loathing in Las Vegas (1998), The Green Mile (1999), and The Avengers (2012)—a filmography so prolific that Roger Ebert once declared that, with the sole exception of Dream a Little Dream (1989), “no movie featuring either Harry Dean Stanton or M. Emmet Walsh in a supporting role can be altogether bad.”
Despite his prolific supporting career, Stanton was cast in leading parts for back-to-back films released in 1984: Alex Cox’s dark sci-fi comedy Repo Man and Wim Wenders’ elegiac road drama Paris, Texas. The latter won the Palme d’Or when it premiered at the 1984 Cannes Film Festival and, though overlooked by most American award bodies, has grown its cult reputation as one of the greatest movies ever made. With additional style provided by Ry Cooder’s original score and Robby Müller’s masterful cinematography, the script was written by L.M. Kit Carson and Sam Shepard, who offered Stanton the part after the two connected at a Santa Fe film festival. Continue reading
Point Break: Keanu Reeves’ Pale-Blue Camp Shirt and Jeans
Keanu Reeves as FBI Agent Johnny Utah in Point Break (1991)
Vitals
Keanu Reeves as Johnny Utah, ambitious FBI agent
Los Angeles, Summer 1991
Film: Point Break
Release Date: July 12, 1991
Director: Kathryn Bigelow
Costume Supervisors: Colby P. Bart & Louis Infante
WARNING! Spoilers ahead!
Background
Point Break was released 35 years ago today on July 12, 1991, chronicling Ohio State football star-turned-FBI agent Johnny Utah (Keanu Reeves) infiltrating a group of bank-robbing surfers and skydivers led by the enigmatic Bodhi (Patrick Swayze) while also buying two meatball subs for his supervisor, Angelo Pappas (Gary Busey). It feels especially appropriate to celebrate Point Break‘s cinematic legacy on the day after World Skydiving Day—observed on the second Saturday of July. Continue reading
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