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Goodfellas – Henry at Idlewild Airport, 1963

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Ray Liotta as Henry Hill in Goodfellas (1990)

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Ray Liotta as Henry Hill, Lucchese family Mafia associate

New York City, Summer 1963

Film: Goodfellas
Release Date: September 19, 1990
Director: Martin Scorsese
Costume Designer: Richard Bruno

Background

The popularity of Nicholas Pileggi’s mob expose Wiseguy in 1985 and the subsequent film version, Goodfellas, five years later changed the pop culture view of Mafioso. For thirty years, they were a crew of fedora-wearing guys in loud suits and pinkie rings who would shove a .38 under your chin and hope the coppers weren’t onto them, get me? In 1972, The Godfather paved the way for mob films about honor and family. Great movies but still hardly closer to depicting the truth about the mob.

Finally, in 1990, a realistic depiction of the American Mafia was released in theaters. Made with the help of “advisors” such as mob associates Henry Hill and Jimmy Burke and even starring ex-mob associates such as Tony Sirico (later to become famous as Paulie on The Sopranos), people were seeing the mob for what it was: a business made up of criminally-inclined lowlifes who saw themselves as much more important than they were.

Many terrific suits (and many awful ones) are worn throughout the film. Although it takes place from 1955 to 1980, some of the most stylish attire, as one would expect, is seen during the sequences set in the early ’60s.

What’d He Wear?

After a series of scenes featuring the young Italian-Irish-American Henry Hill learning the ways of organized crime during the 1950s, we transition to his new status as a young adult and rising star in the Lucchese family branch of the New York Mafia. The subtitles are more specific: “Idlewild Airport. 1963.”

The introduction of adult Henry—played by Ray Liotta—is a callback to an earlier scene in which teenage Henry appears to his mother in new clothes, panning up from his pointy leather shoes to the wide lapels of his white silk suit. “My God,” bemoans his mother. “You look like a gangster!” Eight years later, Henry lives up to his image: a full-fledged gangster.

We begin with his feet. The shoes are a must-have for every gangster’s wardrobe: olive brown alligator loafers with dark brown leather piping and a double tassel on each shoe. The shoes are immaculate, which could be explained by the fact that he is standing next to “Shoeshine Tommy”. Henry wears them with thin charcoal socks that smoothly continue the leg line into the shoes.

Carl Perkins was offered $100,000 by mobster Albert Anastasia to change the lyrics of “Blue Suede Shoes” to “Brown Alligator Loafers” in 1957. Unfortunately, Anastasia was shot to death in a hotel barbershop before Perkins could collect. (This is not a true story.)

Panning up Henry’s suit, the audience quickly realizes that this is the suit of a gangster and not a businessman or politician (in case the shoes didn’t give it away). Dark gray silk with this level of shine is not a suit often worn by “civilians”.

The trousers have single forward pleats, straight side pockets, jetted back pockets that fasten with a loop through a single button, and plain-hemmed bottoms. The untucked knit shirt covers his waistband, but we can assume that—like many of his other trousers from this time period—these have been tailored to fit Henry without the need for belt or braces.

Finally dollying up to the top, we are re-introduced to Henry himself, cool and confident as he takes an easy drag on his cigarette and looking the best he ever will. While his life’s path is far from legitimate, it’s still early enough in the course that he hasn’t encountered the complications ensuing from drug dealing and murder. Little does he know, he’s less than twenty years away from a future as a “nobody” across various small American towns as he’s forced to hide from his criminal past.

We take in the two-button suit jacket, single-breasted with slim notch lapels and wide shoulders. The jacket also has a thin-welted breast pocket, jetted hip pockets, two-button cuffs, and short side vents.

Goodfellas afforded the cinematic Henry with epic moments like this that the real Henry likely never came close to living in reality.

Like many screen gangsters, Henry Hill also wears his share of gold jewelry, which accumulates over the movie to include a Star of David added to his gold Catholic cross necklace as well as his wedding ring.

For this early scene, Henry only wears a slim yellow gold watch with a gold dial and dark brown lizard leather band on his right wrist as well as a gold pinky ring with a ruby stone. Thanks to a 2022 Propstore auction, we know that Liotta wore an Orion quartz watch for these scenes.

Interesting (and actually true) piece of trivia: Joe Pesci’s character, Tommy, was actually born in 1950 and, thus, would’ve been 13 years old in this scene. Pesci was 46 when Goodfellas was filmed in mid-1989. The real Tommy died a few months before he would have turned 29 and was actually pretty tall and physically imposing. Although he didn’t look the part, Joe Pesci’s brilliant and frightening performance redefined the “psycho gangster”.

Henry wears a unique long-sleeved knit shirt, black throughout the body—collar, back, and sleeves—with the chest panels separated into four balanced stripes that gradiate from a light gray on the outside through a medium gray, charcoal, and finally black flanking the shirt’s seven-button placket. Each stripe section is separated by a thin light gray stripe, shadowed in black on each side.

The sweater-like shirt was likely knit from a light and luxurious merino wool. Meant to be worn untucked, the shirt has a straight hem and two black welted pocket openings at waist level.

Henry later wears the same knit shirt unbuttoned with brown trousers while holing up in his mistress Janice’s gaudy apartment.

Shirts like this are admittedly difficult to find, despite waves of retro-minded revivals over the years.

Update! In March 2022, Scott Fraser Collection included the “Goodfellas Idlewild Knit Shirt” among its Icon Series releases. Knit from 100% Italian merino wool, this shirt was designed to perfectly replicate screen-accurate details from the gradient gray stripes against the black ground to the set-in hip pockets.

Go Big or Go Home

While I wouldn’t recommend going out and joining the Mafia (the application process is a bitch, I hear), Goodfellas makes me want to eat immense meals of rigatoni bolognese, veal parmesan, and proscuitto, washed down with Scotch and red Chianti. Put the Sinatra on (or, to especially emulate this scene, Billy Ward and the Dominoes’ 1957 recording of “Stardust”), lean back against the trunk of a classic Impala convertible, and take a long drag of that cigarette. While a lying, cheating gangster like Henry is certainly no one to emulate, you have to admit that this scene makes him look very cool.

OK, I made myself hungry. Luckily for me, the prison scene gives me a few tips on how to make a great meal in less-than-desirable circumstances. Here is how to make the delicious sauce from the prison scene:

The guys in prison ate it with a fat steak—medium rare—and Italian bread. If you live in Pittsburgh, pick up some Mancini’s bread. Add wine, whiskey, and eat. Best enjoyed with “Beyond the Sea” by Bobby Darin playing.

For clearer and better instructions from someone who actually knows how to cook, see the link at the bottom of the page to master chef Dave Watts’ recipe. (Shortlist provides the full recipe by Watts, a chef who would know a lot more about cooking than I could ever hope to know. I didn’t want to copy Watts’ recipe, so I rewatched the scene a couple times and referenced what Dave had to say whenever I was in a quandary about exactly what they were doing.)

What to Imbibe

Henry’s drink of choice during the film is blended Scotch on the rocks. Although he is also seen with Cutty Sark (which most whisky drinkers wouldn’t give much credence to), Henry’s preferred drink is J&B Rare. Also the drink of Truman Capote, J&B Rare was introduced to the U.S. market to give the Brits an instant boost after the repeal of Prohibition in 1933.

Henry never seems to be without Scotch, even while behind bars.

(For anyone who hasn’t seen Goodfellas, prison garb for these men involves robes or Adidas track suits. Also for anyone who hasn’t seen Goodfellas, what the hell are you waiting for?)

Smoking is a bad habit to start and a harder one to kick, but—for the sake of being comprehensive—Henry’s cigarettes of choice were filtered “full-flavor” Winstons, lit with a brass Zippo.

Henry used a Smith & Wesson Model 36 like this 2″-barreled example to pistol-whip Karen’s harassing neighbor and the Tampa mob associate that lands them in the pen.

The Gun

Henry’s most frequently seen sidearm is a “snubnose” Smith & Wesson Model 36, the .38 Special revolver marketed in its early years as the “Chiefs Special” after Smith & Wesson hosted a vote to name its new firearm at the 1950 International Association of Chiefs of Police (IACP) conference. What would be redesignated the Model 36 in 1957 quickly earned a following amongst gangsters looking for a small but deadly weapon for close quarters shooting. The Model 36’s five-round capacity, compared to the six rounds of the Colt Detective Special, allowed for easier concealment at the cost of one more round. Since mobsters rarely got into shooting scrapes as much as the movies portrayed, they often just needed something that they could whip out and use to intimidate or—as seen liberally in Goodfellas—to pistol-whip.

Also like the Detective Special, the Smith & Wesson Model 36 was seen in use by plainclothes detectives and high-ranking police officers (or chiefs, as the marketing name might imply). Short-barreled .38s fell out of favor with both police and mobsters in the 1980s as departments began outfitting their officers and detectives with semi-automatics. Henry, too, is seen making the conversion.

By 1980, he carries a .380-caliber Astra Constable, a Spanish replica of the popular Walther PPK carried by everyone from James Bond to Adolf Hitler. Coincidentally, both the S&W Model 36 Chief’s Special and the Astra Constable imply use by police officers in their names. Perhaps Henry missed his true calling?

How to Get the Look

Joe Pesci and Ray Liotta in Goodfellas (1990)

A vintage gray silk suit would be a great find at a thrift store. However, to really get into the Goodfellas style, you’ll want one tailored to fit you perfectly.

Do Yourself a Favor and…

Check out the movie.

The Quote

Whenever we needed money, we’d rob the airport. To us, it was better than Citibank.

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