On January 18, 1904, Archibald Leach entered the world in Bristol, England and soon found stardom as Cary Grant. On the 109th anniversary of Grant’s birth, here is…
Cary Grant as Brian Cruikshank (aka Peter Joshua, Alexander Dyle, or Adam Canfield)
Paris, April 1963
Release Date: December 5, 1963
Director: Stanley Donen
Referred to as “the best Hitchcock movie that Hitchcock never made”, Charade is a well-made blend of espionage thriller, screwball comedy, romance, and whodunit mystery. It was one of Cary Grant’s final movies before his retirement after Walk, Don’t Run in 1966.
In the film, Grant plays the well-suited hero or foil (depending on the scene) to Audrey Hepburn’s character, a housewife who is gradually learning the layered criminal truth about her recently deceased husband. Grant, although 59 years old when the film was made, is convincing as an action hero, spending most of the final third of the film running, jumping, and shooting.
As to be expected, Grant is immaculately suited through most of the film.
What’d He Wear?
Although he has several wardrobe changes throughout the film, the most featured is the black suit worn in several scenes, including the famous climax chase through Paris.
The black suit is first introduced when Grant arrives at the home of Hepburn’s character, Regina “Reggie” Lampert, as she is mourning her husband (and her possessions). He pairs the suit with a pale blue button-down shirt and a medium blue necktie.
On his first date with Reggie, Grant again wears the suit, this time with a white button-down and solid forest green necktie. While wearing this suit the next day, Reggie spills some ice cream on it. Grant brags that the suit is “drip-dry” and proceeds to show her as much by wearing it into the shower – and thus foiling her plans to search it for clues to his identity.
Grant is next seen wearing the suit on a dinner date with Reggie on a boat traveling down the Seine (try and top that, Mr. I-Got-Us-Reservations-At-Chili’s). For this, he wears a white shirt and a dark blue solid necktie.
Finally, Grant suits up for the film’s climax in the black suit, white shirt, and same medium blue necktie worn earlier.Possibly expecting rain or moments of badassery, Grant pairs the ensemble with an ivory-colored knee-length Aquascutum raincoat. The coat is single-breasted with 5 light brown buttons. The sleeves fasten with a single smaller button on a tab across each cuff. There are no epaulettes, storm flaps, or belts, keeping the lines of the coat clean and fitted. Around his neck is a shirt-style collar. The rear has a single vent and a rear flap.
The suit itself is a soft black two-piece suit. At first I thought it was a dark navy, but lighting seems to confirm that it is indeed black or a degree of gray that is insanely dark.
The jacket is 3-button, with Grant often buttoning the bottom two. This isn’t recommended for most men, but it works with Grant’s frame and also has a practical purpose within the film. As Grant’s character wears his gun on his right hip, it keeps the weapon concealed while also providing a large enough opening for him to draw it with the button closed, if necessary.
Additional details of Grant’s suitcoat are 2-button cuffs, an open breast pocket for his eyeglasses, and a straight flapped hip pocket on each side. The jacket has a single rear vent.
The high rise trousers are flat front with plain bottoms. They fasten using a black nylon belt through belt loops.
Update: I’ve been playing around on color picker/hex websites lately (I know, a bit too late…) to try and solve some of the color conflicts I’ve been having. According to some sites, Grant’s suit is “woodsmoke”, “bunker”, “shark”, or “vulcan” colored. Both are very badass sounding colors, but did little to solve my black vs. charcoal vs. blue problem. Woodsmoke came up the most often, so I think it can be safely called a “dark woodsmoke blue” suit.
Grant wears a series of similar white shirts, with one pale blue exception, with the black suit. The shirts have a moderate spread collar and are slightly wider than what people typically associate with early ’60s collars. Grant often wore these wider collars to de-emphasize his muscular neck. The shirts have no breast pocket and appear to be a comfortable material like a soft silk. The shirt’s buttons are fastened on a front placket.
Single cuffs accomodate Grant’s links. In Charade, these are round translucent link-button style cuff links. A button further up the gauntlet keeps the sleeves in place.
Grant’s watch is simple and sensible; a plain black strap, round silver case, and a white face with a marking for each hour.
All of Grant’s ties are of a conservative width, getting slightly wider towards the bottom. They are surprisingly short for the time, but this makes sense given the high rise of Cary’s pants. With the green tie, Grant wears a gold tie pin to keep the tie in place. The tie pin serves a double purpose; he uses it to rig a device to booby trap Reggie’s hotel room door after their date.
Update: The color/hex sites mentioned above called Grant’s tie color “heavy metal”. Not sure I’d use that exact description, but it’s BAMF all the same.
Best seen when rigging Reggie’s door, Grant wears a pair of black leather two-eyelet derbies with a long toe. His socks are also black and very thin, as appropriate for dress socks.
Grant’s character wears his revolver in a right side hip holster. The holster itself is only seen clearly once, when Grant removes his jacket after a long night of orange-transferring and bad guy-chasing.
Go Big or Go Home
In a contrast to North by Northwest where Grant played an innocent man thrust into the world of espionage with a mysterious woman playing seemingly both for and against him at every turn, Charade finds Grant playing the mysterious man to Audrey Hepburn’s innocent woman finding herself surrounded by spies and assassins, unsure of whom to trust. (Who to trust? Whom? Whatever.)
Grant doesn’t get much time to get any on-screen drinking done, replacing his martini with a revolver. However, he does enjoy a highball in a Parisian nightclub before the action takes off and is also shown to enjoy skiing. So check those off of your list of things to appreciate (or look like you appreciate) in your lifelong quest to be like Cary Grant.
In another contrast from his usual roles, Grant finds himself to be the pursued, rather than the pursuer, in his relationship with Hepburn’s character. Having cited his concerns about playing the love interest to someone 25 years his junior – very gentlemanly too, I might add – the plot was adapted to have Hepburn trying to seduce Grant at every turn. Naturally, he can only resist so much before realizing, “Oh, right, this is Audrey Hepburn.”
How to Get the Look
In Charade, Grant shows how to diversify a simple wardrobe to fit the moment, wearing the same suit on a date, a meeting, and a chase through the streets and subways of Paris.
- Dark woodsmoke blue suit, consisting of:
- Single-breasted 3-button suitcoat with notch lapels, an open breast pocket, flapped straight hip pockets, and a single rear vent
- Flat front trousers with belt loops and plain-hemmed bottoms
- White comfortable dress shirt with a front placket, moderate spread collar, and single cuffs
- Plain-colored necktie (in light blue, dark blue, or forest green)
- Ivory-colored knee-length raincoat with 5-button single-breasted front, open side hip pockets, 1-button tab cuffs, shirt-style collar, rear flap, and single vent – I have read that Grant’s coat was made by Aquascutum.
- Black leather 2-eyelet derby shoes with a long tie
- Thin black dress socks
- Thin black nylon belt
- Translucent round link-style cuff links with a light gold frame
- Wristwatch with plain black strap, round silver case, and plain white face
- Eyeglasses with thick black frames
- Black leather hip holster (RHD) for S&W 2″ medium-frame revolver
As usual, you can buy all of these things but just keep in mind that Cary Grant will still look better than you.
Unusual for Cary Grant, his character wears and uses a gun throughout the film. The gun in question is a snubnose Smith & Wesson Model 10. The Model 10 was one of Smith & Wesson’s most popular handgun designs, having been around in various models since its introduction in 1899 as the “Military & Police Hand Ejector”. It introduced the venerable .38 Special cartridge to the firearms world and quickly shot to popularity among both police and criminals.
The snubnose Model 10 is an appropriate choice for Grant’s character, an American government agent who requires a concealed weapon just in case of an incident. He’s not James Bond, going out and getting into gunfights, but it’s good that he has something reliable and powerful at hand if he needs it.
The Model 10 is differentiated from the Model 36, the .38 snubbie used by Ray Liotta in Goodfellas as well as countless other film characters, as the Model 10 is a full-size 6-round revolver whereas the Model 36 only carries 5 rounds.
Do Yourself A Favor And…
Buy the Criterion Collection version of the movie. Since it’s in public domain due a Universal Pictures error back in the ’60s, many companies have released versions of varying quality. Only Criterion has issued a version clear enough to satisfy me.
Adam Canfield (since it’s his name in this scene): We didn’t steal it, there’s no law against stealing stolen money.
Regina “Reggie” Lampert: Of course there is!
Adam: There is?
Adam: When did they pass such a silly law?