Tagged: Cape Cod
Tough Guys Don’t Dance: Ryan O’Neal’s Party Sweater
Vitals
Ryan O’Neal as Tim Madden, ex-convict and aspiring writer prone to blackouts
Provincetown, Massachusetts, Summer 1986
Film: Tough Guys Don’t Dance
Release Date: September 18, 1987
Director: Norman Mailer
Costume Designer: Michael Kaplan
WARNING! Spoilers ahead!
Background
My family’s vacation in New England this week has me reflecting on my questionable decision last year to watch Norman Mailer’s self-directed adaptation of his own Cape Cod-set novel Tough Guys Don’t Dance.
Tough Guys Don’t Dance: Ryan O’Neal in Denim
Vitals
Ryan O’Neal as Tim Madden, ex-convict and aspiring writer prone to blackouts
Cape Cod, Fall 1986
Film: Tough Guys Don’t Dance
Release Date: September 18, 1987
Director: Norman Mailer
Costume Designer: Michael Kaplan
WARNING! Spoilers ahead!
Background
Oh man! Oh God, oh man! Oh God, oh man! Oh God, oh man! Oh God, oh man! Oh God…!
While some recognize Ryan O’Neal from 1970s classics like Love Story, Paper Moon, and Barry Lyndon and others know him for his supporting role on Bones, the above poetry has immortalized the actor’s performance from the baffling 1987 neo-noir Tough Guys Don’t Dance, adapted and directed by Norman Mailer from his own novel of the same name.
Today is the first anniversary of O’Neal’s April 20, 1941 birthday since his death in December 2023 at the age of 82. Continue reading
Warren Beatty’s White Suit in Reds
Vitals
Warren Beatty as John Silas “Jack” Reed, radical journalist and activist
Provincetown, Massachusetts, Summer 1916
Film: Reds
Release Date: December 4, 1981
Director: Warren Beatty
Costume Designer: Shirley Ann Russell
Background
Whether it’s because Labor Day is considered by some sartorial purists to be the last acceptable day for wearing summer whites or because the holiday originated to recognize the American labor movement, it feels appropriate for today’s post to explore Warren Beatty’s off-white summer suit as labor activist Jack Reed in his 1981 historical epic Reds.
Reds won three of the 12 Academy Awards for which it was nominated, including Beatty for Best Director, Maureen Stapleton for Best Supporting Actress, and Vittorio Storaro for Best Cinematography, though it had also been nominated for Best Picture and—of significant interest for this blog’s focus—Best Costume Design. Continue reading


