Tagged: Michael Richards

Kramer’s Cabana Shirts on Seinfeld

Michael Richards as Cosmo Kramer on Seinfeld (Episode 7.05: “The Hot Tub”)

Vitals

Michael Richards as Cosmo Kramer, eccentric “hipster doofus”

New York City to the Hamptons, Spring 1994

Series: Seinfeld (Seasons 5-9)
Created by: Larry David & Jerry Seinfeld
Costume Designer: Charmaine Nash Simmons
Costumer: Stephanie Kennedy

Background

As we begin planning summer getaways, it’s time to start getting your vacation clothes out of storage… and making sure your son didn’t sell them!

Puffy shirts, Gore-Tex, and “morning mist” had already established the comedic significance of costumes woven into Seinfeld‘s humor by the time the fifth-season episode “The Raincoats” aired 30 years ago today on April 28, 1994. In addition to the eponymous beltless trench coats referenced by the episode’s title, this two-parter directed by Tom Cherones also introduced a new wardrobe staple for the series: Kramer’s terry-lined cabana shirts. Continue reading

Seinfeld: 40 Significant Style Moments

Michael Richards, Julia Louis-Dreyfus, Jason Alexander, and Jerry Seinfeld in a promotional photo for Seinfeld

Vitals

Series: Seinfeld
Air Dates: July 5, 1989 — May 14, 1998
Created by: Larry David & Jerry Seinfeld
Costume Designers:
* Charmaine Nash Simmons (seasons 4-9)
* Ruth E. Carter (episode 1 only)
* Jane Ruhm (rest of season 1)
* Llandys Williams (season 2)
* Marie H. Burk (season 3)
Costume Supervisor/Key Costumer: Stephanie Kennedy (seasons 5-9)

Background

This Sunday will be the 25th anniversary of the finale of Seinfeld, the NBC sitcom that remains a pop culture touchstone more than a quarter-century later with phrases like “double-dipping”, “re-gifting”, “shrinkage”, and “yada yada yada” an enduring part of our lexicon… even if those saying them don’t know they originated from Seinfeld.

Centered around the neuroses and misadventures of four everyday New Yorkers, Seinfeld was hardly a fashion-oriented show, yet its focus on the minutiae of life means plenty of focus on the kind of comedy that can be derived from clothing, whether it’s as broad as a ridiculous jacket or as nitpicky as two buttons placed too closely together. Continue reading