Tagged: Jerry Seinfeld
Seinfeld: 40 Significant Style Moments

Michael Richards, Julia Louis-Dreyfus, Jason Alexander, and Jerry Seinfeld in a promotional photo for Seinfeld
Vitals
Series: Seinfeld
Air Dates: July 5, 1989 — May 14, 1998
Created by: Larry David & Jerry Seinfeld
Costume Designers:
* Charmaine Nash Simmons (seasons 4-9)
* Ruth E. Carter (episode 1 only)
* Jane Ruhm (rest of season 1)
* Llandys Williams (season 2)
* Marie H. Burk (season 3)
Costume Supervisor/Key Costumer: Stephanie Kennedy (seasons 5-9)
Background
This Sunday will be the 25th anniversary of the finale of Seinfeld, the NBC sitcom that remains a pop culture touchstone more than a quarter-century later with phrases like “double-dipping”, “re-gifting”, “shrinkage”, and “yada yada yada” an enduring part of our lexicon… even if those saying them don’t know they originated from Seinfeld.
Centered around the neuroses and misadventures of four everyday New Yorkers, Seinfeld was hardly a fashion-oriented show, yet its focus on the minutiae of life means plenty of focus on the kind of comedy that can be derived from clothing, whether it’s as broad as a ridiculous jacket or as nitpicky as two buttons placed too closely together. Continue reading
The Seinfeld Suede Jacket
Vitals
Jerry Seinfeld, observational comedian
New York City, Winter 1990
Series: Seinfeld
Episode: “The Jacket” (Episode 2.03)
Air Date: February 6, 1991
Director: Tom Cherones
Creator: Larry David & Jerry Seinfeld
Costume Designer: Llandys Williams
Background
Happy birthday, Jerry Seinfeld! Admittedly, the comedian typically doesn’t come to mind as a style icon; in fact, he may have been consistently the worst-dressed of the four leads on his eponymous ’90s sitcom, swimming in oversized sport jackets often paired with the incongruous combination of printed neckties, “dad jeans”, and white sneakers.
Having been a fan of the series since it was still airing new episodes (despite most of the jokes likely going over my head at that age), it wasn’t until rewatching the series beginning-to-end with my fiancée during one of my our many quarantine-inspired “comfort TV” marathons that I noticed just how frequently clothing drove the plot of the “show about nothing”, a series always propelled by the minutiae of everyday life.