Bing Crosby as Bob Wallace, Broadway crooner, World War II veteran, and “a lonely and miserable man”
Florida, December 1954
Film: White Christmas
Release Date: October 14, 1954
Director: Michael Curtiz
Costume Designer: Edith Head
Happy holidays! This Christmas Eve felt like an appropriate time to focus on White Christmas, the most successful film of 1954 and one of the most beloved holiday classics.
Every year around the holidays, my mom and I set aside an evening for “Bing and Booze”, mixing cocktails and watching White Christmas while wrapping presents for friends and family.
Ten years after Private Phil Davis (Danny Kaye) saved Captain Bob Wallace (Bing Crosby) from a falling wall at the German front during World War II, Wallace and Davis have risen to the top of the entertainment world. Following the final performance of their latest hit “Playing Around” before Christmas break, the partners find themselves spending their last two hours in Florida checking out the Haynes sisters’ double musical act as a favor “for a pal in the army.”
Luckily for Bob and Phil, “Freckle-Face Haynes, the dog-faced boy” had two sisters that fared considerably better than he in the looks department. Phil and Judy (Vera-Ellen) are immediately taken with each other, but Bob and Betty (Rosemary Clooney) are a touch more combative and cynical. Ever the schemer, Phil ropes Bob into performing the Haynes sisters’ signature act, “Sisters”, to allow the two women enough time to escape their irked landlord and the local sheriff.
Finally, Bob and Phil find themselves on their train to New York… though Phil has “misplaced” their tickets and urges a befuddled and beleaguered Bob to continue on to Vermont. Bob quickly learns that the mischievous Phil gifted the tickets to the Haynes sisters, who are indeed traveling to the “very Vermonty” destination of Pine Tree, Vermont, which “should be beautiful this time of year, all that snow.”
Bob: Miss Haynes, if you’re ever under a falling building and somebody runs up and offers to pick you up and carry you to safety, don’t think, don’t pause, don’t hesitate for a moment, just spit in his eye.
Betty: What did that mean?
Bob: It means we’re going to Vermont.
What’d He Wear?
White Christmas wasn’t Bing’s first time in costumes designed by the legendary Edith Head. “Having done costuming for a number of Bing Crosby and Bob Hope’s Road pictures prior to White Christmas, [Head] knew exactly how to make Crosby’s character shine,” notes Jeff Saporito for ScreenPrism.
Indeed, Crosby’s character shines off the screen from the start with a powder blue jacket that vividly echoes Bing’s eyes. The suiting consists of a subtle mini-check with thin blue widely-spaced over-stripes on a powder blue ground.
Bing Crosby’s odd jackets (i.e. non-suit jackets) in White Christmas all have a 3/2-roll front as the wide notch lapels roll over the top button, leaving two exposed, of which Bing correctly fastens only the top-showing center button. All buttons, including the three buttons on each cuff, are a mixed light blue.
A common characteristic of all of Bing’s White Christmas jackets (including his suit coats) is the presence of a narrowly flapped ticket pocket positioned just above the right-side hip pocket. Both hip pockets are flapped, and the jacket also has a welted breast pocket where Bob/Bing wears a white pocket square folded to show a single point above the welted opening. The jacket also has double vents.
In real life, Bing Crosby was a client of H. Huntsman, the legendary Savile Row tailor that has cut for celebrities from entertainers to royalty over its 170+ years in existence. I’m not sure if this or any of his White Christmas costumes were tailored by Huntsman, however.
Following the last Wallace and Davis show of the year, Bob Wallace removes his costume in their dressing room and buttons up a white shirt with an era-appropriate large semi-spread collar, plain front, and double (French) cuffs already fastened with a set of blue glass cuff links.
Aside from a brown pinstripe suit, almost all of Bing’s wardrobe in White Christmas incorporates some element of red, whether it’s a red shirt, red socks, or – as we see here – a predominantly red tie.
This ketchup-and-mustard, er, crimson-and-gold tie consists of sets of crimson red and mustard gold stripes, each set bordered by a black stripe, running “downhill” from right-down-to-left on a crimson red ground. Bing holds this tastefully wide tie in place with a slim gold tie bar.
Bob dresses in a pair of dark chocolate brown wool trousers with triple reverse pleats, providing an extremely full fit that was not uncommon during the pleat-happy postwar years. The trousers have cuffed bottoms, straight pockets along the sides, and no back pockets. The trouser fit adjusts around the waistband with a half-belt in the front that adjusts through a gold-toned buckle.
When Wallace and Davis take to the Novello’s stage for an encore performance of “Sisters”, Bob has his trouser legs rolled up to show off his gams, although he appears to be wearing a different pair of dark gray trousers with one or two less pleats to them.
The “Sisters” sequence also gives us a better look at Bob’s shoes, a pair of black leather cap-toe oxfords worn with gray cotton lisle socks held up with brown garters.
Bing Crosby bestows White Christmas audiences with a look at his white underwear, a cotton undershirt with a wide crew neck and reinforced short sleeve hems and a pair of white cotton briefs briefly glimpsed while changing his trousers after the show.
Bing Crosby wears his own wristwatch in White Christmas, a plain gold-toned watch on a tooled brown leather curved strap with a gold single-prong buckle. The watch appears in several other Crosby flicks of the ’50s such as High Society, where he also wears it with the timepiece on the inside of his wrist; though this could be explained as a holdout from Captain Wallace’s service in the U.S. Army, it’s one of the many real-life Bing Crosby traits that the actor brought to his performance.
When boarding the train to
New York Vermont, Bob wears a short-brimmed gray felt fedora with a wide black grosgrain band.
The fellas hardly had time to pack with the sheriff banging on the sisters’ dressing room door, but Bob’s got a pile of coats and jackets under his arm, some of which eventually appear during the duo’s duration in Vermont.
The real Bing Crosby was a natty dresser throughout his half-century career, and he brings his gift for sartorial flair to the Edith Head-designed costumes of White Christmas, particularly this colorful ensemble for a holiday evening out in Florida.
- Powder blue subtly checked single-breasted 3-roll-2-button jacket with welted breast pocket, straight flapped hip pockets with ticket pocket, 3-button cuffs, and double vents
- White linen pocket square
- White shirt with large semi-spread collar, plain front, and double/French cuffs
- Blue glass cuff links in gold settings
- Crimson red tie with mustard gold R-down-L stripe series
- Slim gold tie bar
- Dark chocolate brown wool triple reverse-pleated trousers with self-belt, straight/on-seam side pockets, and turn-ups/cuffs
- Black leather cap-toe oxford shoes
- Gray cotton lisle socks
- Brown sock garters
- White cotton boat-neck undershirt with hemmed short sleeves
- White cotton briefs
- Gold wristwatch on tooled brown leather curved strap
- Gray felt short-brimmed fedora with black grosgrain band
Do Yourself a Favor and…
Check out the movie, and have a very happy holiday season!
You wouldn’t do this to me… after you dressed me up like a dame.