Robert Redford as Roy Hobbs, baseball prodigy and “middle-aged rookie”
New York, June 1939
Film: The Natural
Release Date: May 11, 1984
Director: Barry Levinson
Costume Design: Gloria Gresham & Bernie Pollack
Baseball season is back and in full swing (forgive the pun), and I’m feeling much better about it this year after my hometown Pirates won their home opener against the Twins yesterday, making us 4-0 for the season… after last year, I’ll take all the hope I can get! In the spirit of America’s pastime, today’s post explores one of the great baseball movies ever made.
Based on Bernard Malamud’s 1952 debut novel – and considered by many to be an improvement on it – The Natural stars Robert Redford as Roy Hobbs, an earnest, homespun, and sincere baseball player whose sole ambition is glory on the diamond. As he himself wonders, “What else is there?”
Of course, when we first meet Roy Hobbs in media res, you’d never know it to look at him that he was about to embark on his last shot at big-league stardom.
It’s 1939, nearly midway through the season, and a full 16 years since Roy was an eager-eyed rookie on his way to try out with the Cubs before he was shot and nearly killed by the dark and deranged Harriet Bird (based on the real-life shootings of Eddie Waitkus and Billy Jurges), seriously waylaying his baseball dreams. Somewhere along the way, a cynical but no less honest Roy decided to get back into the game and finds himself traded up from the semi-pro Hebrew Oilers to the struggling New York Knights.
Roy wanders into the Knights’ stadium during a sparsely attended game where the team is losing dismally to the Pirates (go Bucs!) The Knights’ cantankerous manager Pop Fisher (Wilford Brimley, of course), has just been bristling about his missed opportunities as a farmer and has no time for adding a “middle-aged rookie” to his team.
Roy isn’t deterred by Pop’s discourteous orientation, however. It’s been a hard life for him since taking a .38 in the gut, and nothing will get in the way of him and his goal… especially since he knows it can all be taken away from him in a flash. Roy knows better than to be too trust his chances this time, but you gotta give him credit – he’s still going for it. As he tells the team’s avuncular co-manager:
Red, it took me 16 years to get here. You play me, and you’ll get the best I got.
What’d He Wear?
You can tell that Roy Hobbs has seen things when we first meet him. His well-worn leather jacket and fedora nod to the adventurous spirit of Indiana Jones, and Roy is only barely wearing his tie, loosened around his neck with an unbuttoned shirt collar that tells us he never meant for the look to be complete to begin with.
Roy later graduates to corduroy and eventually tweed jackets when he finds success on the Knights’ roster, but it’s the “skid row” leather jacket that remains a fan favorite to the extent that the demand caused Magnoli Clothiers to develop their own version, currently available for $425.
It shares some stylistic similarities to the U.S. Navy’s then-contemporary G8/Type 440 flight jacket, but Roy Hobbs’ tough brown cowhide jacket stands in a class of its own. The jacket has a zip-up front with a substantial shirt-style collar, horizontal yokes on the front and back, and set-in sleeves with a diamond-ended single-button cuff at the end of each.
Perhaps most similar to the naval flight jackets of the era are the bellows-type patch pockets on the hips, each covered with a flap. Two short oval-shaped tabs on the back – one on the right, one on the left – adjust the fit around the waist.
This “downtrodden” look certainly invites comparison to the tight, buttoned-up look of the eager 19-year-old Roy (who, yes, was still magically played by the 47-year-old Robert Redford). While young Roy wore a boyish tweed cap, stiff club collar and tie, and argyle sweater vest tucked in to his trousers and worn under suspenders, the older, more grizzled Roy opts for a dirty hat, loosened collar and tie, and a sloppy jacket. Fashion – and even fashionable decorum – may have changed in 16 years, but not nearly at the rate at which Roy’s outlook had evolved.
Roy’s spirit has certainly been punctured by the time he arrives in the Knights’ dugout for the first time, but he’s still the all-American boy underneath, with his shirt and tie hinting at his red, white, and blue spirit. The light blue hairline-striped cotton shirt has a point collar, front placket, breast pocket, and button cuffs. His salmon colored tie has a subtle tan repeating pattern and is tied in a small knot, worn loosely around his neck.
After Roy checks in to the hotel, he changes into a plain white cotton shirt and a maroon tie with a tan leaf-like Deco-styled motif. The shirt is styled the same as his light blue striped shirt, and under both shirts he wears a white ribbed sleeveless undershirt.
Roy’s double reverse-pleated trousers are a purplish shade of brown, along the elusive “puce” spectrum. The trousers have side pockets, narrow turn-ups (cuffs), and belt loops where Roy wears a substantial brown leather belt with a polished brass single-prong buckle. The belt coordinates with his shoes, a well-worn pair of brown leather cap-toe oxfords worn with dark brown cotton lisle socks.
The silver ring on the third finger of Roy’s right hand should be familiar to Robert Redford fans; the actor received it as a gift in 1966 from the Hopi tribe, and he has worn it in most of his films since.
Atop his head, Roy sports that most gentlemanly of ’30s headgear, the classic wide-brimmed fedora. Roy’s brown felt hat has evidently taken a tough path to get here, with a brown grosgrain band that has evidently faded around the top to a reddish tint.
Interestingly, Roy’s hat is a dead ringer for the one that his father Ed (Alan Fudge) wears in the flashback to Roy’s childhood, right down to the degree of fading along the top of the grosgrain band.
The flashback is set in 1915, nearly a decade before the fedora was popularized as the American man’s hat of choice following a visit from the Prince of Wales. From the 1890s to that point, it had been primarily worn by women and was even adopted as an unofficial symbol of the women’s suffrage movement in the early 20th century.
How to Get the Look
All-American baseball hero Roy Hobbs looks like the weary answer to Indiana Jones as he shows up to his first day on the professional diamond in a weather-beaten leather jacket, fedora, and shoes with a tie seemingly worn as an afterthought.
- Brown distressed cowhide leather zip-up jacket with shirt-style collar, front and back horizontal yokes, flapped patch side pockets, adjustable button side-tabs, and single-button pointed cuff tabs
- Light blue hairline-striped cotton shirt with point collar, front placket, breast pocket, and button cuffs
- Salmon printed cotton tie
- Purplish brown wool double reverse-pleated trousers with belt loops, side pockets, and turn-ups/cuffs
- Brown leather belt with polished brass single-prong buckle
- Brown leather 5-eyelet cap-toe oxford shoes
- Dark brown cotton lisle socks
- White ribbed cotton sleeveless undershirt
- Silver Hopi Indian ring with black imprint, worn on right ring finger
- Brown felt fedora with faded brown grosgrain band
Do Yourself a Favor and…
I just got back in the game.