Tagged: Grand Prix (1966)
Grand Prix: James Garner’s Derby-Style Jacket
James Garner as Pete Aron in Grand Prix (1966)
Vitals
James Garner as Pete Aron, determined Formula One driver
Monaco, Spring 1966
Film: Grand Prix
Release Date: December 21, 1966
Director: John Frankenheimer
Costume Supervisor: Sydney Guilaroff
Background
The 2020 Monaco Grand Prix was to begin today, which also commemorates the 60th anniversary of the Monaco Grand Prix’s first inclusion in the inaugural FIA World Championship. Unfortunately, the spread of the dangerous coronavirus pandemic resulted in the race being cancelled for the first time since the 1954 Formula One season.
“In my opinion, still the best picture ever made about auto racing,” wrote James Garner in his memoir, The Garner Files, an opinion into which I put a lot of stock given the actor’s real-life passion for racing and his characteristic modest regarding his own cinematic career. Continue reading
Grand Prix: James Garner’s Burgundy Blazer and Shelby GT350H
James Garner as Pete Aron in Grand Prix (1966)
Vitals
James Garner as Pete Aron, determined Formula One driver
Clermont-Ferrand, France, Summer 1966
Film: Grand Prix
Release Date: December 21, 1966
Director: John Frankenheimer
Costume Supervisor: Sydney Guilaroff
Background
#CarWeek continues with Grand Prix, the action-packed, globe-trotting racing epic that director John Frankenheimer made in the tradition of Grand Hotel with a talented international cast including James Garner, Eva Marie Saint (who celebrated her 95th birthday yesterday), Yves Montand, Toshiro Mifune, Jessica Walter, Brian Bedford, and Thunderball villain Adolfo Celi. As a talented driver in his own right, Garner looks natural behind the wheel as Pete Aron, the Formula One driver hoping to salvage his career after gaining a reckless reputation, and the unique racing cinematography—in part credited to “visual consultant” Saul Bass—make the film a must for fans of the racing genre and earned the film its well-deserved Academy Awards for Best Sound Effects (Gordon Daniel), Best Film Editing, and Best Sound (Franklin Milton).