Tagged: Beige / Tan V-neck Sweater
East of Eden: James Dean’s Tan Sweater and Sport Shirt
Vitals
James Dean as Caleb “Cal” Trask, angsty and entrepreneurial farmer’s son
Monterey to Salinas, California, Spring 1917
Film: East of Eden
Release Date: March 9, 1955
Director: Elia Kazan
Costume Designer: Anna Hill Johnstone
Background
Despite his profoundly lasting cultural impact as a 1950s screen and style icon, James Dean only starred in three credited films before his death 71 years ago today on September 30, 1955. Of these, Elia Kazan’s adaptation of John Steinbeck’s epic novel East of Eden was the only to actually be released during his lifetime.
Steinbeck took inspiration from the biblical story of Cain and Abel, graphed onto the moody Cal Trask (Dean) and his brother Aron (Richard Davalos), who both vie to impress their devout father Adam (Raymond Massey) as well as Aron’s girlfriend Abra (Julie Harris).
The novel follows the Trask family settling in California’s Salinas Valley during the 1860s through Cal and Aron’s drama through the end of World War I. The 1955 film was entirely set during these later years, though the new 2026 miniseries (releasing on Netflix tomorrow!) likely follows the family saga across Steinbeck’s full timeline.
What’d He Wear?
Costume designer Anna Hill Johnstone dressed James Dean primarily in layered neutrals as Cal Trask, perhaps signaling his impartial vulnerability while also allowing him to be both literally and mentally stripped down over the course of his emotional journey. His open-neck shirts and sweaters may seem surprisingly contemporary to modern viewers—and Johnstone surely wanted younger audiences to relate to Cal by not making him look inaccessibly old-fashioned—but historical photography and catalogs depict younger men increasingly embracing casual sportswear throughout the 1910s. Continue reading
Terence Stamp’s Layered Neutrals in Teorema
Vitals
Terence Stamp as “The Visitor”, enigmatic young seducer
Milan, Italy, Spring 1968
Film: Teorema
(English title: Theorem)
Release Date: September 7, 1968
Director: Pier Paolo Pasolini
Costume Designer: Roberto Capucci (credited for Silvana Mangano’s clothes)
WARNING! Spoilers ahead!
Background
After Terence Stamp’s death last year, I realized how little of the actor’s filmography I had seen, particularly from early in his career when he and his then-roommate Michael Caine were the toasts of swinging London. Naturally, the first place I turned was the Criterion Channel, which included Teorema—a surrealist psychological drama that was director Pier Paolo Pasolini’s first film to feature primarily professional actors.
Stamp stars as a mysterious man known only as “the visitor”, whose seduction of every member of a bourgeois household forces the family to confront difficult truths about themselves—and whose eventual departure leaves an existential void in each person’s soul.
Translated to “Theorem”, as it was known in some English-speaking countries, Teorema premiered 58 years ago yesterday on September 4, 1968 during the 29th Venice International Film Festival, where it received a special award from the International Catholic Film Office—only for the award to be swiftly withdrawn after the Vatican criticized the film’s sexual content. It was widely released three days later. Continue reading
Three Days of the Condor: Joubert’s Houndstooth Coat
Vitals
Max von Sydow as G. Joubert, French Alsatian contract assassin
Chevy Chase, Maryland, Christmas 1975
Film: Three Days of the Condor
Release Date: September 24, 1975
Director: Sydney Pollack
Costume Designer: Joseph G. Aulisi
WARNING! Spoilers ahead!
Background
Unlike BAMF Style holiday favorites Die Hard, On Her Majesty’s Secret Service, or The Thin Man, Three Days of the Condor doesn’t directly address its Christmas setting, instead letting the otherwise cheery atmosphere, decor, and music be infiltrated by the increasing paranoia of its leading character, CIA researcher Joe Turner (Robert Redford), forced on the run after a massacre at his office.
Engineered by CIA Deputy Director Leonard Atwood (Addison Powell)’s secret intra-agency faction, the massacre was carried out under the supervision of Joubert, an enigmatic contract killer who takes it upon himself to finish the job after a timing snafu allows Turner, alias “Condor”, to escape. Continue reading



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