Tagged: Directed by Paul Thomas Anderson

Inherent Vice: Doc’s Blue Denim Western Shirts

Joaquin Phoenix as Doc Sportello in Inherent Vice (2014)

Vitals

Joaquin Phoenix as Larry “Doc” Sportello, hippie private investigator

Los Angeles County, Fall 1970

Film: Inherent Vice
Release Date: December 12, 2014
Director: Paul Thomas Anderson
Costume Designer: Mark Bridges

Background

Adapted from Thomas Pynchon’s novel of the same name, Inherent Vice premiered as the centerpiece of the New York Film Festival ten years ago today on October 4, 2014, two months before its initial public release.

“Doc may not be a do-gooder, but he’s done good,” the trailer describes of the protagonist Larry “Doc” Sportello, the stoner sleuth played by Joaquin Pheonix who reprised his Oscar-winning role of Arthur Fleck in Joker: Folie à Deux, released in theaters today.

Five years before he first donned Joker’s clown makeup, Phoenix framed his face in mutton chops as the scraggly beach-dwelling private eye spurned into action by visits from his estranged ex-girlfriend Shasta Fay Hepworth (Katherine Waterston), first to ask his help in protecting the real estate developer she’s been seeing. Continue reading

Boogie Nights: Burt Reynolds’ Red Finale Safari Suit

Burt Reynolds as Jack Horner in Boogie Nights (1997)

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Burt Reynolds as Jack Horner, avuncular adult film director

San Fernando Valley, California, Summer 1984

Film: Boogie Nights
Release Date: October 10, 1997
Director: Paul Thomas Anderson
Costume Designer: Mark Bridges

WARNING! Spoilers ahead!

Background

Although the film contains very little that I can personally relate to (other than, perhaps, margarita-fueled arguments about Star Wars), the end of Boogie Nights has always reminded me of the end of summer.

Set just before dusk on a June night in the San Fernando Valley, the finale is comprised of just two long shots: one following pornographer Jack Horner (Burt Reynolds) through the hallowed halls of his MCM dream house, and the movie’s iconic final shot that finally reveals Dirk Diggler’s much-discussed money maker to the audience. Continue reading

Punch-Drunk Love: Barry’s Blue Suit

Adam Sandler as Barry Egan in Punch-Drunk Love

Adam Sandler as Barry Egan in Punch-Drunk Love (2002)

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Adam Sandler as Barry Egan, anxious novelty swag entrepreneur

San Fernando Valley (and Hawaii), Spring 2002

Film: Punch-Drunk Love
Release Date: October 11, 2002
Director: Paul Thomas Anderson
Costume Designer: Mark Bridges

Background

Though it would be widely released in theaters five months later, today marks the 20th anniversary of when Paul Thomas Anderson’s offbeat romantic comedy Punch-Drunk Love premiered at Cannes in May 19, 2002.

A fan of his work in lower-brow ’90s comedies like Billy Madison, Happy Gilmore, and The Waterboy, Anderson had been interested in collaborating with Adam Sandler, sensing the greater dramatic potential under his distinctive comedic signature. The unconventional casting choice baffled entertainment journalists and even Sandler himself, though he delivered a career-high performance as Punch-Drunk Love‘s central character, Barry Egan. Continue reading

Boogie Nights: Don Cheadle’s White ’80s Suit

Don Cheadle as Buck Swope in Boogie Nights (1997)

Don Cheadle as Buck Swope in Boogie Nights (1997)

Vitals

Don Cheadle as Buck Swope, adult film star-turned-stereo entrepreneur

Los Angeles, Winter 1983

Film: Boogie Nights
Release Date: October 10, 1997
Director: Paul Thomas Anderson
Costume Designer: Mark Bridges

WARNING! Spoilers and gore ahead!

Background

Approaching the new year and the prospect of fresh starts, I wanted to revisit the modern masterpiece Boogie Nights and in particular one of its ensemble cast that I have always found most compelling: Don Cheadle’s performance as the well-meaning but oft-hindered Buck Swope, a former porn actor looking to build a new life with his wife and fellow ex-porn star Jessie (Melora Walters).

After his employment history interferes with his prospects to fund his entrepreneurial endeavor to open his own stereo shop, Buck encounters a reversal of fortune just two weeks before Christmas. Continue reading

Inherent Vice: Doc’s Jungle Jacket

Joaquin Phoenix as Doc Sportello in Inherent Vice (2014)

Joaquin Phoenix as Doc Sportello in Inherent Vice (2014)

Vitals

Joaquin Phoenix as Larry “Doc” Sportello, hippie private investigator

Los Angeles County, Fall 1970

Film: Inherent Vice
Release Date: December 12, 2014
Director: Paul Thomas Anderson
Costume Designer: Mark Bridges

Background

One of my favorite “new watches” over the last year was Inherent Vice, adapted from the Thomas Pynchon novel of the same name. Inherent Vice follows “Doc” Sportello, a stoner private eye dwelling in the fictional hippie enclave of Gordita Beach in southern California at the end of the ’60s. Like the best of P.I. pulp fiction, Doc’s case begins with a late visit from a young woman, in this case his ex-girlfriend Shasta Fay Hepworth (Katherine Waterston) seeking his help investigating land developer Mickey Wolfmann. When another client’s request also intersects with Wolfmann, Doc’s “paranoia alert” is triggered as he’s set on a path that intersects him with an aggressive detective, a plum-suited dentist, and a drug counselor who “[tries] to talk kids into sensible drug use.”

Continue reading

Boogie Nights: Don Cheadle in Red Western-Inspired Leisurewear

Don Cheadle as Buck Swope in Boogie Nights (1997)

Don Cheadle as Buck Swope in Boogie Nights (1997)

Vitals

Don Cheadle as Buck Swope, porn actor and aspiring electronics store owner

San Fernando Valley, Summer 1977

Film: Boogie Nights
Release Date: October 10, 1997
Director: Paul Thomas Anderson
Costume Designer: Mark Bridges

Background

In the mood for some midweek summer leisure looks, I was inspired by the parade of ’70s style in Boogie Nights. As with so many period productions set during the disco era, Boogie Nights features plenty of the big collars, flashy jewelry, and polyester we’ve come to associate with that decade, and its focus on the porn industry—despite Jack Horner’s insistence that his “pictures” may be a higher art than the era’s run-of-the-mill smut—takes us through the tackier side of a decade already oft reviled for its sartorial excess.

Among the sprawling ensemble cast, I’ve always enjoyed Don Cheadle’s performance as Buck Swope, the conflicted actor in Horner’s troupe constantly wrangling with his identity. Continue reading