Tagged: Mel Gibson
Mad Max
Mel Gibson in Mad Max (1979)
Vitals
Mel Gibson as Max Rockatansky, taciturn Main Force Patrol officer-turned-vigilante
Victoria, Australia, “A few years from now” (early 1980s)
Film: Mad Max
Release Date: April 12, 1979
Director: George Miller
Costume Designer: Clare Griffin
WARNING! Spoilers ahead!
Background
Mad Max, George Miller’s dystopian action thriller set in Australia, celebrates its 45th anniversary today. This film marked the beginning of a series that would include three sequels throughout the ’80s, revived with the highly acclaimed Mad Mad: Fury Road in 2015.
Before the sequels’ increasingly elaborate productions, the original Mad Max was a relatively straightforward road movie-meets-Western. It was made on a modest budget of A$400,000, shot guerrilla-style in the Melbourne area through the last months of 1977. Although met with mixed reviews upon its release in April 1979, Mad Max went on to shatter box office records, grossing over $100 million worldwide. Its success not only opened up the global market for Australian cinema but also catapulted the 23-year-old Mel Gibson to stardom for his portrayal of the titular Max Rockatansky. Continue reading
Tequila Sunrise: Mel Gibson’s Post-Swim Herradura
Mel Gibson and Michelle Pfeiffer in Tequila Sunrise (1988)
Vitals
Mel Gibson as Dale “Mac” McKussic, retired drug dealer
Los Angeles, Summer 1988
Film: Tequila Sunrise
Release Date: December 2, 1988
Director: Robert Towne
Costume Designer: Julie Weiss
Background
Following his success as a screenwriter—credited and uncredited—on some of the most memorable movies of the ’70s, Robert Towne intended for his sophomore directorial film, Tequila Sunrise, to be something of a spiritual follow-up to Chinatown, which… it isn’t.
Don’t get me wrong, I did get some enjoyment out of Tequila Sunrise and there’s no denying that it’s refreshingly original—almost to a questionable degree—but I would argue it’s not even close to the same league as Chinatown, let alone Bonnie & Clyde, The Godfather, The Last Detail, Marathon Man, or the other excellent films that benefited from Towne’s contributions.
Several had recommended Tequila Sunrise to me for its style, and I’ll admit the name intrigued me, so I mentally scheduled to watch it and write about it in time for #NationalTequilaDay, celebrated annually on July 24… so happy National Tequila Day!
Payback: Porter’s New Suit
Mel Gibson as Porter in Payback (1999).
Vitals
Mel Gibson as Porter, cynical but straightforward career criminal
Chicago, Spring 1974…sort of
Film: Payback
Release Date: February 5, 1999
Director: Brian Helgeland
Costume Designer: Ha Nguyen
Background
Payback is one of those movies that I always enjoy more than I expect to. Short, sweet, and self-aware, it lives in the same universe as Archer where decades are blended to create one ambiguous super-era with cars, clothing, technology, and pop culture spanning the 1970s through the 1990s though clearly meant to be a throwback to the Charley Varrick era of the early 1970s when pulp crime dominated screens. Continue reading
Lethal Weapon: Riggs’ Blue Shirt and Jeans
Mel Gibson as LAPD Det. Martin Riggs in Lethal Weapon (1987).
Vitals
Mel Gibson as Martin Riggs, gradually less-crazy LAPD detective
Los Angeles, Christmas 1987
Film: Lethal Weapon
Release Date: March 6, 1987
Director: Richard Donner
Costume Designer: Mary Malin
Background
After spending a few days with the suicidal Martin Riggs, we begin to see a less crazy side of him as he warms to his partnership with the older and more stoic Danny Glover Roger Murtaugh. No longer does Riggs need to be classified as the titular “lethal weapon”, as he concerns himself more with solving the case and getting revenge on L.A.’s murderers than with putting himself out of his misery. Continue reading
Lethal Weapon: Riggs’ Gray Jacket and Jeans
Mel Gibson as Det. Martin Riggs in Lethal Weapon (1987).
Vitals
Mel Gibson as Martin Riggs, suicidal LAPD detective
Los Angeles, Christmas 1987
Film: Lethal Weapon
Release Date: March 6, 1987
Director: Richard Donner
Costume Designer: Mary Malin
Background
In a way, Lethal Weapon is too entertaining for its own good. It’s a bit corny, it’s a bit ’80s, and it’s a bit over-the-top, but it set the standard for the “buddy cop comedy” with its bizarre but efficient mix of neo-noir (a sax soundtrack in L.A.) and The Three Stooges. Over the years, it has been constantly compared to Die Hard, often unfavorably. While they both involve “loose cannon” left-handed cops in L.A. at Christmas, both armed with Beretta 92F pistols, the two films are radically different.
Lethal Weapon‘s main character (partnership be damned) is Martin Riggs, an LAPD narc who is very good at his job, mostly because he doesn’t care if he lives or dies. The film follows Riggs as he is partnered with the older and wiser Sgt. Roger Murtaugh. They both learn from each other and manage to solve the case by throwing smoke grenades in the desert, getting electroshocked, and beating the shit out of Gary Busey. Now if that doesn’t sound entertaining, what does? Continue reading