Tagged: Rod Taylor
The Birds: Mitch’s Donegal Tweed Suit
Vitals
Rod Taylor as Mitch Brenner, defense lawyer
Bodega Bay, California, Summer 1962
Film: The Birds
Release Date: March 28, 1963
Director: Alfred Hitchcock
Wardrobe Supervisor: Rita Riggs
WARNING! Spoilers ahead!
Background
Today is the 60th anniversary of the release of The Birds, Alfred Hitchcock’s avian horror yarn adapted from Daphne du Maurier’s 1952 novella and a real-life incident in August 1961 as scores of birds crashed into the streets and rooftops of the central California town of Capitola.
The Birds centers around Melanie Daniels (Tippi Hedren), an attractive travelers’ aid secretary from San Francisco whose flirtatious pranks with the charming attorney Mitch Brenner (Rod Taylor) lead about an hour north to the idyllic seaside village of Bodega Bay. Melanie’s surprise visit isn’t ultimately unwelcome, and Mitch invites her to join his little sister Cathy’s 11th birthday parry the following day. Continue reading
Rod Taylor’s Velvet-Trimmed Dinner Jacket in The Glass Bottom Boat
Vitals
Rod Taylor as Bruce Templeton, charismatic aerospace lab chief
Long Beach, California, Spring 1966
Film: The Glass Bottom Boat
Release Date: June 9, 1966
Director: Frank Tashlin
Costume Designer: Ray Aghayan (credited with Doris Day’s costumes only)
Background
In honor of Aussie actor Rod Taylor’s birthday on January 11, 1930, today’s post explores the first movie of his that I’d seen. The Glass Bottom Boat reteamed Taylor with Doris Day after their collaboration the previous year in Do Not Disturb, this time in a Cold War-era romantic comedy where Doris’ PR flack is suspected of being a spy sent by Mother Russia to seduce scientific secrets out of Bruce Templeton, the debonair head of a NASA research facility.
Rod Taylor’s Baracuta Jacket in The Glass Bottom Boat
Vitals
Rod Taylor as Bruce Templeton, charismatic aerospace lab chief
Long Beach, California, Spring 1966
Film: The Glass Bottom Boat
Release Date: June 9, 1966
Director: Frank Tashlin
Costume Designer: Ray Aghayan (credited with Doris Day’s costumes only)
Background
In the years since I’ve started this blog, I’ve discovered that there are many unsung “style heroes” that are often lost in the discussion of Cary Grant, Clark Gable, and Steve McQueen, including actors like Rod Taylor who brought understated elegance to flatteringly tailored suits and timeless casual attire alike.
I was first familiar with Taylor in The Glass Bottom Boat, one of my grandma’s favorite movies and one that we used to watch until we wore the VHS tape thin. Rewatching The Glass Bottom Boat two decades after those weekends at Grandma’s house, the plot holds up as one of the better and funnier of Doris Day’s filmography from the era, a romantic comedy infused with space age style and wit from some of the most talented and recognizable comedic actors of the era like Dom DeLuise, Paul Lynde, Dick Martin, John McGiver, and Alice Peace.
The plot centers around a flirtation between “space wizard” Bruce Templeton (Taylor) and his aerospace research lab’s latest PR fire, Jennifer Nelson (Day). He assigns her the secret—and ultimately fictional—Project Venus, ostensibly tasking her with writing his biography when it’s really just the researcher’s way of spending more time with the “kooky” young widow while conducting work like overseeing an evening test launch from his Long Beach lab.
What’d He Wear?
Taking a break from his natty tailored wear that includes business suits, blazers, and sport jackets, Bruce dons a beige Baracuta G9 blouson for his nighttime research. This was 1966, the same year that Frank Sinatra wore his own beige and navy Baracutas in Assault on a Queen and around the same time that Ryan O’Neal’s character Rodney Harrington popularized the jacket on Peyton Place, establishing the garment’s unofficial sobriquet as the “Harrington jacket.”
The British company Baracuta had introduced its cotton gabardine double-zip windbreaker in the 1930s, marketed for the golf course (hence the “G” in G9) though it soon found favor as a comfortable weather-proof style staple and inspired scores of copycats, particularly after the brand began exporting the G9 to the United States in 1954. Once the G9 went stateside and found fans among icons like Elvis Presley and Steve McQueen, there was no stopping its rise in popularity. (You can read more about the G9’s history at the official Baracuta website.)
In addition to the classic two-button standing collar, knit cuffs and hem, and slanted hand pockets with single-button flaps, Taylor’s raglan-sleeve Harrington jacket is clearly lined with Baracuta’s distinctive Fraser tartan plaid in red, green, navy, and white which had been approved by Lord Fraser shortly after the jacket’s 1937 introduction.

Bruce’s unzipped Harrington jacket reveals the Fraser tartan plaid lining characteristic to true Baracuta jackets.
More than 80 years after their introduction, Baracuta continues to offer the G9 in a continually increasing range of colors and fabrics, from a Rebel Without a Cause-inspired red to a warmer corduroy. The standard shell has evolved from its original cotton gabardine construction to a weatherproof blend of 50% cotton and 50% polyester as well as a breathable Coolmax® lining in a 65% cotton, 35% polyester blend.
Taylor wears a light blue polo shirt with a long three-button top that extends down to mid-chest, and he wears all three of the widely spaced buttons undone. Bruce Templeton evidently keeps a few light blue pocket polos in his collection as he also wears a similarly colored short-sleeve polo later in the film for a laidback night lounging at home with Jennifer, though that polo shirt is a richer sky blue and only has a two-button opening as opposed to the three-button polo he wears with the Baracuta jacket.
Bruce wears dark gray trousers with a fit over his hips that suggests a darted front, the less-celebrated but certainly effective alternative to pleats or a traditional “flat front”. He wears the trousers with no belt, instead fastened around his waist with an extended square-ended tab that closes through a single button.
Assuming that these are the same trousers he later wears with his navy blazer, they would also have belt loops, front pockets but no back pockets, and plain-hemmed bottoms.
Bruce’s wristwatch throughout The Glass Bottom Boat is a slim gold dress watch with a gold dial and flat gold bracelet, concealed by the ribbed cuff on his jacket’s left sleeve for this particular sequence.
The scene’s brief opening shot suggests that Bruce wears the same black leather side-gusset loafers that he wears with his suits at work. Despite his vast wealth and wardrobe—Bruce tends to wear these same shoes with everything, though it would appeal to his sense of practicality to have one pair of shoes that he can effectively wear with Harrington jackets, dinner jackets, and everything in between. Though American businessmen led the way in de-formalizing office wear in mid-century, slip-on shoes grew increasingly fashionable for men around the world to wear with lounge suits against the gradually less formal backdrop of the 1960s professional world.

Jennifer and Bruce’s “meet cute” earlier in the movie when he pulled her stuck heel from a vibrating grate. He would wear thees same side-gusset loafers with essentially all of his on-screen wardrobe.
Bruce isn’t the only Baracuta wearer in The Glass Bottom Boat. We very briefly see his helicopter pilot, Jim, sporting a navy Baracuta G9 with the distinctive Fraser Tartan lining as he waits for Bruce to join him in the passenger seat.

Jim wears a navy Baracuta G9 not unlike Steve McQueen wore in The Thomas Crown Affair.
How to Get the Look
In The Glass Bottom Boat, Rod Taylor illustrates the stylish staying power of simple essentials like a neutral-colored Harrington jacket, light blue shirt, and gray slacks, an ensemble that worked as well more than half a century ago as it does when worn by sharp dressers like Shawn today.
- Beige waterproof cotton Baracuta G9 zip-up blouson-style “Harrington jacket” with two-button standing collar, slanted hand pockets with single-button flaps, ribbed knit cuffs and hem, and red Fraser tartan plaid lining
- Light blue short-sleeve polo shirt with three-button top and breast pocket
- Dark gray darted-front trousers with belt loops, front pockets, and plain-hemmed bottoms
- Black calf leather side-gusset loafers
- Thin gold wristwatch with gold dial on flat gold bracelet
“The Harrington jacket has to be my favorite casual jacket of all time,” my friend Ryan told me. “My earliest memories of the Harrington has to be the beige Merc brand Harrington worn by my grandfather when I was a child, my grandfather was born in 1932, around the same time as Rod Taylor and Steve McQueen, so it is only natural that he would be drawn to the iconic jacket that was featured in so many films and television shows during the 1960s.”
Interested shoppers can find the classic Baracuta still available in addition to several other variations on the Harrington from reputable outfitters including Merc, the company that made the jacket worn by Ryan’s grandfather:
- Baracuta G9 in “natural” cotton/polyester (via Amazon or Baracuta)
- Ben Nevis Combat Harrington in beige polyester/cotton (via Ben Nevis)
- Ben Sherman Core Harrington in sand cotton (via Amazon or Ben Sherman)
- Farah Hardy Jacket in light sand cotton (via Farah Clothing)
- Fred Perry Check Lined Harrington in dark stone cotton (via Fred Perry)
- Grenfell Harrington in peached beige cotton (via Grenfell)
- Jump the Gun Harrington Raglan in beige cotton (via Jump the Gun)
- Lacoste Men’s Cotton Twill Jacket in beige cotton (via Amazon or Lacoste)
- Lyle & Scott Harrington in beige cotton (via Amazon)
- Merc Harrington in beige cotton/polyester (via Merc Clothing)
- Orvis Weatherbreaker in British tan nylon/cotton (via Amazon or Orvis)
- Peter Christian Harrington in sand cotton/polyester (via Peter Christian Outfitters)
- Private White V.C. “The Ventile” Harrington in sand cotton (via Private White V.C.)
- Tootal Modern Classic Harrington in beige cotton (via Tootal)
Do Yourself a Favor and…
Check out the movie.
The Quote
Who could sleep when you’re plotting a rendezvous with Venus?
Rod Taylor in The V.I.P.s.
Vitals
Rod Taylor as Les Mangrum, gregarious Australian tractor manufacturing mogul
Heathrow Airport, London, Winter 1963
Film: The V.I.P.s
(also released as Hotel International)
Release Date: September 19, 1963
Director: Anthony Asquith
Costume Designer: Pierre Cardin (uncredited)
Background
A generation after Grand Hotel (1932) established the subgenre of the ensemble drama with a packed cast of international stars, Anthony Asquith updated the pattern for the jet age with the genteel director’s penultimate film, The V.I.P.s, which—appropriately enough, given its spiritual predecessor—had also been released as Hotel International. Continue reading
The Birds: Mitch’s Cream Sweater and Silk Cravat
Vitals
Rod Taylor as Mitchell “Mitch” Brenner, smooth defense lawyer
Bodega Bay, California, Summer 1962
Film: The Birds
Release Date: March 28, 1963
Director: Alfred Hitchcock
Wardrobe Supervisor: Rita Riggs
WARNING! Spoilers ahead!
Background
After the massive success of Psycho in 1960, Alfred Hitchcock knew his next thriller had to go above and beyond to meet the public’s expectations from the Master of Suspense. Inspiration fell from the skies the following summer when the California town of Capitola was besieged one August day by hundreds of sooty shearwaters slamming into their rooftops and littering the streets with bird corpses. Hitch, who vacationed in nearby Santa Cruz, saw the storytelling potential in this unique type of fear and immediately set to work developing a story with screenwriter Evan Hunter, adapting Daphne du Maurier’s novella The Birds from its postwar English setting to contemporary coastal California.
The Birds: Mitch’s Tweed Jacket and Drab Trousers
Vitals
Rod Taylor as Mitchell “Mitch” Brenner, smooth defense lawyer
Bodega Bay, California, Summer 1962
Film: The Birds
Release Date: March 28, 1963
Director: Alfred Hitchcock
Wardrobe Supervisor: Rita Riggs
WARNING! Spoilers ahead!
Background
I try to be very responsive to comments, e-mails, and suggestions on this blog, but sometimes life gets in the way. (Feel free to prod if you’re waiting for a response on something, of course!)
Three years ago, Teeritz (a wonderful commenter and blogger well-known to the BAMF Style community) suggested covering Rod Taylor’s outfits in The Birds, particularly the tweed suit jacket and side-pocket trousers worn for the day of the actual bird attack. I’m ashamed to admit that I had gone 26 years of life without seeing The Birds until last month, and my fellow Pittsburghers know that sharing the city with pigeons means that few things are more frightening than a potential avian mutiny. Continue reading








