Tagged: Spy
Cary Grant’s Tuxedo in Notorious
Cary Grant and Ingrid Bergman in Notorious (1946)
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Cary Grant as T.R. Devlin, American government agent
Rio de Janeiro, Spring 1946
Film: Notorious
Release Date: September 6, 1946
Director: Alfred Hitchcock
Costume Design: Edith Head (gowns only)
WARNING! Spoilers ahead!
Background
Released 80 years ago this September, Notorious marked the second of four screen collaborations between Alfred Hitchcock and Cary Grant—who was born 122 years ago today on January 18, 1904. Written by Ben Hecht, Notorious is vintage Hitch at full boil, blending noir-tinged espionage with a romance daring enough to taunt the censors, all delivered with the Master of Suspense’s unmistakable mix of wit, menace, and nerve-shredding tension.
Notorious reaches a boiling point during a party hosted by the urbane yet dangerous Alex Sebastian (Claude Rains) and his new wife Alicia (Ingrid Bergman)—in fact a honeyspot spy recruited by American agent T.R. Devlin (Grant) to seduce her way into Sebastian’s circle of German emigrés hiding in post-World War II Brazil. Continue reading
Our Man Flint: James Coburn’s Tuxedo
James Coburn in Our Man Flint (1966)
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James Coburn as Derek Flint, bon vivant superspy
New York City to Marseilles, Spring 1965
Film: Our Man Flint
Release Date: January 16, 1966
Director: Daniel Mann
Costume Designer: Ray Aghayan
WARNING! Spoilers ahead!
Background
James Coburn originated the character of Derek Flint in Our Man Flint, one of the many spy spoofs in the wake of ’60s Bondmania, released sixty years ago today. Technically, the film premiered a month earlier in St. Ann’s Bay in Jamaica, though it wasn’t widely in theaters until the American release on January 16, 1966. It would be followed the next year by a sequel, In Like Flint—which also happens to be Austin Powers’ favorite movie… and, indeed, you can see plenty of shagadelic DNA in the Flint series. Continue reading
Three Days of the Condor: Wicks’ Leather Car Coat and Navy Suit
Michael Kane in Three Days of the Condor (1975)
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Michael Kane as S.W. Wicks, shady CIA section chief
Langley, Virginia to New York City, Winter 1975
Film: Three Days of the Condor
Release Date: September 24, 1975
Director: Sydney Pollack
Costume Designer: Joseph G. Aulisi
WARNING! Spoilers ahead!
Background
Released in September 1975, the Christmas-adjacent spy thriller Three Days of the Condor celebrated its 50th anniversary earlier this year. Robert Redford stars as the titular “Condor”, the CIA’s codename for its low-level researcher Joe Turner who is the only survivor of a coordinated attack on its deep-cover office in Manhattan.
The massacre is revealed to have been part of an internal conspiracy, involving Turner’s own section chief S.W. Wicks. Though not a prominent character with just a few minutes of screen time across four scenes, Wicks is certainly a significant one and very effectively played by Michael Kane—no, not that Michael Caine—an acclaimed Canadian actor and World War II veteran who died 18 years ago last week on December 14, 2007. Continue reading
Thunderball: Rik Van Nutter’s Tropical Shirts as Felix Leiter
Rik Van Nutter as Felix Leiter in Thunderball (1965)
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Rik Van Nutter as Felix Leiter, CIA agent
Nassau, The Bahamas, Summer 1965
Film: Thunderball
Release Date: December 29, 1965
Director: Terence Young
Wardrobe Designer: Anthony Mendleson
Background
Just as I ended last summer by looking at one of James Bond’s aloha-wearing allies in Thunderball, let’s kick off the first weekend of summer during Thunderball‘s 60th anniversary year with Bond’s “brother from Langley” dripped out for days in the tropics. Continue reading
Mission: Impossible — Tom Cruise’s Black Leather Blazer as Ethan Hunt
Tom Cruise as Ethan Hunt in Mission: Impossible (1996). Photo by Murray Close.
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Tom Cruise as Ethan Hunt, Impossible Missions Force agent
Prague to London, Spring 1996
Film: Mission: Impossible
Release Date: May 22, 1996
Director: Brian De Palma
Costume Designer: Penny Rose
WARNING! Spoilers ahead!
Background
Despite how much I enjoy espionage-themed spy movies—indicated by the plethora I’ve written about James Bond, Jason Bourne, and Three Days of the Condor—I had strangely never seen Ethan Hunt in action until just last week, two months shy of my 36th birthday, when all the buzz around Mission: Impossible — The Final Reckoning convinced me that it was time for me to trust Tom Cruise’s almost-superhuman spy one… first… time.
And, of course, I loved it. I had either forgotten or didn’t know that the 1996 film was directed by Brian De Palma from a script co-written by Robert Towne—with David Koepp, from a story by Koepp and Steven Zaillain. None of that considerable talent was wasted in rebooting Bruce Geller’s TV series for the screen, resulting in a stylish and fun blockbuster that became the third highest-grossing movie of 1996 and spawned a successful film franchise with the eighth (and likely final) installment released last month.
Mission: Impossible reintroduces Impossible Missions Force (IMF) team leader Jim Phelps (Jon Voight), a reimagining of the character originated by Peter Graves on TV decades earlier. The movie begins as Jim assembles his squad—Ethan Hunt, Sarah Davies (Kristin Scott Thomas), Jack Harmon (an uncredited Emilio Estevez), Jim’s wife Claire Phelps (Emmanuelle Béart), and Hannah Williams (Ingeborga Dapkūnaitė)—at a Prague safe-house, where he briefs the team on their upcoming mission to surveil and stop a rogue agent from stealing a list of the CIA’s non-official cover (NOC) identities.
When the IMF team and their target are wiped out with the NOC list missing, suspicion falls on the mission’s lone survivor: Ethan Hunt, who now has to prove his innocence while finding the real mole at the center of the scheme.
Sounds impossible? Not for Ethan Hunt. Continue reading
The Fourth Protocol: Pierce Brosnan’s Black Leather Biker Gear
Pierce Brosnan in The Fourth Protocol (1987). Photo credit: Stanley Bielecki.
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Pierce Brosnan as Valeri Alekseyevich Petrofsky, cold-blooded undercover KGB operative
Suffolk, England, Spring 1987
Film: The Fourth Protocol
Release Date: March 20, 1987
Director: John Mackenzie
Costume Designer: Tiny Nicholls
WARNING! Spoilers ahead!
Background
Many James Bond fans know that Pierce Brosnan was first offered the role in the 1980s, but the announcement ironically improved Remington Steele‘s ratings to the point that the series was renewed and Brosnan had to turn down the Bond role to honor his commitments to the series. Three months before the next Bond film—The Living Daylights starring Timothy Dalton—was released in June 1987, Brosnan appeared in a different espionage thriller, The Fourth Protocol.
Indeed, the plot of a British agent trying to stop a rogue Soviet mission to detonate a “false flag” nuclear device at an American airbase must have sounded awfully familiar to Bond fans who watched Roger Moore do the same thing four years earlier in Octopussy… but this time, the maverick British spy is an MI5 agent named John Preston (Michael Caine), squaring off against Brosnan as KGB Major Valeri Petrofsky. Continue reading
A View to a Kill: Roger Moore’s White Bogner Ski Clothes
Roger Moore as James Bond in A View to a Kill (1985). Photo by Keith Hamshere, sourced from Thunderballs archive.
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Roger Moore as James Bond, British government agent
Siberia, Winter 1985
Film: A View to a Kill
Release Date: May 22, 1985
Director: John Glen
Costume Designer: Emma Porteous
WARNING! Spoilers ahead!
Background
On this snowy 00-7th of January, let’s hit the slopes with Roger Moore—and his stunt doubles John Eaves and Martin Grace—in Sir Roger’s swan song as James Bond, A View to a Kill, celebrating its 40th anniversary this May.
Though the title originated from one of Ian Fleming’s short stories, the movie demonstrates how far the franchise had drifted from the source material, exemplified by this pre-credits sequence, which introduces a cringe-worthy “California Girls” needle drop as Moore’s stuntman skis through the mountains of Siberia—though actually filmed at Piz Palü in Switzerland and Jökulsárlón Glacier Lagoon in Iceland. Continue reading
The World Is Not Enough: Pierce Brosnan’s Midnight Brioni Tuxedo as Bond
Pierce Brosnan as James Bond in The World is Not Enough (1999).
Photo by Keith Hamshere/Sygma via Getty Images.
Vitals
Pierce Brosnan as James Bond, sophisticated English spy
Baku and Istanbul, December 1999
Film: The World Is Not Enough
Release Date: November 8, 1999
Director: Michael Apted
Costume Designer: Lindy Hemming
Tailored by: Brioni
WARNING! Spoilers ahead!
Background
On the 00-7th of November, today’s post celebrates Pierce Brosnan’s third and penultimate movie as James Bond—The World Is Not Enough—which premiered 25 years ago tomorrow on November 8, 1999 at the Fox Bruin Theater in Los Angeles.
With most of Ian Fleming’s original material already adapted by the end of Timothy Dalton’s tenure, Brosnan’s Bond films relied on original storylines with nods to earlier works in the franchise. In the case of The World Is Not Enough, this applies to the title itself—the English translation of the Bond family coat of arms (“Orbis non sufficit”) mentioned in the novel and film On Her Majesty’s Secret Service.
Neal Purvis, Robert Wade, and Bruce Feirstein crafted the original screenplay for The World Is Not Enough, centered around Bond’s assignment to protect heiress Elektra King (Sophie Marceau) from Renard (Robert Carlyle), an international terrorist who had kidnapped her years earlier. As the stakes of his mission grow, he recruits the help of an old enemy-turned-friend Valentin Zukovsky (Robbie Coltrane) and the improbably named—and improbably cast—nuclear physicist Dr. Christmas Jones (Denise Richards).
A hallmark of the Bond franchise are its aspirational sequences that highlight both the danger and elevated lifestyle of James Bond’s missions, exemplified in The World Is Not Enough as he strides into a swanky casino in an exotic locale, clad as usual in an impeccable tuxedo with a Walther holstered under his arm and a dry martini in his hand. After a Bollinger-soaked romantic interlude with an impossibly beautiful woman, Bond’s back on the trail of his dangerous foe, who only narrowly escapes as Bond saves the life of yet another impossibly beautiful woman following a gunfight. Continue reading
Diamonds are Forever: Sean Connery’s Bond Returns… in a Terrycloth Shirt
Sean Connery and Denise Perrier in Diamonds are Forever (1971)
Vitals
Sean Connery as James Bond, British government agent
French Riviera, Spring 1971
Film: Diamonds are Forever
Release Date: December 17, 1971
Director: Guy Hamilton
Wardrobe Master: Ray Beck
Tailor: Anthony Sinclair
Background
Born 94 years ago today on August 25, 1930, Sir Sean Connery rose to stardom as the first actor to play James Bond in the official EON Productions series, from Dr. No (1962) through Diamonds are Forever (1971).
Connery first retired from the role after You Only Live Twice (1967), resulting in Australian actor George Lazenby’s sole shot in On Her Majesty’s Secret Service (1969). After Lazenby too hung up 007’s shoulder holster, Connery was persuaded back for one last official performance as Ian Fleming’s iconic secret agent, commanding a record-setting $1.25 million salary to return as Commander Bond… which he then donated in its entirety to the Scottish International Education Trust.
Despite the somber ending of On Her Majesty’s Secret Service that set Bond out for revenge, Diamonds are Forever began a lighter era for the series as the stories diverged from Fleming’s source material with an increased emphasis on comedic elements and spectacle.
After a few faceless vignettes in exotic locales like Cai-Cai-Cairo, Connery’s Bond makes his long-anticipated on-screen reappearance during the pre-credits sequence of Diamonds are Forever, striding down onto the Hôtel du Cap-Eden-Roc’s stunning beach in Cap d’Antibes, where he makes his iconic introduction (“Bond, James Bond”) to Marie, an even more stunning bikini-clad brunette portrayed by Denise Perrier, the French-born Miss World 1953.
Marie: Is there something I can do for you?
Bond: Yes, as a matter of fact, there is… there is something I’d like you to get off your chest.
Moonraker: Roger Moore’s Cream Suit in Rio
Roger Moore as James Bond in Moonraker (1979)
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Roger Moore as James Bond, suave and sophisticated British MI6 agent
Rio de Janiero, Brazil, February 1979
Film: Moonraker
Release Date: June 26, 1979
Director: Lewis Gilbert
Costume Designer: Jacques Fonteray
Tailor: Angelo Vitucci
WARNING! Spoilers ahead!
Background
Moonraker launched James Bond into orbit when it premiered 45 years ago today on June 26, 1979 as the fourth of Sir Roger Moore’s seven adventures as the dashing spy.
Before his out-of-this-world journey, 007 trots the globe from California to Italy and ultimately to Brazil, where he landed in Rio de Janiero during the annual Carnival festivities held in February. February is a summer month in Brazil, so Bond dresses for the warmth in a cream linen suit and open-neck brown shirt and matching pocket square as he alights from his plane. Continue reading
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