Tagged: The Godfather Part III
The Godfather, Part III: Pacino’s Brick-Red Cardigan
Al Pacino as Michael Corleone in The Godfather Part III (1990)
Vitals
Al Pacino as Michael Corleone, repentant mob boss and World War II veteran
New York City, Fall 1979
Film: The Godfather Part III
Release Date: December 25, 1990
Director: Francis Ford Coppola
Costume Designer: Milena Canonero
WARNING! Spoilers ahead!
Background
Just when he thought he was out, they pulled him back in.
Sixteen years after its masterpiece sequel told the parallel stories of Michael Corleone (Al Pacino) and his father Vito (Robert De Niro) building their crime families, Francis Ford Coppola returned to the Corleone clan with the polarizing coda, The Godfather, Part III. Continue reading
The Godfather, Part III: Vincent Mancini’s Leather Jacket
Andy Garcia as Vincent Mancini in The Godfather, Part III (1990)
Vitals
Andy Garcia as Vincent Mancini, hotheaded mob enforcer
New York City, Spring 1979
Film: The Godfather Part III
Release Date: December 25, 1990
Director: Francis Ford Coppola
Costume Designer: Milena Canonero
WARNING! Spoilers ahead!
Background
Caddyshack II.
Speed 2: Cruise Control.
Jaws 4: The Revenge.
The Godfather, Part III.
Francis Ford Coppola’s conclusion to the saga of the Corleone family may not be as bad as its fellow reviled franchise continuations, but it was certainly among the more disappointing given the quality and prestige of The Godfather‘s first two installments. Coppola sought to rectify its reputation with Mario Puzo’s The Godfather, Coda: The Death of Michael Corleone, a recut and restructured version released this month to coincide with the 30th anniversary of The Godfather, Part III‘s original theatrical release. The limited theatrical run of Coda began on Friday, December 4, and will be scheduled to release to streaming services and home video on Tuesday, December 8.
“In musical term, a coda is sort of like an epilogue, a summing up, and that’s what we intended the movie to be,” explained Coppola. “You’ll see a film which has a different beginning and ending, many scenes throughout have been repositioned, and the picture has been given, I think, a new life.” Continue reading