Tagged: Costume design by Joseph G. Aulisi
Three Days of the Condor: Joubert’s Houndstooth Coat
Vitals
Max von Sydow as G. Joubert, French Alsatian contract assassin
Chevy Chase, Maryland, Christmas 1975
Film: Three Days of the Condor
Release Date: September 24, 1975
Director: Sydney Pollack
Costume Designer: Joseph G. Aulisi
WARNING! Spoilers ahead!
Background
Unlike BAMF Style holiday favorites Die Hard, On Her Majesty’s Secret Service, or The Thin Man, Three Days of the Condor doesn’t directly address its Christmas setting, instead letting the otherwise cheery atmosphere, decor, and music be infiltrated by the increasing paranoia of its leading character, CIA researcher Joe Turner (Robert Redford), forced on the run after a massacre at his office.
Engineered by CIA Deputy Director Leonard Atwood (Addison Powell)’s secret intra-agency faction, the massacre was carried out under the supervision of Joubert, an enigmatic contract killer who takes it upon himself to finish the job after a timing snafu allows Turner, alias “Condor”, to escape. Continue reading
Steve Martin’s Red Silk Suit in My Blue Heaven

Steve Martin with Rick Moranis in My Blue Heaven (1990). Sadly, this is just a promotional photo and Steve’s rad Ray-Ban sunglasses didn’t make it into this scene.
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Steve Martin as Vinnie Antonelli (aka Tod Wilkinson), ex-Mafia informant
New York City, Early Winter 1990
Film: My Blue Heaven
Release Date: August 17, 1990
Director: Herbert Ross
Costume Designer: Joseph G. Aulisi
Background
This week’s focus on dupioni silk continues with the loud red suit worn by Steve Martin in My Blue Heaven, posted today to celebrate my sister’s birthday as this flick is a family favorite that she and I are frequently quoting to each other.
Although Ray Liotta’s Henry Hill provides himself the living epigraph of living the rest of his life “like a schnook” at the end of Goodfellas, the story really didn’t end there. Loosely based on Hill’s post-mob life in the witness protection program, My Blue Heaven was written by Nora Ephron, who had been inspired by her husband Nicholas Pileggi’s interviews with Hill. Through the interview process, it was discovered that a career criminal like Hill didn’t reform himself immediately (if at all) and was often getting into trouble with authorities – returning to his old criminal ways, maintaining a high profile, and even entering a bigamist marriage under his “new” name – all depicted in My Blue Heaven. Continue reading
Bruce Willis in Die Hard with a Vengeance
I imagine there’s nothing more American to celebrate the 4th of July than the first Die Hard film set in summer with plenty of explosions, car crashes, and gunfights. Happy Independence Day!
(I’m aware that Live Free or Die Hard was actually set on the 4th of July, but that flick is when things started getting a little too ridiculous. McClane was no longer vulnerable, and I just wasn’t feeling it. I might post about it sometime, or I might not.)
Vitals
Bruce Willis as John McClane, increasingly cynical NYPD lieutenant
New York City, Late Summer 1995
Film: Die Hard with a Vengeance
Release Date: May 19, 1995
Director: John McTiernan
Costume Designer: Joseph G. Aulisi
Bruce Willis’ Costumer: Lori Stilson Continue reading
Robert Redford in Three Days of the Condor
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Robert Redford as Joe Turner, alias “Condor”, CIA researcher
New York City, December 1975
Film: Three Days of the Condor
Release Date: September 24, 1975
Director: Sydney Pollack
Costume Designer: Joseph G. Aulisi
WARNING! Spoilers ahead!
Background
In a July 2012 article of GQ, Sydney Pollack’s masterpiece paranoia government thriller Three Days of the Condor was named one of the 25 “Most Stylish Films of All Time.” Pollack apparently was shocked by questions about the wardrobe worn by Robert Redford, saying “He wore one outfit through the whole picture!”
True as that may be, Redford’s versatile costume throughout fits the character of Joe Turner, a desk-bound ex-military bookworm who finds himself in dangerous circumstances despite a relatively non-dangerous job with the CIA. Codenamed “Condor” by his CIA supervisors, Turner is “literally out to lunch” when a professional hit squad wipes out all of his co-workers, sending Turner on the run with no one to trust but a complete stranger, a troubled photographer that he takes hostage named Kathy Hale (Faye Dunaway), and presses into service to help him. Continue reading


