Tagged: Marlon Brando
On the Waterfront: Marlon Brando’s Buffalo Plaid Jacket
Marlon Brando in On the Waterfront (1954)
Vitals
Marlon Brando as Terry Malloy, dockworker and former prize fighter
Hoboken, New Jersey, Fall 1953
Film: On the Waterfront
Release Date: July 28, 1954
Director: Elia Kazan
Wardrobe Supervisor: Anna Hill Johnstone
WARNING! Spoilers ahead!
Background
Screen legend Marlon Brando was born 100 years ago today on April 3, 1924 in Omaha, Nebraska. After studying under Stella Adler in the 1940s, Brando shot to stardom with his iconic performances in A Streetcar Named Desire (1951) and The Wild Ones (1953) before receiving his first Academy Award for his powerful portrayal of longshoreman Terry Malloy in On the Waterfront (1954), released 70 years ago this summer.
Including Brando’s recognition, On the Waterfront won in eight of its 12 nominated Oscar categories, including Best Picture, Best Story and Screenplay, and Best Director for Elia Kazan, who would later write of Brando’s work as Terry: “If there is a better performance by a man in the history of film in America, I don’t know what it is.” Continue reading
Brando’s “Night Sky” Navy Suit in Guys and Dolls
Marlon Brando as Sky Masterson in Guys and Dolls (1955)
Vitals
Marlon Brando as Sky Masterson, smooth gambler
Havana to New York, Spring 1955
Film: Guys and Dolls
Release Date: November 3, 1955
Director: Joseph L. Mankiewicz
Costume Designer: Irene Sharaff
Background
On the traditionally unlucky day of Friday the 13th, we could all use a dash of lady luck, the concept popularized in the standard “Luck Be a Lady” that Frank Loesser had composed for the musical Guys and Dolls. Five years after Robert Alda had originated the song on stage in 1950, Marlon Brando overcame his own insecurities about his singing voice resembling “the mating call of a yak” to perform the song in Mank’s cinematic adaptation… much to the likely chagrin of his co-star Frank Sinatra, who would record it twice for his own Reprise Records label in the ’60s.
But before Sky Masterson asked lady luck to show him just how nice a dame she can be, he sets his sights on another doll, specifically the prim and pretty Sergeant Sarah Brown (Jean Simmons) of the Save-a-Soul Mission, whose organizational goals could not be more antithetical to all Sky holds dear. To win a bet with fellow gambler Nathan Detroit (Sinatra), Sky invites her to dinner in Havana, where Sister Sarah’s uncharacteristic Thursday night results in plenty of Bacardi and barfighting. Continue reading
Brando’s Gray Gambler Suit in Guys and Dolls
Marlon Brando as Sky Masterson in Guys and Dolls (1955)
Vitals
Marlon Brando as Sky Masterson, smooth gambler
New York, Spring 1955
Film: Guys and Dolls
Release Date: November 3, 1955
Director: Joseph L. Mankiewicz
Costume Designer: Irene Sharaff
Background
I always found it interesting to watch a method—ahem, that’s Method—actor like Marlon Brando navigating the artificially staged Broadway of Guys and Dolls, the gangland-adjacent musical by Frank Loesser, which had been based on a book by Jo Swerling and Abe Burrows… which had itself been based on several stories by Damon Runyon.
The Wild One: Brando’s Motorcycle Jacket
Marlon Brando as Johnny Strabler in The Wild One (1953)
Vitals
Marlon Brando as Johnny Strabler, outlaw motorcycle club leader
Central California, Summer 1953
Film: The Wild One
Release Date: December 30, 1953
Director: László Benedek
Background
“Hey, Johnny, what are you rebelling against?”
“Whaddaya got?”
This famous exchange originated among the actual biker gangs that producer Stanley Kramer had brought on set to play themselves. When Kramer asked what it was they were “rebelling” against, a member cracked back to him, “Well, whaddaya got?” The line so encapsulated the culture and attitude of bikers during the era that it was incorporated into The Wild One, though the question is posed by Mildred, the platinum blonde beauty salon operator that one of Johnny’s boys picked up in a bar.
Inspired by actual events over a rambunctious fourth of July weekend in Hollister, California, in 1947, The Wild One was based on Frank Rooney’s short story “The Cyclists’ Raid” that appeared in Harper’s magazine in January 1951. It was swiftly adapted for the screen, though the locations involved were changed to the fictional California burgs of Carbondale and Wrightsville, the latter being the “screwball town”—according to Dextro (Jerry Paris)—where most of the action takes place.
The credits are a bit misleading, introducing Marlon Brando to us as The Wild One, though his character Johnny Strabler turns out to be the most restrained of his hell-raising confederates, particularly when compared to the obnoxious pipsqueak Mouse (Gil Stratton), the larcenous, simple-minded Pigeon (Alvy Moore), or rival gang leader Chino (Lee Marvin). Continue reading
The Godfather: Don Corleone’s Tuxedo for his Daughter’s Wedding
For the final entry of BAMF Style’s Week of Weddings, we’re examining one of the cinema’s most iconic characters.
Marlon Brando as Vito Corleone in The Godfather (1972)
Vitals
Marlon Brando as Vito Corleone, powerful Mafia boss and father of four
Long Island, NY, August 1945
Film: The Godfather
Release Date: March 15, 1972
Director: Francis Ford Coppola
Costume Designer: Anna Hill Johnstone
Background
You’ve come across the scene a million times, whether actually watching it, seeing photos, or hearing your friends quote it. And indeed it is one of the most quotable sequences in film history.
I’m gonna make him an offer he won’t refuse.