Tagged: Single-Breasted Suit
Punch-Drunk Love: Barry’s Blue Suit
Adam Sandler as Barry Egan in Punch-Drunk Love (2002)
Vitals
Adam Sandler as Barry Egan, anxious novelty swag entrepreneur
San Fernando Valley (and Hawaii), Spring 2002
Film: Punch-Drunk Love
Release Date: October 11, 2002
Director: Paul Thomas Anderson
Costume Designer: Mark Bridges
Background
Though it would be widely released in theaters five months later, today marks the 20th anniversary of when Paul Thomas Anderson’s offbeat romantic comedy Punch-Drunk Love premiered at Cannes in May 19, 2002.
A fan of his work in lower-brow ’90s comedies like Billy Madison, Happy Gilmore, and The Waterboy, Anderson had been interested in collaborating with Adam Sandler, sensing the greater dramatic potential under his distinctive comedic signature. The unconventional casting choice baffled entertainment journalists and even Sandler himself, though he delivered a career-high performance as Punch-Drunk Love‘s central character, Barry Egan. Continue reading
Brando’s “Night Sky” Navy Suit in Guys and Dolls
Marlon Brando as Sky Masterson in Guys and Dolls (1955)
Vitals
Marlon Brando as Sky Masterson, smooth gambler
Havana to New York, Spring 1955
Film: Guys and Dolls
Release Date: November 3, 1955
Director: Joseph L. Mankiewicz
Costume Designer: Irene Sharaff
Background
On the traditionally unlucky day of Friday the 13th, we could all use a dash of lady luck, the concept popularized in the standard “Luck Be a Lady” that Frank Loesser had composed for the musical Guys and Dolls. Five years after Robert Alda had originated the song on stage in 1950, Marlon Brando overcame his own insecurities about his singing voice resembling “the mating call of a yak” to perform the song in Mank’s cinematic adaptation… much to the likely chagrin of his co-star Frank Sinatra, who would record it twice for his own Reprise Records label in the ’60s.
But before Sky Masterson asked lady luck to show him just how nice a dame she can be, he sets his sights on another doll, specifically the prim and pretty Sergeant Sarah Brown (Jean Simmons) of the Save-a-Soul Mission, whose organizational goals could not be more antithetical to all Sky holds dear. To win a bet with fellow gambler Nathan Detroit (Sinatra), Sky invites her to dinner in Havana, where Sister Sarah’s uncharacteristic Thursday night results in plenty of Bacardi and barfighting. Continue reading
Goodfellas: Tommy’s Gray Suit for Mob Mayhem and Mom Visits
Joe Pesci as Tommy DeVito in Goodfellas (1990)
Vitals
Joe Pesci as Tommy DeVito, volatile and violent Mafia associate
New York, Spring 1970
Film: Goodfellas
Release Date: September 19, 1990
Director: Martin Scorsese
Costume Designer: Richard Bruno
WARNING! Spoilers ahead!
Background
Happy Mother’s Day! One of my favorite cinematic sequences depicting the relationship between a son and his mother comes by way of my favorite movie, in which master auteur Martin Scorsese cast his own mother Catherine as the charming Mrs. DeVito, mother to the psychotic gangster Tommy (Joe Pesci) who brings his cohorts Henry (Ray Liotta) and Jimmy (Robert De Niro) seeking a shovel in a covert night-time stop to fetch a shovel… only to be sweet-talked into an early breakfast.
Catherine Scorsese endearingly embodies the familiar archetype of the aging Italian-American matriarch with her plastic-covered furniture, the gift to effortlessly slip between American English and Italian dialects, and the fierce desire to feed her children and their friends… regardless of whether they’re hungry or not. Continue reading
Pierrot le Fou: Belmondo’s Prince of Wales Check Suit
Jean-Paul Belmondo as Ferdinand Griffon in Pierrot le Fou (1965)
Vitals
Jean-Paul Belmondo as Ferdinand Griffon, runaway husband
Paris, Spring 1965
Film: Pierrot le Fou
Release Date: November 5, 1965
Director: Jean-Luc Godard
Background
Born 89 years ago on April 9, 1933, today marks the first of Jean-Paul Belmondo’s birthdays since the iconic French actor died in September 2021. One of Bébel’s most memorable movies is the colorful Pierrot le Fou, a pop art equivalent of the French New Wave cinematic movement that marked the actor’s third and final collaboration with director Jean-Luc Godard. Continue reading
Spencer Tracy’s Black Suit in Guess Who’s Coming to Dinner
Spencer Tracy as Matt Drayton in Guess Who’s Coming to Dinner (1967)
Vitals
Spencer Tracy as Matt Drayton, newspaper editor
San Francisco, Spring 1967
Film: Guess Who’s Coming to Dinner
Release Date: December 12, 1967
Director: Stanley Kramer
Costume Designer: Joe King
Background
Considered one of the greatest actors in Hollywood history by audiences and peers, Spencer Tracy was born 122 years ago on April 5, 1900 in Milwaukee. His prolific career that spanned nearly half a century culminated with his final role in Guess Who’s Coming to Dinner, for which he received his ninth and final Academy Award nomination (one of ten that the film received), a posthumous honor as Tracy had died only 17 days after completing his work. Continue reading
Being the Ricardos: Desi Arnaz’s Real vs. Reel Blue Suit
Javier Bardem as Desi Arnaz in Being the Ricardos (2021)
Vitals
Javier Bardem as Desi Arnaz, Cuban-born bandleader, actor, and TV producer
Los Angeles, September 1952
Film: Being the Ricardos
Release Date: December 7, 2021
Director: Aaron Sorkin
Costume Designer: Susan Lyall
Background
I grew up watching I Love Lucy, my childhood punctuated by many memories of me channeling inordinate levels of anxiety at Lucy’s antics into pacing around my grandmother’s kitchen while the decades-old drama unfolded in black-and-white from the small TV tucked on a corner countertop. Almost thirty years later, I still can recollect Lucy pitching Vitameatavegamin or stomping grapes with better clarity than anything I may have binged on Netflix over the last year.
As the real Desi Arnaz was born 105 years ago today on March 2, 1917, let’s take a look at Javier Bardem’s Academy Award-nominated performance as Desi in Being the Ricardos. Continue reading
Island in the Sun: Harry Belafonte’s Brown Suit
Harry Belafonte as David Boyeur in Island in the Sun (1957)
Vitals
Harry Belafonte as David Boyeur, popular local politician
On the fictional Caribbean island of Santa Marta, Spring 1955
Film: Island in the Sun
Release Date: June 12, 1957
Director: Robert Rossen
Costume Design: Phyllis Dalton & David Ffolkes
Background
Tomorrow will be the 95th birthday of Harry Belafonte, the singer, actor, and activist born March 1, 1927. Belafonte has tireless worked in show business and to advance social causes since beginning his recording career in the late 1940s. Though he’s narrated documentaries and appeared sporadically in features in the decades since, his screen acting career were primarily throughout the ’50s in features ranging from the musicals that made obvious use of his singing talent to drama, sci-fi, and noir.
Belafonte co-starred with Dorothy Dandridge in his first three films, their collaborations concluding in the colorfully lush drama Island in the Sun, based on Alec Waugh’s novel of the same name. The eponymous island was said to be the fictitious “Santa Marta” in the Caribbean, though actually filmed on location in Barbaos and Grenada through the fall of 1956. Continue reading
Telly Savalas as Kojak: A Gray Suit for the First Lollipop
Telly Savalas as Lt. Theo Kojak on Kojak (Episode 1.08: “Dark Sunday”)
Vitals
Telly Savalas as Theo Kojak, NYPD lieutenant
New York City, Fall 1973
Series: Kojak
Episode: “Dark Sunday” (Episode 1.08)
Air Date: December 12, 1973
Director: Charles R. Rondeau
Creator: Abby Mann
Background
Who loves ya, baby?
As today would have been the 100th birthday of Telly Savalas—born January 21, 1922—it felt like the time to take a long-overdue look at the Greek-American actor’s signature role as the tough and tenacious Theo Kojak.
Kojak’s famous lollipops were introduced in the eighth episode, “Dark Sunday”, which begins with the murder of a small-time criminal named Artie Fowler (Marc Alaimo). “He used to love to play with cars, you know,” recalls Kojak. “Strip ’em, drive ’em, steal ’em… oh well, what else?” Through his investigations of the murder, Kojak welcomes Artie’s girlfriend Maria Cranston (Lara Parker) to his office. He has a lit cigarillo in his mouth when she enters, but he swiftly tosses it away in favor of a Tootsie Pop pulled from his desk… the first of what would become one of the character’s trademarks. Continue reading
Marnie: Sean Connery’s Beige Herringbone Tweed Suit
Sean Connery as Mark Rutland in Marnie (1964)
Vitals
Sean Connery as Mark Rutland, publisher
Philadelphia to Baltimore, Spring 1964
Film: Marnie
Release Date: July 22, 1964
Director: Alfred Hitchcock
Costume Designer: Edith Head
Men’s Costumes: James Linn
WARNING! Spoilers ahead!
Background
Months before Goldfinger was released and cemented Bond-mania among the cinematic zeitgeist of the 1960s, Sean Connery got the opportunity to show audiences that he was capable of more than just suave secret-agenting with the back-to-back releases of thrillers Woman of Straw and Marnie. The latter has been celebrated as the better-regarded of the two, with some even calling it Alfred Hitchcock’s underappreciated masterpiece, though Hitch himself was more dismissive when discussing the work with François Truffaut:
I wasn’t convinced that Sean Connery was a Philadelphia gentleman. You know, if you want to reduce Marnie to its lowest common denominator, it is the story of the prince and the beggar girl. In a story of this kind you need a real gentleman, a more elegant man than what we had.
Say what you will about Connery’s performance, but I’ve considered Hitchcock’s criticism to be somewhat undeserved, particularly considering that the adaptation of Winston Graham’s 1961 novel of the same name condensed the characters of Marnie’s husband, Mark Rutland, and the psychoanalyst that Mark forces Marnie to see. Thus, Connery’s characterization requires him to convincingly depict Mark as first a charismatic cad, then a manipulative rapist, and—ultimately—a quasi-therapist whose motives are depicted more through the lens of spousal support than domination. Given the challenge of the role, I believe Connery ably rose to the occasion, bringing out more savage sides of the character than we may have believed in the hands of Hitch’s erstwhile stalwarts like Cary Grant or Jimmy Stewart.
Sidney Poitier’s Gray Suit in To Sir, with Love
Sidney Poitier as Mark Thackeray in To Sir, with Love (1967)
Vitals
Sidney Poitier as Mark Thackeray, novice high school teacher
London, June 1966
Film: To Sir, with Love
Release Date: June 14, 1967
Director: James Clavell
Wardrobe Supervisor: John Wilson-Apperson
Background
The death of Sir Sidney Poitier, KBE, was announced last Friday, prompting countless fans to recall memories of the great actor’s lasting legacy. Born February 20, 1927 in Miami to a Bahamian family, Poitier’s screen acting career took off during the 1950s, following his breakthrough performance in Blackboard Jungle (1955) with a charismatic turn in Edge of the City (1957). His Academy Award nomination for The Defiant Ones (1958) marked the first time a Black actor was nominated for Best Actor, and his ultimate win for Lillies of the Field (1963) established Poitier as the first Black recipient of the Best Actor Oscar.
Poitier’s career continued through the decade, with 1967 a particular banner year as he delivered three of his most iconic performances in Guess Who’s Coming to Dinner?, In the Heat of the Night, and To Sir, with Love. Continue reading