Tagged: Smith & Wesson Model 29
Lee Marvin’s Gray Flannel Suit in Point Blank
Vitals
Lee Marvin as Walker, revenge-driven armed robber
San Francisco to Los Angeles, Summer 1967
Film: Point Blank
Release Date: August 30, 1967
Director: John Boorman
Costume Designer: Margo Weintz
Background
One of the ultimate classic movie tough guys, Lee Marvin, was born on this day in 1924 in New York City. After serving with as a Marine in the Pacific Theater during World War II (and receiving a Purple Heart among other commendations), Marvin fell into acting and eventually became a household name as Chicago cop Frank Ballinger on M Squad, the show best lampooned by Leslie Nielsen and the ZAZ gang in 1982’s short-lived but brilliant Police Squad! Continue reading
Payback: Porter’s New Suit
Vitals
Mel Gibson as Porter, cynical but straightforward career criminal
Chicago, Spring 1974…sort of
Film: Payback
Release Date: February 5, 1999
Director: Brian Helgeland
Costume Designer: Ha Nguyen
Background
Payback is one of those movies that I always enjoy more than I expect to. Short, sweet, and self-aware, it lives in the same universe as Archer where decades are blended to create one ambiguous super-era with cars, clothing, technology, and pop culture spanning the 1970s through the 1990s though clearly meant to be a throwback to the Charley Varrick era of the early 1970s when pulp crime dominated screens. Continue reading
Dirty Harry’s Brown Tweed in Magnum Force
Vitals
Clint Eastwood as Insp. Harry Callahan, badass San Francisco Police Department inspector
San Francisco, Late Summer 1972
Film: Magnum Force
Release Date: December 25, 1973
Director: Ted Post
Costume Supervisor: Glenn Wright
Background
Magnum Force was originally developed by John Milius as Vigilance, a simple film about a group of young officers in the SFPD going rogue to exterminate the worst of the city’s crooks. Clint Eastwood quickly got his hands on the script and decided that the film would be a good vehicle to show that Harry Callahan may be harsh in his methods, but he isn’t a total vigilante who takes the law in his hands. (Although some would say the opposite about Eastwood during the film’s production.)
Due to Milius’ extensive knowledge and enthusiasm for firearms, the film included plenty of gun handling both on and off the job with extended scenes set during both practice and competition. Continue reading
Dirty Harry’s Windbreaker in The Enforcer

Clint Eastwood as Inspector “Dirty Harry” Callahan in The Enforcer (1976), the third film of the Dirty Harry series.
Vitals
Clint Eastwood as Insp. Harry Callahan, reassigned San Francisco inspector
San Francisco, Summer 1976
Film: The Enforcer
Release Date: December 22, 1976
Director: James Fargo
Costume Designer: Glenn Wright
Background
After receiving the news that his friend, Inspector Frank DiGiorgio (played by Robert Mitchum’s brother John Mitchum), has been mortally wounded in a gunfight with Patty Hearst-like thugs, Harry immediately heads to the hospital like any good friend would.
It becomes one of the few days in cinema history that begins with visiting a friend in the hospital and ends with holding a bomber at gunpoint in a church pew… with some rocket launcher testing in between. Continue reading
Dirty Harry’s Brown Suit
After stuffing our faces and stomachs during the Thanksgiving holiday this weekend, it’s certainly appropriate that you’d want to return to work feeling like a badass. That’s what Clint Eastwood is here for.
Vitals
Clint Eastwood as Insp. Harry Callahan, frustrated San Francisco inspector
San Francisco, Summer 1971
Film: Dirty Harry
Release Date: December 23, 1971
Director: Don Siegel
Wardrobe Department: Glenn Wright
Background
Having established his central look earlier in the film as a sport coat and slacks (gray herringbone and brown plaid), Dirty Harry throws a lateral for the final confrontation against the brutal “Scorpio Killer” by wearing a sharp, slim cut brown three-piece suit.
A brown 3-piece suit is a very traditional look, but the fit and styling of Harry’s suit is very contemporary and fashion-forward for 1971. The traditional suiting makes sense for Harry, a contrast to the more liberal film cops like Bullitt and their more fashionable wardrobes. While not outfitted in a frock coat and striped cravat, Harry still looks more old-fashioned next to Bullitt in his shooting jacket and polo neck jumper. Continue reading
Dirty Harry’s Brown Plaid Sportcoat
Vitals
Clint Eastwood as Insp. Harry Callahan, renegade San Francisco inspector
San Francisco, Summer 1971
Film: Dirty Harry
Release Date: December 23, 1971
Director: Don Siegel
Wardrobe Department: Glenn Wright
Background
As mentioned in the previous Dirty Harry post, many travelers are fooled into thinking that San Francisco’s climate is reflective of California as immortalized by the Beach Boys. Instead, the city enjoys cooler Mediterranean-style weather with dry summers and mild winters.
Travelers unaware of the fact that they’ll be enjoying a summer with evenings that can dip into the 40s (Fahrenheit) are easily spotted by their brightly-colored hoodies emblazened with the name “SAN FRANCISCO” on the front, newly purchased from an enterprising street vendor rightly taking advantage of ill-informed tourists.
Harry Callahan defines his distinctive look in the early scenes of Dirty Harry, putting a patterned sportcoat over a sweater vest and tie, matching it all with a pair of comfortable and casual slacks. While the look may suggest “I failed as a writer and settled as a science teacher”, Eastwood’s gritty gaze and the .44 Magnum in his holster say different. Continue reading
Dirty Harry’s Herringbone Tweed and Red Sweater Vest
Vitals
Clint Eastwood as Insp. Harry Callahan, renegade San Francisco inspector
San Francisco, Summer 1971
Film: Dirty Harry
Release Date: December 23, 1971
Director: Don Siegel
Wardrobe Credit: Glenn Wright
Background
Voted the “Greatest Movie Badass of All-Time” in a 2009 poll for MTV News, the character of Harry Callahan was originally much different. Although still a tough cop chasing a serial killer with a .44 Magnum, the role was originally envisioned as an older New York City policeman that was gunned down by a sniper during the finale. Offered first to Frank Sinatra, whose wrist injury from The Manchurian Candidate prevented him from firing the .44, then to John Wayne, who refused to accept one of Sinatra’s rejected roles and later proved his regret by starring in McQ, Clint Eastwood was finally offered the role.
One of my first posts was about a similar San Francisco inspector who plays by his own rules. However, Bullitt and Dirty Harry are two very different policemen: both have their own methods and are disliked by superiors, but where Bullitt is more free-wheeling and liberal, Callahan is shoot-first, ask-later and considerably anti-crime.
This change is reflected in their wardrobes as well. Bullitt prefers a casual look, layering a raincoat over a tweed jacket and jumper. Callahan, the more conservative cop, also wears a tweed jacket but with a necktie and sweater vest. Continue reading






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