Warren Beatty’s Brown Trucker Jacket in The Parallax View

Warren Beatty as Joe Frady in The Parallax View (1974)

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Warren Beatty as Joe Frady, maverick political reporter

Seattle and Los Angeles, Spring 1974

Film: The Parallax View
Release Date: June 14, 1974
Director: Alan J. Pakula
Costume Designer: Frank L. Thompson

Background

The Parallax View was released 50 years ago today on Flag Day 1974—an appropriate observance for this second of Alan J. Pakula’s trio of politically themed paranoid thrillers that also included Klute (1971) and All the President’s Men (1976).

Warren Beatty provides one of the arguably best performances of his career as Joe Frady, an investigative reporter for an Oregon newspaper who is tipped to a deadly political conspiracy by ex-girlfriend Lee Carter (Paula Prentiss) shortly before she too died under questionable circumstances attributed to a drug overdose. At a time when, in Joe’s words, “every time you turned around, some nut was knockin’ off one of the best men in the country,” Lee witnessed the assassination of a presidential hopeful three years earlier. Continue reading →

The Newton Boys: Dock Newton’s Gray Morning Coat

Vincent D’Onofrio as Dock Newton in The Newton Boys (1998)

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Vincent D’Onofrio as Wylie “Dock” Newton, ex-convict and outlaw

Toronto, Summer 1923

Film: The Newton Boys
Release Date: March 27, 1998
Director: Richard Linklater
Costume Designer: Shelley Komarov

WARNING! Spoilers ahead!

Background

One hundred years ago tomorrow on June 12, 1924, the notorious Newton brothers gang committed their last* holdup after a wildly successful five-year spree that robbed at least 80 banks across ten states, about half of these in their home state of Texas where brothers Willis, Jess, Joe, and “Dock” Newton were born in Uvalde.

“If there are any bank robbers you’d want as family members, it would be the Newton Boys,” writes Duane Swiercyznski in his volume This Here’s a Stick-Up: The Big Bad Book of American Bank Robbery, in which he describes the group as “unfailingly polite, nonviolent, and professional heisters.”

In addition to their preference for courtesy over cruelty, the brothers attributed their success to initially sticking to less risky nighttime robberies targeting specific old-fashioned safes that could be more easily blown open with nitroglycerin. It was only when departing from this formula that the Newtons encountered real trouble, such as their impulsive attempt to rob daylight messengers of the Imperial Bank of Canada in July 1923… which netted C$84,000 but broke the gang’s avoidance of violence when four guards were shot and wounded.

Just under a year later, the Newtons again should have stuck to their formula rather than agreeing to what would be one of the last—but biggest—train robberies in American history. On the evening of June 12, 1924, the Newtons joined a group of professional criminals in the attempted robbery of R.P.O. train 57 outside Rondout, Illinois, about forty miles up the Lake Michigan coast from Chicago.

“Ain’t this a helluva way to make a living?” Jess reportedly joked to the conductor, whose nerves at being robbed—even by the generally nonviolent Newtons—resulted in him failing to stop the train where the bandits expected. In the subsequent confusion and darkness, one of the outsiders recruited into the job mistook Dock for one of the guards and opened fire. Continue reading →

The Godfather Part II: Don Fanucci’s White Suit

Gastone Moschin as Don Fanucci in The Godfather Part II (1974)

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Gastone Moschin as Don Fanucci, ruthless Black Hand extortionist

New York City, Summer 1917

Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle

WARNING! Spoilers ahead!

Background

Born 95 years ago today on June 8, 1929, Italian actor Gastone Moschin may be most recognizable to audiences around the world for his portrayal of the sinister Don Fanucci in The Godfather, Part II (1974), celebrating its 50th anniversary this year.

Genco Abbandando (Frank Sivero) introduces the young Vito Corleone (Robert De Niro)—and we the audience—to the sneering white-suited gangster as an enforcer for the “Black Hand”, the real-life extortion racket which preyed upon Italian-American immigrants in communities along the eastern seaboard from Boston to New Orleans, where it was linked to the 1890 assassination of police chief David Hennessy.

The Black Hand operated primarily within the United States around the turn of the 20th century, violently threatening victims who ranged from simple shopkeepers to celebrities like tenor Enrico Caruso, who enlisted the help of crusading NYPD Lieutenant Joseph Petrosino. Though Petrosino arrested two men connected with the Caruso threats, he himself would become a victim of Mano Nera when he was fatally shot in March 1909 while undercover in Sicily, investigating the history of brutal criminals he hoped to banish from the United States. The Petrosino murder increased pressure from law enforcement that all but dissolved the Black Hand’s influence by the 1920s, around the time that Prohibition provided the opportunity for younger and more ambitious crooks like “Lucky” Luciano to organize the former Black Hand threads into a structure known alternately as La Cosa Nostra (“Our Thing”) or simply Mafia.

One of the most prominent Black Hand gangsters of this era was the Sicilian-born Ignazio Lupo, known as “Lupo the Wolf” among the neighborhoods he terrorized in New York City’s Little Italy. Lupo was reportedly a direct inspiration for Mario Puzo to craft the character of Don Fanucci who first appeared in the 1969 novel The Godfather before he would be brought to life by Gastone Moschin in the cinematic sequel. Continue reading →

The Longest Day: John Wayne’s M1942 Jump Uniform as Benjamin Vandervoort

John Wayne as Lt. Col. Benjamin H. Vandervoort in The Longest Day (1962)

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John Wayne as Lieutenant Colonel Benjamin H. Vandervoort, commanding officer of 2nd Battalion, 505th Parachute Infantry Regiment, 82nd Airborne Division, U.S. Army

England to France, June 1944

Film: The Longest Day
Release Date: September 25, 1962
Directed by: Ken Annakin (British & French sequences), Andrew Marton (American sequences), and Bernhard Wicki (German sequences)
Wardrobe: John McCorry (uncredited)

Background

Eighty years ago today on June 6, 1944—a date immortalized as “D-Day”—the Allies began landing hundreds of thousands of troops in Nazi-occupied France, laying the foundation for liberating the continent and ending the European theater of World War II within the year.

D-Day often conjures images of daring Allied troops storming the beaches at Normandy under heavy German gunfire, but there were many other elements within Operation Neptune, from aerial and naval bombardments and local resistance operations to the airborne invasion preceding the famous amphibious assault.

Irish-born war correspondent Cornelius Ryan captured all of these aspects when he published The Longest Day, his definitive chronicle of D-Day pulled from his firsthand experience during World War II and his own exhaustive research to follow. Three years after the book was published in 1959, Ryan co-adapted his volume into an epic film that would pull together a wide international cast and crew, with Ken Annakin directing the sequences among the British and French, Andrew Marton directing the American sequences, and Bernhard Wicki directing the sequences from a German perspective. Actual D-Day participants from both the Allied and Axis powers served as consultants for the film, which also starred a number of World War II veterans like Eddie Albert, Henry Fonda, Kenneth More, Rod Steiger, and Richard Todd.

The Longest Day was a commercial and critical success, garnering five Academy Award nominations and setting a then-record as the highest-grossing black-and-white film to date. Among its star-studded cast was John Wayne, portraying the real-life 82nd Airborne parartooper Lieutenant Colonel Benjamin H. “Vandy” Vandervoort (1917-1990). Though Duke was nearly 30 years older than the real Vandervoort, his ruggedly macho screen persona instantly communicated Vandy’s reputation among no less than General Matthew B. Ridgway, who described the officer as “one of the bravest, toughest battle commanders I ever knew.”

The real Lt. Col. Benjamin H. Vandervoort during Operation Overlord in June 1944, with the broken left ankle that didn’t stop him from leading his battalion in defending Ste.-Mère-Église.

Continue reading →

Dennis Weaver in Duel

Dennis Weaver in Duel (1971)

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Dennis Weaver as David Mann, traveling salesman

Southern California, Summer 1971

Film: Duel
Release Date: November 13, 1971
Director: Steven Spielberg

WARNING! Spoilers ahead!

Background

I’d like to report a truck driver who’s been endangering my life.

Steven Spielberg made his directorial debut with the suspenseful “road rage” thriller Duel starring Dennis Weaver, the actor best known for his TV roles like Gunsmoke and McCloud who was born 100 years ago today on June 4, 1924. Duel was no exception as it first aired on ABC in November 1971; Spielberg would continue to distinguish himself with extraordinary TV direction for series like Columbo until he transitioned to the silver screen with The Sugarland Express (1974).

Weaver stars as David Mann, a mild-mannered and married salesman whose Plymouth Valiant is terrorized by a dilapidated Peterbilt 281 tanker truck driven by an unseen and murderous opponent antagonizing him across the desert highways, pitting this easygoing everyman as a valiant David against a gas-guzzling Goliath seeking to destroy him. Continue reading →

Anthropoid: Cillian Murphy’s Brown Striped Suit and Raincoat as Jozef Gabčík

Cillian Murphy in Anthropoid (2016)

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Cillian Murphy as Jozef Gabčík, Czechoslovak Army soldier and SOE agent

Prague, Spring 1942

Film: Anthropoid
Release Date: September 9, 2016
Director: Sean Ellis
Costume Designer: Josef Cechota

WARNING! Spoilers ahead!

Background

This week in 1942, one of the most evil officials of the Third Reich (and that’s saying something!) finally succumbed to injuries received after he was ambushed by two Czechoslovak Army soldiers operating on behalf of the Special Operations Executive (SOE).

The SOE had collaborated with Czechoslovak intelligence to plan “Operation Anthropoid”—the assassination of Reinhard Heydrich, the Nazi security chief who helped organize Kristallnacht and was considered a principal architect of the Holocaust. As Deputy Protector of Bohemia and Moravia, Heydrich’s brutality earned him nicknames like the “Butcher of Prague”, making him a strategic target for the exiled Czechoslovak government. From among nearly 2,000 Czechoslovak Army personnel now exiled to England, Czechoslovak intelligence chief František Moravec selected two dozen—including paratroopers Jozef Gabčík, Jan Kubiš, and Karel Svoboda—to be trained by the SOE in Scotland for the dangerous mission to remove Heydrich. Continue reading →

Heaven Can Wait: Don Ameche’s Blue Silk Smoking Jacket

Don Ameche in Heaven Can Wait (1943)

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Don Ameche as Henry Van Cleve, successful businessman

New York City, Fall 1923

Film: Heaven Can Wait
Release Date: August 11, 1943
Director: Ernst Lubitsch
Costume Designer: René Hubert

WARNING! Spoilers ahead!

Background

Born 116 years ago today on May 31, 1908, actor Don Ameche stated during a 1983 interview that his favorite filmmaking experience over what was then a half-century in the movies was appearing in Ernst Lubitsch’s dazzling supernatural comedy Heaven Can Wait, adapted by screenwriter Samson Raphaelson from Ladislaus Bus-Fekete’s play “Birthday”. Continue reading →

Mandalay: Ricardo Cortez’s White Linen Suit and Captain’s Hat

Ricardo Cortez as Tony Evans in Mandalay (1934)

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Ricardo Cortez as Tony Evans, shady ship’s captain

Rangoon, Burma (now Myanmar), Summer 1933

Film: Mandalay
Release Date: February 10, 1934
Director: Michael Curtiz
Costume Designer: Orry-Kelly

WARNING! Spoilers ahead!

Background

As Memorial Day weekend typically marks the unofficial start of summer style season, many gents are rotating their whites back to the front of their wardrobe. In the spirit of this transition, today’s post takes some perhaps recherché inspiration in the 90-year-old pre-Code drama Mandalay.

Written by Austin Parker and Charles Kenyon from a story by Paul Hervey Fox, Mandalay was one of nearly 200 films directed by Michael Curtiz, who used this as a cinematic playground to pioneer what were then cutting-edge techniques like wipes and opticals. The drama begins in Burma (now Myanmar), where the greedily opportunistic Tony Evans (Ricardo Cortez) essentially trades his charming girlfriend Tanya (Kay Francis) to the unscrupulous local nightclub owner Nick (Warner Oland) in exchange for taking on a job running guns for him. Continue reading →

A Bridge Too Far: James Caan’s M-1943 Combat Uniform as Staff Sergeant Dohun

James Caan in A Bridge Too Far (1977)

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James Caan as Staff Sergeant Eddie Dohun, determined U.S. Army paratrooper

Holland, Fall 1944

Film: A Bridge Too Far
Release Date: June 15, 1977
Director: Richard Attenborough
Costume Designer: Anthony Mendleson

Background

Established in the United States after the Civil War, Memorial Day honors the memory of American military personnel who died during their service. This year takes on additional poignancy as the 80th anniversary of many pivotal World War II campaigns that cost American lives, from D-Day to the Battle of the Bulge.

My great-uncle, Sergeant Joe Kordas, was among these fallen troops when he was killed in action on October 4, 1944 while serving in Holland with the 82nd Airborne. As I was born 45 years later, I naturally never had the opportunity to meet my uncle, but his memory is among those I honor on Memorial Day.

My understanding is that Uncle Joe was part of the 82nd Airborne Division’s fourth and final combat jump, parachuting into Holland in September 1944 as part of Operation Market Garden. This Allied offensive was designed to create an invasion route into the Netherlands as a combined force of American and British airborne forces (“Market”) would seize nine bridges, which British land forces (“Garden”) would then follow over. The largest airborne operation of the war to that point, Operation Market Garden was not an Allied victory and criticized by one of its planners as attempting to take “a bridge too far,” a phrase borrowed by historian Cornelius Ryan for his 1974 volume of the operation that was subsequently adapted for the screen by William Goldman.

More than a decade after he starred in his own star-studded World War II screen epic, The Great Escape, Richard Attenborough was again behind the camera for A Bridge Too Far, his third directorial feature. Chronicling the operation from the American, British, Polish, Dutch, and German points of view, A Bridge Too Far boasted a talented international cast including—but certainly not limited to—Dirk Bogarde, Michael Caine, Sean Connery, Edward Fox, Elliott Gould, Anthony Hopkins, Gene Hackman, Hardy Krüger, Laurence Olivier, Ryan O’Neal, Robert Redford, Maximilian Schell, and Liv Ullmann.

Most of this cast played real-life figures or composites of them, with one of my favorite performances being James Caan’s portrayal of Staff Sergeant Eddie Dohun, a noncommissioned officer in the 101st Airborne based on the real-life Sergeant Charles J. Dohun, to the extent that A Bridge Too Far was the first of Caan’s films I chose to rewatch after learning of the actor’s death in July 2022. Continue reading →

Bonnie and Clyde (1967): Warren Beatty’s “Air Ties” and Vests

Faye Dunaway and Warren Beatty in Bonnie & Clyde (1967)

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Warren Beatty as Clyde Barrow, Depression-era bank robber and gang leader

Across the American South and Midwest, Spring 1932 to 1934

Film: Bonnie & Clyde
Release Date: August 13, 1967
Director: Arthur Penn
Costume Designer: Theadora Van Runkle

Background

Ninety years ago today on the morning of May 23, 1934, a light-gray Ford V-8 sedan traveling northeast on a rural Louisiana highway slowed as it approached a truck stopped by the side of the road. Suddenly, volleys of rifle fire peppered the car, obliterating the young couple in the front seat. After an estimated 167 rounds were fired, a half-dozen lawmen emerged from their ambush positions and approached the Ford, in which wanted outlaws Bonnie Parker and Clyde Barrow were now unquestionably dead.

Despite their bloody crime spree that left at least a dozen men dead, Bonnie and Clyde captivated the fascination of a Depression-era public that often celebrated the exploits of contemporary outlaws like John Dillinger and “Pretty Boy” Floyd. The scrappy couple was hardly as criminally capable as their fellow “Public Enemies”, but Clyde’s remarkable ability to escape police traps and Bonnie’s frequent involvement added a romantic element that made them a newspaper favorite, especially after the discovery of undeveloped photos depicting the Barrow gang at play, including Bonnie smoking one of Clyde’s cigars—crafting a public image she would greatly resent—and holding him at gunpoint with one of the gang’s cut-down shotguns.

Among the many photos found at the gang’s abandoned Joplin, Missouri hideout after an April 1933 gunfight was this snapshot of Clyde and Bonnie in front of one of their many stolen Ford V-8 coupes, likely photographed earlier that year by their teenage gang member W.D. Jones. In the 1967 film Bonnie & Clyde, Warren Beatty and Faye Dunaway posed in a similar manner, but this reenactment didn’t make the final cut.

The frequent news coverage during their lifetime ensured that Bonnie and Clyde wouldn’t be quickly forgotten after their deaths, inspiring a string of “couple of the run” crime movies like You Only Live Once (1937) and the films noir They Live By Night (1948) and Gun Crazy (1950). The couple’s story formed the basis for the highly fictionalized The Bonnie Parker Story, an exploitative 1958 quickie from American International Pictures starring Dorothy Provine as the “cigar-smoking hellcat of the roaring thirties” and Jack Hogan as her simping partner-in-crime, uh, “Guy Darrow”.

The outlaw couple would be immortalized on screen after the release of Bonnie & Clyde in 1967, produced by Warren Beatty who also starred as Clyde opposite newcomer Faye Dunaway as a redoubtable Bonnie Parker. Continue reading →