Joe Pesci as Vincent LaGuardia “Vinny” Gambini, fledgling defense attorney
“Beechum County”, Alabama, January into February 1992
Film: My Cousin Vinny
Release Date: March 13, 1992
Director: Jonathan Lynn
Costume Designer: Carol Wood
Happy birthday to Joe Pesci! Though the 76-year-old actor has been mostly retired from acting over the last two decades, he’s occasionally stepped back into the camera lens for a few sporadic screen appearances, most recently a Google Assistant ad that played during Super Bowl LIII and his latest collaboration with Martin Scorsese, The Irishman, scheduled to be released this fall.
Following his notable Oscar win for Goodfellas—and his short, humble acceptance speech that consisted solely of “It’s my privilege, thank you”—Pesci had some fun parodying his excitable screen persona in comedies like Home Alone, the Lethal Weapon series, and My Cousin Vinny.
Sean Connery as James Bond, British government agent and super spy
Geneva, Switzerland, Fall 1964
Release Date: September 18, 1964
Director: Guy Hamilton
Wardrobe Supervisor: Elsa Fennell
James Bond: Do you expect me to talk?
Auric Goldfinger: No, Mr. Bond, I expect you to die!
For this 00-7th of October installment, BAMF Style is looking at the classic scene from the most iconic of Bond flicks, Goldfinger.
After successfully trailing the sinister Auric Goldfinger to his metallurgy plant in Geneva, James Bond chooses the dark of night to cover his covert investigations of the plant. He discovers Goldfinger’s gold smuggling enterprise and overhears his conversation with a Red Chinese agent about the mysterious “Operation Grand Slam”. Continue reading
Keanu Reeves as John Wick, retired assassin out for revenge
New York City, Spring 2014
Film: John Wick
Release Date: October 24, 2014
Director: Chad Stehelski
Costume Designer: Luca Mosca
Rarely have I ever received such overwhelming demand for a post as I had for John Wick… and I hadn’t even heard of the film before February! Somehow this flick missed my radar completely (the concussion in January didn’t help). Granted, the only movie I’ve managed to see in theaters since last summer was Birdman, but still I tend to be aware of badass action movies upon their release. Thankfully, the badasses who comment on this blog brought it to my attention and now we all have Craig, Aaron, and Gunner to thank for this post!
Any preconceived notions I may have had about Keanu Reeves were tossed—or, rather, violently thrown—out the window after seeing him take out approximately 80 bad guys with advanced weaponry and tactics, all while wearing a sharp suit and driving a beautiful example of automotive American muscle. Continue reading
Joaquin Phoenix as Johnny Cash, badass but troubled country rock musician
Los Angeles, January 1968
Film: Walk the Line
Release Date: November 18, 2005
Director: James Mangold
Costume Designer: Arianne Phillips
Tailor: Pam Lisenby
Columbia Exec: Your fans are church folk, Johnny. Christians. They don’t wanna hear you singing to a bunch of murderers and rapists, tryin’ to cheer ’em up.
Johnny Cash: Well, they’re not Christians, then.
The terrific 2005 biopic Walk the Line features a great scene of Cash rebooting his career as a prison performer (and reformer) when he confidently strides into Columbia Records and announces his plan to record an album live from Folsom Prison. He dudes himself up appropriately in all black and is the most self-assured as we’ve seen him throughout the film.
To honor Johnny Cash’s birthday (he would have been exactly 83 years old today), here’s a look at Joaquin Phoenix’s take on “the Man in Black”. Continue reading
Brad Pitt as Jackie Cogan, freelance mob hitman
Boston*, November 2008
* The movie – like the source novel – was indeed set in the Boston area but was filmed in New Orleans.
Although it met with mixed reviews, fans of George V. Higgins appreciate the recent film version of his 1974 book Cogan’s Trade, released as Killing Them Softly based on a line from the novel’s titular protagonist, Jackie Cogan:
They cry. They plead. They beg. They piss themselves. They call for their mothers. It gets embarrassing. I like to kill ’em softly, from a distance. Not close enough for feelings. Don’t like feelings. Don’t want to think about them.