Tagged: Detroit

George Clooney’s Charcoal Car Coat in Out of Sight

I’m pleased to again present a guest post contributed by my friend Ken Stauffer, who has written several pieces for BAMF Style previously and chronicles the style of the Ocean’s film series (and beyond!) on his excellent Instagram account, @oceansographer.

George Clooney as Jack Foley in Out of Sight (1998). Photo credit: Merrick Morton.

Vitals

George Clooney as Jack Foley, charismatic bank robber and prison escapee

Detroit, February 3-5, 1999

Film: Out of Sight
Release Date: June 26, 1998
Director: Steven Soderbergh
Costume Designer: Betsy Heimann

WARNING! Spoilers ahead!

Background

When people lament that Hollywood studios should go back to making more high quality, mid-budget movies, Out of Sight is exactly what they’re referring to, even if they don’t realize it. Looking back on it today, the film is not only perfectly cast and beautifully shot, but it manages to strike the perfect balance of character and plot, humor and drama, while telling a unique story.

Based on a then-just-published novel by Elmore Leonard, the movie stars George Clooney as lifelong bank robber Jack Foley who breaks out of prison in Florida, getting away by hiding himself in a car trunk with U.S. Marshal Karen Sisco (Jennifer Lopez). With the law hot on his tail, Foley and his best friend Buddy (Ving Rhames) hoof it to Detroit to pull off one last score at the home of two-faced businessman Richard Ripley (Albert Brooks), whom they did time with years earlier. They’re forced to form an uneasy alliance with a far more violent crew led by the murderous “Snoopy” Miller (Don Cheadle). Continue reading

Once Upon a Time in America: De Niro’s Herringbone for a Heist

Robert De Niro as David "Noodles" Aaronson in Once Upon a Time in America (1984)

Robert De Niro as David “Noodles” Aaronson in Once Upon a Time in America (1984)

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Robert De Niro as David “Noodles” Aaronson, mob bootlegger and ex-convict

Detroit, Spring 1931

Film: Once Upon a Time in America
Release Date: May 23, 1984
Director: Sergio Leone
Costume Designer: Gabriella Pescucci

Background

After premiering at Cannes in May and undergoing a truncated release stateside that summer, Sergio Leone’s controversial mob saga Once Upon a Time in America was finally released in the Italian-born director’s home country on this day in 1984. Leone’s final film, and the first he had directed in 13 years, Once Upon a Time in America marked the conclusion to his unofficial “Once Upon a Time…” trilogy.

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The Irishman: Pacino’s Burgundy Polo as Hoffa

Al Pacino as Jimmy Hoffa in The Irishman (2019)

Al Pacino as Jimmy Hoffa in The Irishman (2019)

Vitals

Al Pacino as Jimmy Hoffa, pugnacious and passionate labor official

Detroit, Summer 1975

Film: The Irishman
Release Date: November 1, 2019
Director: Martin Scorsese
Costume Design: Sandy Powell & Christopher Peterson

WARNING! Spoilers ahead!

Background

In addition to today famously being St. Valentine’s Day, it’s also the birthday of Jimmy Hoffa, who was born February 14, 1913, and was most recently portrayed by Al Pacino in The Irishman. The crime drama epic was released on Netflix more than three months ago with considerable fanfare, eventually garnering ten Academy Award nominations (but no wins) including Best Picture, Best Director, and Best Supporting Actor for both Pacino and Joe Pesci.

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Eddie Murphy as Axel Foley in Beverly Hills Cop

Eddie Murphy posing as Axel Foley for the Beverly Hills Cop (1984) poster. Like most movie posters, it replaces the gun he actually used in the film (Browning Hi-Power) with an incorrect airbrushed replacement (M1911A1).

Vitals

Eddie Murphy as Axel Foley, cheeky and streetwise Detroit detective

Beverly Hills, Spring 1984

Film: Beverly Hills Cop
Release Date: December 5, 1984
Director: Martin Brest
Costume Designer: Tom Bronson

Background

Like many of the action-comedy cop films of the ’80s (Lethal WeaponDie Hard, etc.), Beverly Hills Cop turned out much better than it should have. The original premise, developed seven years earlier by Paramount exec Don Simpson, was a cop from East Los Angeles transferring to Beverly Hills. By 1981, screenwriter Danilo Bach had fleshed this out into an action-oriented fish-out-of-water story titled Beverly Drive about Pittsburgh cop Elly Axel’s misadventures in 90210. Despite the excellent choice of Pittsburgh as Axel’s hometown (go Stillers!), the film flatlined.

It was resuscitated two years later after the success of Flashdance when Simpson revisited his idea and hired screenwriter Daniel Petrie, Jr. to add a more humorous flourish. Elly Axel of Pittsburgh became Axel Elly of Detroit. The lead role went through a few actors—Mickey Rourke, Al Pacino, James Caan—before Sylvester Stallone was finally brought in to “act” in the film.

Bringing his Rocky and Rambo approach to the film, Stallone went back to Bach’s original serious action concept. Axel Elly was renamed Axel Cobretti (a name which Stallone must have been dying to use in a film), Jenny became Axel’s love interest, and the finale became “a stolen Lamborghini playing chicken with an oncoming freight train”; Stallone himself later remarked during an impressive display of self-awareness that his removal from the project was well-deserved. (Although Steven Berkoff mentioned that the ultimate factor in Stallone’s removal was the type of orange juice placed in his trailer.)

Stallone left the project two weeks before filming began, and producers Simpson and Jerry Bruckheimer needed their lead character. Two days later, Eddie Murphy was convinced to come on board. The serious tone was dropped mercifully in favor of lighter comedy that solidified the film as one of the funniest of the decade. Already famous due to his comic chops on Saturday Night Live and in films like 48 Hrs. and Trading Places, Eddie Murphy became an international star after Beverly Hills Cop was released in December 1984. It was the biggest hit of the year, earning more than $230 million in North America alone and racking up award nominations both at the Oscars and the Golden Globes, a considerable feat for a cop comedy.

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