Tagged: Gene Hackman
Gene Hackman’s Tweed Suit as Buck Barrow
Vitals
Gene Hackman as “Buck” Barrow, bank robber, ex-convict, and family man
Texas, May 1933
Film: Bonnie & Clyde
Release Date: August 13, 1967
Director: Arthur Penn
Costume Designer: Theadora Van Runkle
Background
Happy birthday to Gene Hackman, who turns 86 years old today!
Bonnie and Clyde marked the first major role for Hackman, who had spent much of the ’60s as a struggling actor who shared rooms with fellow struggling actors Dustin Hoffman and Robert Duvall. 1967 turned out to be a banner year for the friends and roommates, earning Hackman and Hoffman their first Academy Award nominations.
Hackman brings an easygoing charm to the role of the more famous Clyde’s older brother Buck, and the film gets many of the “on paper” details right about Buck. As Clyde’s older brother, he had more experience tangling with the law and spent the first few months of Clyde’s criminal career in the Texas state prison. He had escaped once, but—as Hackman tells Warren Beatty’s Clyde—it was his new wife Blanche that talked him into returning to prison to serve out the rest of his sentence, and he would be pardoned 15 months later. Buck and Blanche journeyed to visit Bonnie and Clyde, ostensibly for a reunion and possibly for Buck to try and talk Clyde into following his good example. Of course, the murder of two Joplin policemen during this reunion meant Buck would be wanted again as well, and the brothers led the motley “Barrow Gang” in a string of small-town stickups and kidnappings over the next three months. Continue reading
Gene Hackman in Bonnie and Clyde: Buck Barrow’s Leather Flight Jacket
Vitals
Gene Hackman as “Buck” Barrow, Depression-era ex-convict looking to go straight
Joplin, Missouri, Spring 1933
Film: Bonnie & Clyde
Release Date: August 13, 1967
Director: Arthur Penn
Costume Designer: Theadora Van Runkle
Background
BAMF Style’s been focusing a lot on law-abiding BAMFs lately, and—while their behavior may be admirable—it’s always fun to shift back to characters with murkier legal histories. 1967’s Bonnie and Clyde is stylish in many regards, including the rugged outlaw style sported by Clyde’s older brother Buck, played charmingly by Gene Hackman in his first major on-screen role. Continue reading
The French Connection – Popeye Doyle’s Light Brown Suit
Vitals
Gene Hackman as Jimmy “Popeye” Doyle, gruff NYPD narcotics detective
Brooklyn, December 1970
Film: The French Connection
Release Date: October 9, 1971
Director: William Friedkin
Costume Designer: Joseph Fretwell III
Background
To celebrate this weekend’s Academy Awards ceremony, BAMF Style is looking at The French Connection, which took home five Oscars in 1972 including Best Picture and—for Gene Hackman’s portrayal of unorthodox narc “Popeye” Doyle—Best Actor. It was the first R-rated movie to win the coveted Best Picture award, and its gritty realism set the tone for one of the greatest decades in American filmmaking. Continue reading
Popeye Doyle’s Peacoat and Pontiac
Vitals
Gene Hackman as Jimmy “Popeye” Doyle, rough but dedicated NYPD narcotics detective
Brooklyn, December 1970
Film: The French Connection
Release Date: October 9, 1971
Director: William Friedkin
Costume Designer: Joseph Fretwell III
Background
Car chases have been ingrained in American cinema since the early days of the Keystone Kops. As the interest in cars grew, auto manufacturers began highlighting their most innovative products through on-screen action. The James Bond franchise innovated the use of car chases with Goldfinger‘s gadget-laden Aston Martin DB5 and a conveniently placed Ford Mustang convertible. The Mustang poked its head out again for the seminal chase in Bullitt as Steve McQueen faced off against a black ’68 Dodge Charger in his Mustang GT-390. After Bullitt, filmmakers began exploring the possibilities of cars on film. New, exciting cars were showcased like the new Dodge Challenger in Vanishing Point to the new Mustang Mach 1 in Diamonds are Forever.
For The French Connection, William Friedkin’s 1971 film based on Robin Moore’s book about intrepid NYPD cops Eddie Egan and Sonny Grosso, the car chase formula was injected with something new. Rather than the super-cool hero coolly chasing a villain in his super-cool car, the film places its ragged protagonist off-duty cop in an ordinary sedan commandeered from a civilian. Not only that, but this villain isn’t in a car; rather, he has hijacked an elevated train as Popeye is forced to race the train to each stop. Continue reading




You must be logged in to post a comment.