Tagged: James Bond
A View to a Kill: Roger Moore’s White Bogner Ski Clothes
Roger Moore as James Bond in A View to a Kill (1985). Photo by Keith Hamshere, sourced from Thunderballs archive.
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Roger Moore as James Bond, British government agent
Siberia, Winter 1985
Film: A View to a Kill
Release Date: May 22, 1985
Director: John Glen
Costume Designer: Emma Porteous
WARNING! Spoilers ahead!
Background
On this snowy 00-7th of January, let’s hit the slopes with Roger Moore—and his stunt doubles John Eaves and Martin Grace—in Sir Roger’s swan song as James Bond, A View to a Kill, celebrating its 40th anniversary this May.
Though the title originated from one of Ian Fleming’s short stories, the movie demonstrates how far the franchise had drifted from the source material, exemplified by this pre-credits sequence, which introduces a cringe-worthy “California Girls” needle drop as Moore’s stuntman skis through the mountains of Siberia—though actually filmed at Piz Palü in Switzerland and Jökulsárlón Glacier Lagoon in Iceland. Continue reading
The World Is Not Enough: Pierce Brosnan’s Midnight Brioni Tuxedo as Bond
Pierce Brosnan as James Bond in The World is Not Enough (1999).
Photo by Keith Hamshere/Sygma via Getty Images.
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Pierce Brosnan as James Bond, sophisticated English spy
Baku and Istanbul, December 1999
Film: The World Is Not Enough
Release Date: November 8, 1999
Director: Michael Apted
Costume Designer: Lindy Hemming
Tailored by: Brioni
WARNING! Spoilers ahead!
Background
On the 00-7th of November, today’s post celebrates Pierce Brosnan’s third and penultimate movie as James Bond—The World Is Not Enough—which premiered 25 years ago tomorrow on November 8, 1999 at the Fox Bruin Theater in Los Angeles.
With most of Ian Fleming’s original material already adapted by the end of Timothy Dalton’s tenure, Brosnan’s Bond films relied on original storylines with nods to earlier works in the franchise. In the case of The World Is Not Enough, this applies to the title itself—the English translation of the Bond family coat of arms (“Orbis non sufficit”) mentioned in the novel and film On Her Majesty’s Secret Service.
Neal Purvis, Robert Wade, and Bruce Feirstein crafted the original screenplay for The World Is Not Enough, centered around Bond’s assignment to protect heiress Elektra King (Sophie Marceau) from Renard (Robert Carlyle), an international terrorist who had kidnapped her years earlier. As the stakes of his mission grow, he recruits the help of an old enemy-turned-friend Valentin Zukovsky (Robbie Coltrane) and the improbably named—and improbably cast—nuclear physicist Dr. Christmas Jones (Denise Richards).
A hallmark of the Bond franchise are its aspirational sequences that highlight both the danger and elevated lifestyle of James Bond’s missions, exemplified in The World Is Not Enough as he strides into a swanky casino in an exotic locale, clad as usual in an impeccable tuxedo with a Walther holstered under his arm and a dry martini in his hand. After a Bollinger-soaked romantic interlude with an impossibly beautiful woman, Bond’s back on the trail of his dangerous foe, who only narrowly escapes as Bond saves the life of yet another impossibly beautiful woman following a gunfight. Continue reading
Diamonds are Forever: Sean Connery’s Bond Returns… in a Terrycloth Shirt
Sean Connery and Denise Perrier in Diamonds are Forever (1971)
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Sean Connery as James Bond, British government agent
French Riviera, Spring 1971
Film: Diamonds are Forever
Release Date: December 17, 1971
Director: Guy Hamilton
Wardrobe Master: Ray Beck
Tailor: Anthony Sinclair
Background
Born 94 years ago today on August 25, 1930, Sir Sean Connery rose to stardom as the first actor to play James Bond in the official EON Productions series, from Dr. No (1962) through Diamonds are Forever (1971).
Connery first retired from the role after You Only Live Twice (1967), resulting in Australian actor George Lazenby’s sole shot in On Her Majesty’s Secret Service (1969). After Lazenby too hung up 007’s shoulder holster, Connery was persuaded back for one last official performance as Ian Fleming’s iconic secret agent, commanding a record-setting $1.25 million salary to return as Commander Bond… which he then donated in its entirety to the Scottish International Education Trust.
Despite the somber ending of On Her Majesty’s Secret Service that set Bond out for revenge, Diamonds are Forever began a lighter era for the series as the stories diverged from Fleming’s source material with an increased emphasis on comedic elements and spectacle.
After a few faceless vignettes in exotic locales like Cai-Cai-Cairo, Connery’s Bond makes his long-anticipated on-screen reappearance during the pre-credits sequence of Diamonds are Forever, striding down onto the Hôtel du Cap-Eden-Roc’s stunning beach in Cap d’Antibes, where he makes his iconic introduction (“Bond, James Bond”) to Marie, an even more stunning bikini-clad brunette portrayed by Denise Perrier, the French-born Miss World 1953.
Marie: Is there something I can do for you?
Bond: Yes, as a matter of fact, there is… there is something I’d like you to get off your chest.
Moonraker: Roger Moore’s Cream Suit in Rio
Roger Moore as James Bond in Moonraker (1979)
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Roger Moore as James Bond, suave and sophisticated British MI6 agent
Rio de Janiero, Brazil, February 1979
Film: Moonraker
Release Date: June 26, 1979
Director: Lewis Gilbert
Costume Designer: Jacques Fonteray
Tailor: Angelo Vitucci
WARNING! Spoilers ahead!
Background
Moonraker launched James Bond into orbit when it premiered 45 years ago today on June 26, 1979 as the fourth of Sir Roger Moore’s seven adventures as the dashing spy.
Before his out-of-this-world journey, 007 trots the globe from California to Italy and ultimately to Brazil, where he landed in Rio de Janiero during the annual Carnival festivities held in February. February is a summer month in Brazil, so Bond dresses for the warmth in a cream linen suit and open-neck brown shirt and matching pocket square as he alights from his plane. Continue reading
Moonraker: Roger Moore’s Double-Breasted Dinner Jacket
Roger Moore as James Bond in Moonraker (1979). Photo sourced from thunderballs.org archive.
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Roger Moore as James Bond, suave and sophisticated British MI6 agent
Rio de Janiero, Brazil, February 1979
Film: Moonraker
Release Date: June 26, 1979
Director: Lewis Gilbert
Costume Designer: Jacques Fonteray
Tailor: Angelo Vitucci
WARNING! Spoilers ahead!
Background
Happy 00-7th of February! To warm up, let’s join James Bond on assignment in Rio de Janiero, his last stop in Moonraker before an unexpected detour into outer space, following both our villain Hugo Drax (Michael Lonsdale) and the overall sci-fi trends of the late ’70s thanks to blockbusters like Star Wars.
Before strapping on a Drax Industries spacesuit, Bond dons a more characteristic suit with the tailored tuxedo he chooses to wear for Carnival, the annual Brazilian festival held every February—scheduled to start at the end of this week. Continue reading
Never Say Never Again: Bond’s Cream Tropical Suit
Sean Connery as James Bond in Never Say Never Again (1983)
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Sean Connery as James Bond, sophisticated secret agent
Nassau, Bahamas, Spring 1983
Film: Never Say Never Again
Release Date: October 7, 1983
Director: Irvin Kershner
Costume Designer: Charles Knode
Tailor: Douglas Hayward
Background
The “Battle of the Bonds” commenced 40 years ago today when Never Say Never Again premiered on the 00-7th of October 1983. Produced by Jack Schwartzman’s Taliafilm, the movie was essentially a reimagining of Thunderball (1965), in which a weathered but game Sean Connery reprised his iconic role of James Bond… but without the official oversight of Eon Productions.
As I’ll be jetting off to a tropical environment this weekend, it feels appropriate to look at one of Bond’s sartorial highlights from this “unofficial” adventure, worn as Connery’s 007 makes some initial contacts upon landing in the Bahamas for his mission to investigate a missing nuclear warhead. (His lodgings are the historic British Colonial Hotel, which had to close during the COVID-19 pandemic but has been extensively renovated and is planned to reopen by the end of the year!) Continue reading
Live and Let Die: Bond’s Beige Tropical Suit
Roger Moore as James Bond in Live and Let Die (1973). Promotional photo by Ian Vaughan.
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Roger Moore as James Bond, British secret agent
“San Monique” (actually Jamaica), Spring 1973
Film: Live and Let Die
Release Date: June 27, 1973
Director: Guy Hamilton
Costume Designer: Julie Harris
Tailor: Cyril Castle
Background
Released 50 years ago today, Live and Let Die officially began Roger Moore’s 12-year, seven-film tenure as James Bond. Eon Productions’ first attempt recast Sean Connery in the iconic role resulted in the excellent On Her Majesty’s Secret Service (1969), though some audiences—as well as George Lazenby himself—had trouble accepting the inexperienced Aussie as agent 007.
With credits like Maverick, The Saint, and The Persuaders! to his name, Roger Moore brought considerably more experience to the role when he was recruited after Connery’s brief return in Diamonds are Forever (1971). Continue reading
Roger Moore’s Safari Suit in Octopussy
Roger Moore as James Bond in Octopussy (1983). Photo sourced from Thunderballs archive at thunderballs.org.
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Roger Moore as James Bond, British government agent
Udaipur, India, Spring 1983
Film: Octopussy
Release Date: June 6, 1983
Director: John Glen
Costume Designer: Emma Porteous
Tailor: Douglas Hayward
WARNING! Spoilers ahead!
Background
The 00-7th of June feels appropriate for celebrating Roger Moore’s penultimate James Bond adventure Octopussy, which premiered 40 years ago this week—June 6, 1983 in the United Kingdom, followed by its American premiere four days later.
As would result from a man dressed in keeping with the fashions of his era, Sir Roger’s sartorial legacy in the Bond franchise has included some divisive reference to him as the “leisure suit” Bond. While he did sport a few examples of leisure suits in his inaugural 007 film, Live and Let Die, he more frequently—and only when appropriate—wore more function-oriented safari suits and jackets. Bond Suits founder Matt Spaiser has written extensively about the contextual purpose that Moore’s safari-inspired clothing served in the Bond franchise, an effort that has hopefully reversed some of these negative attitudes.
Four years after he sported his first true safari suit in Moonraker, Octopussy reaffirmed Moore’s reputation as the safari-sporting Bond when he appropriately donned a khaki two-piece safari suit to escape from the Monsoon Palace. Continue reading
Roger Moore’s Ivory Dinner Jacket in Octopussy
Roger Moore and Kristina Wayborn in Octopussy (1983)
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Roger Moore as James Bond, British government agent
Udaipur, India, Spring 1983
Film: Octopussy
Release Date: June 6, 1983
Director: John Glen
Costume Designer: Emma Porteous
Tailor: Douglas Hayward
WARNING! Spoilers ahead!
Background
Happy 00-7th of April! Easter weekend feels like the appropriate occasion to celebrate the debonair Roger Moore’s evening-wear for James Bond’s memorable “egg hunt” in his penultimate 007 adventure—the provocatively titled Octopussy, which celebrates its 40th anniversary this June. Continue reading
No Time to Die: Retired Bond’s T-Shirt and Shorts in Jamaica
Daniel Craig as James Bond in No Time to Die (2021). Photo credit: Nicola Dove.
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Daniel Craig as James Bond, retired British secret agent
Jamaica to Cuba, Spring 2020
Film: No Time to Die
Release Date: September 30, 2021
Director: Cary Joji Fukunaga
Costume Designer: Suttirat Anne Larlarb
Background
Happy birthday, Daniel Craig! Born March 2, 1968, the English actor celebrates his 55th birthday today. I had been debating how to sartorially celebrate Craig, especially considering his stylish reprisal of detective Benoit Blanc in Glass Onion: A Knives Out Mystery, but my upcoming Jamaican honeymoon encouraged a return to his style in No Time to Die as a now-retired James Bond, living a life of comfortable solitude in Jamaica.
Bond fans are well-aware of the significance of Jamaica to the 007 series: it was at his Goldeneye estate on Oracabessa Bay where Ian Fleming wrote the first novel (Casino Royale) in 1952, most of the first movie (Dr. No) was set and filmed in Jamaica, and Roger Moore’s first Bond film (Live and Let Die) was also filmed extensively in Jamaica. There’s very much a “where it all began” association between Bond and this scenic Caribbean nation, making it all the more appropriate that No Time to Die establishes it the setting for Bond’s retirement, specifically a secluded home on Jamaica’s northeastern coast near Port Antonio. Continue reading