Tagged: Pea Coat
Kenneth Branagh’s Antarctic Exploration Gear as Ernest Shackleton
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Kenneth Branagh as Sir Ernest Shackleton, prolific polar explorer
Antarctica, December 1914 to August 1916
Series: Shackleton
Air Dates: January 2-3, 2002
Director: Charles Sturridge
Costume Designer: Shirley Russell
WARNING! Spoilers ahead!
Background
The Channel 4 series Shackleton aired in two parts during the first week of January 2002, winning Emmy Awards in two of the seven categories for which it was nominated among nods from the BAFTA Awards and Golden Globes. Kenneth Branagh stars as the titular Sir Ernest Shackleton, specifically depicting his leadership of the Imperial Trans-Antarctic Expedition toward the end of what many call the “Heroic Age of Antarctic Exploration”. Though the specific expedition failed in its scientific objective, his leadership and the resourceful group’s survival have become legendary as a feat of, well, endurance. Despite this, Shackleton wisely avoids hagiography as it presents the titular adventurer with virtues and flaws intact.
After securing funding and approval from the British Admiralty despite looming war across Europe, Shackleton’s crew departed from Plymouth in August 1914 aboard the Endurance. Shackleton had purchased this Norwegian-built three-masted schooner, which was originally christened Polaris before he renamed it from his family motto (“By endurance, we conquer”), thus its journey from England through the South Atlantic was its maiden voyage. Following stops in Buenos Aires and South Georgia Island, Shackleton and his crew of 28 men—and 69 dogs—finally departed for the Antarctic on December 5th.

The real Ernest Shackleton (1874-1922), photographed aboard the Endurance by Frank Hurley, circa 1914-1915.
Shackleton commanded the Endurance through the Weddell Sea, while Aeneas Mackintosh helmed a supporting party aboard the Aurora through the Ross Sea. Hoping to make landfall by Christmas, the seagoing expedition stretched into January 1915 when the Endurance became beset in pack ice. To conserve fuel for a potential return to South Georgia, Shackleton cut the engines and began drifting in the ice… for nine months.
110 years ago today on October 27, 1915—one year and a day after the Endurance left Buenos Aires—Shackleton finally gave his crew the orders to abandon ship, establishing a camp on the ice after—aside from Frank Hurley’s photographs and Leonard Hussey’s banjo—each man was instructed to dump all but two pounds of personal possessions from aboard the ship. Endurance finally sank just over three weeks later on November 21, 1915, starting a new chapter as the crew realized their mission shifted from science to survival.
My job now is to make sure you all live: every single one of you. To do that, I cannot afford to be sentimental. If I am, you will die—die starving, die frozen, die mad. I’ve seen it before, I do not intend to see it again.
Star Trek: Spock’s Pea Coat in “The City on the Edge of Forever”
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Leonard Nimoy as Spock, time-traveling starship officer
New York City, Fall 1930
Series: Star Trek
Episode: “The City on the Edge of Forever” (Episode 1.28)
Air Date: April 6, 1967
Director: Joseph Pevney
Creator: Gene Roddenberry
Costume Designer: William Ware Theiss
WARNING! Spoilers ahead!
Background
Last year, a BAMF Style reader smartly suggested writing about the classic workwear commandeered by two USS Enterprise officers upon “passing through ripples in time” and landing in Depression-era New York City in the landmark Star Trek episode “The City on the Edge of Forever”.
Captain James T. Kirk (William Shatner) and his part-Vulcan first officer, the brilliant Mr. Spock (Leonard Nimoy), were forced to leap through a portal on a mysterious planet, in pursuit of their cordrazine-crazed medical officer “Bones” McCoy (DeForest Kelley), whose actions on the other side of the portal inadvertently altered the past to a degree that erased the Enterprise and its crew from existence. Without their advanced technology at his disposal, Spock is forced to improvise “to construct a mnemonic memory circuit using stone knives and bearskins” and determine how Bones’ actions affected the future, eventually finding Kirk’s new love interest, pacifist missionary Edith Keeler (Joan Collins), to be at the center of it all.
As actor Leonard Nimoy died ten years ago today on February 27, 2015, today’s post follows up on my previous entry about Captain Kirk’s found workwear by exploring Spock’s purloined pea coat and jeans. Continue reading
Christopher Plummer in The Silent Partner
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Christopher Plummer as Harry Reikle, sadistic armed robber
Toronto, Christmas 1977 through Summer 1978
Film: The Silent Partner
Release Date: September 7, 1978
Director: Daryl Duke
Wardrobe Credit: Debi Weldon
WARNING! Spoilers ahead!
Background
Today would have been the 95th birthday of Christopher Plummer, born December 13, 1929. To celebrate the Toronto-born actor’s birthday amidst the holiday season, today’s post centers around Daryl Duke’s Canadian Christmas-centric 1978 thriller, The Silent Partner.
Plummer appears as Harry Reikle, a ruthless criminal who begins terrorizing Miles Cullen (Elliott Gould), a mild-mannered teller who foiled Harry’s earlier attempt to rob a branch of the First Bank of Toronto within Eaton Centre, a then-new shopping mall filled with bustling holiday shoppers who may have expected long lines but certainly would not expect to see Santa Claus exchanging shots with a bank security guard.
Star Trek: Captain Kirk’s Depression-era Workwear in “The City on the Edge of Forever”
Thanks to a suggestion from reader Rob Sundquist, today’s entry will boldly go where no BAMF Style post has gone before!

William Shatner as Captain James T. Kirk on Star Trek, Episode 1.28: “The City on the Edge of Forever”
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William Shatner as Captain James T. Kirk, time-traveling starship captain
New York City, Fall 1930
Series: Star Trek
Episode: “The City on the Edge of Forever” (Episode 1.28)
Air Date: April 6, 1967
Director: Joseph Pevney
Creator: Gene Roddenberry
Costume Designer: William Ware Theiss
WARNING! Spoilers ahead!
Background
Fans of Star Trek who are familiar with BAMF Style may not be surprised to learn that my inaugural post from this groundbreaking series covers “The City on the Edge of Forever”, the penultimate episode of the first season which has endured to be considered among the series’ best.
The episode begins on the USS Enterprise as first officer Spock (Leonard Nimoy) reports that the starship’s turbulence is the result of “actually passing through ripples in time”. An accident results in medical officer Leonard “Bones” McCoy (DeForest Kelley) accidentally injecting himself with a massive dose of cordrazine, an in-universe stimulant that sends the doctor into a paranoid frenzy.
Captain James T. Kirk (William Shatner) recruits Spock, communications officer Lt. Uhura (Nichelle Nichols), chief engineer “Scotty” (James Doohan), and two redshirts onto the mysterious planet where Bones beamed himself, where they discover a time portal with the ability to transport entrants back to any time and place.
Bones leaps through the portal to evade capture, resulting in altering the past so dramatically that the crew’s reality—and ship—cease to exist. Thus, Kirk and Spock thus have no choice but to leap into the gateway in pursuit of Dr. McCoy… landing them in New York City, circa 1930, at the intersection of the Prohibition era and the Great Depression. Continue reading
Al Pacino’s Pea Coat as Serpico
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Al Pacino as Frank Serpico, plainclothes New York Police Department office
New York, Winter 1967
Film: Serpico
Release Date: December 5, 1973
Director: Sidney Lumet
Costume Designer: Anna Hill Johnstone
WARNING! Spoilers ahead!
Background
My eyes see… 84 birthday candles for Al Pacino, born April 25, 1940! Sandwiched between his acclaimed performances as Michael Corleone in the first two installments of The Godfather, the New York-born actor returned to the scrappy persona that signified many of his early screen roles as an easygoing drifter in Scarecrow and the police drama Serpico. Continue reading
The Last Detail: Jack Nicholson’s Navy Crackerjack Uniform and Pea Coat
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Jack Nicholson as Billy L. “Badass” Buddusky, brash U.S. Navy Signalman 1st Class
Norfolk, Virginia, to Portsmouth Naval Prison, December 1972
Film: The Last Detail
Release Date: December 12, 1973
Director: Hal Ashby
Costume Designer: Theodore R. Parvin
WARNING! Spoilers ahead!
Background
On the “birthday” of the U.S. Navy, founded October 13, 1775, check out Cracker Jack Nicholson’s uniform in The Last Detail—released 50 years ago this December.
In the spirit of today also being Friday the 13th, The Last Detail chronicles the story of unlucky Larry Meadows (Randy Quaid), a glum kleptomaniac seaman being transferred to a military prison. The profane Navy lifer Billy Buddusky (Jack Nicholson) and his more even-tempered colleague Richard “Mule” Mulhall (Otis Young) are tasked with accompanying Larry from the Norfolk Naval Investigative Service Office headquarters (“Shit City”) up to Portsmouth Naval Prison, where Larry has been sentenced to an eight-year stretch for the attempted theft of no more than $40 from a polio charity box.
The profane Navy lifer Buddusky conspires with Mule to make the most of their “shit detail”, stretching a two-day trip out to its full allotted week so unlucky Larry can live it up along the way with burgers, beer, and broads. Continue reading
All the Old Knives: Chris Pine’s Peacoat
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Chris Pine as Henry Pelham, CIA “clandestine case officer extraordinaire”
London, Winter 2020
Film: All the Old Knives
Release Date: April 8, 2022
Director: Janus Metz Pedersen
Costume Designer: Stephanie Collie
WARNING! Spoilers ahead!
Background
On one hand, I appreciated All the Old Knives‘ dedication to a le Carré-esque depiction of spywork as more of a subdued, slow-burning investigation rather than the action-packed world of James Bond and Ethan Hunt. On the other hand, does “subdued” necessarily have to feel so… subdued?
Nearly eight years after the disastrous terrorist attack of Turkish Airlines Flight 127, the CIA reopens its investigation with the secret information that the hijackers may have been assisted by a mole within its Vienna station. Agent Henry Pelham (Chris Pine) is assigned to the case by his chief Vick Wallinger (Laurence Fishburne), who advises him not to tread lightly even if the clues should point to Pelham’s former fellow agent and paramour Celia (Thandiwe Newton). Continue reading
Sam Neill’s Peacoat as Sidney Reilly
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Sam Neill as Sidney Reilly, shrewd and opportunistic Russian-born British agent
Hamburg, Germany, Spring 1905
Series: Reilly: Ace of Spies
Episode: “The Visiting Fireman” (Episode 3)
Air Date: September 14, 1983
Director: Martin Campbell
Costume Designer: Elizabeth Waller
Background
In honor of Sam Neill’s 75th birthday this week, I want to revisit one of my favorite roles for the New Zealand actor. Almost a decade before his starring role in the groundbreaking groundshaking blockbuster Jurassic Park, Neill had been one of the contenders suggested to replace Roger Moore as James Bond, though the actor himself had been reluctant to take what he’s since called a “mortifying” audition and was likely grateful when the role went to Timothy Dalton instead. Neill may have been considered after his excellent performance earlier in the ’80s as Sidney Reilly, a real-life spy whose early 20th century exploits had been cited by Ian Fleming as one of his inspirations for the literary 007. Continue reading
The Guns of Navarone: David Niven’s Commando Coats
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David Niven as Corporal Miller, British Army commando and explosives expert
Aegean Sea, Fall 1943
Film: The Guns of Navarone
Release Date: April 27, 1961
Director: J. Lee Thompson
Wardrobe Credit: Monty M. Berman & Olga Lehmann
WARNING! Spoilers ahead!
Background
Tomorrow would have been the 110th birthday of David Niven, the Academy Award-winning English actor, author, and decorated war veteran. Instead of looking at one of the famously debonair Niven’s tailored suits or elegant dinner jackets, let’s explore his scrappier seafaring attire as a covert commando in The Guns of Navarone, the 1961 adaptation of Alistair MacLean’s World War II-set adventure novel.
Blow: George’s Navy Pea Coat
Vitals
Johnny Depp as George Jung, ambitious pot dealer
Chicago, Winter 1972
Film: Blow
Release Date: April 6, 2001
Director: Ted Demme
Costume Designer: Mark Bridges
Background
In the centuries since pea jackets were first established by military mariners battling the cold, these short and warm coats have emerged as a winter staple for men and women around the world. While many maintain the original template, such as the 1940s Schott in 32-ounce melton wool that was handed down to me from my grandfather, the pea coat’s ubiquity has also inspired more fashion-forward variations like the leather-trimmed, peak-lapel Billy Reid coat that Daniel Craig wore in his third 007 outing Skyfall or this Disco-era jacket briefly worn by Johnny Depp in Blow.










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