Tagged: Submachine Gun
McQ’s Striped Tweed Sportcoat
Vitals
John Wayne as Lon “McQ” McHugh, taciturn Seattle PD lieutenant
Seattle, Fall 1973
Film: McQ
Release Date: February 6, 1974
Director: John Sturges
Wardrobe Credit: Luster Bayless
WARNING! Spoilers ahead!
Background
What do you get when you mix Dirty Harry’s attitude with Bullitt’s cinematic style and a twist of neo-noir influence? Why, you get McQ, the 1974 crime drama that marked one of Wayne’s few non-Western and non-war movies in his storied career. Continue reading
Butch Coolidge in Pulp Fiction
Vitals
Bruce Willis as Butch Coolidge, tough, taciturn boxer
Los Angeles, Summer 1992
Film: Pulp Fiction
Release Date: October 14, 1994
Director: Quentin Tarantino
Costume Designer: Betsy Heimann
WARNING! Spoilers ahead!
Background
There have been several requests to see Butch Coolidge’s bomber jacket ensemble from Pulp Fiction get a proper BAMF Style analysis, so what better occasion would there be than Bruce Willis’ birthday? Happy 62nd, Bruce!
Like many classic fictional boxing stories before him, Butch Coolidge finds himself in a hard place between his pride and the mob…and ultimately decides that it’s the latter that should suffer. Continue reading
Sean Connery’s Brown Corduroy Jacket in The Untouchables
Vitals
Sean Connery as Jim Malone, tough and honest Chicago beat cop
Chicago, September 1930
Film: The Untouchables
Release Date: June 3, 1987
Director: Brian De Palma
Costume Designer: Marilyn Vance
WARNING! Spoilers ahead!
Background
The Untouchables is a highly entertaining—yet highly fictionalized—saga of the successful legal campaign to bring down Al Capone’s criminal enterprise that terrorized Chicago through the 1920s with an all-star cast including Robert De Niro as Capone himself.
Eliot Ness had made a name for himself in the final years of Chicago’s beer wars as a relentless Prohibition agent, and he would use his fame decades later to pen The Untouchables, a memoir in which he credits himself with practically single-handedly sending Capone to prison. In real life, Ness’ raids were indeed disruptive, but it was the work of modest investigators U.S. Attorney George E.Q. Johnson and IRS agent Frank Wilson that eventually led to the charges that successfully convicted Capone. Continue reading
Leo’s Red Silk Robe in Miller’s Crossing
Vitals
Albert Finney as Liam “Leo” O’Bannon, Irish Mob-connected political boss
Upstate New York, Fall 1929
Film: Miller’s Crossing
Release Date: September 21, 1990
Director: Joel Coen & Ethan Coen
Costume Designer: Aude Bronson-Howard
WARNING! Spoilers ahead!
Background
Today is the 80th birthday of Albert Finney so BAMF Style is taking a look at his portrayal of Liam “Leo” O’Bannon, the “cheap political boss with more hair tonic than brains” in Miller’s Crossing, the Coen brothers’ 1990 nod to Dashiell Hammett.
Maj. Reisman’s Field Uniform in The Dirty Dozen
Vitals
Lee Marvin as Maj. John Reisman, taciturn and independent U.S. Army officer
England, Spring 1944
Film: The Dirty Dozen
Release Date: June 15, 1967
Director: Robert Aldrich
Background
Tomorrow is the 71st anniversary of the Normandy landings. On June 6, 1944 – now known as D-Day, 156,000 troops from 13 Allied nations conducted the largest seaborne invasion in history, beginning the invasion of German-occupied western Europe that led to the liberation of France, and – eventually – an Allied victory to win the war within a year. Although the Allies failed to achieve their goals on the first day, the tremendous fighting spirit of the soldiers in the face of unbelievable odds led to the foothold needed by the Allies that would catapult them to victory.
Many excellent films have focused on the Normandy landings, including The Longest Day and Saving Private Ryan. The Dirty Dozen used a different approach, sending a renegade OSS officer behind the lines with twelve ex-soldier convicts to create chaos for the Nazis and distract them from the upcoming landings. The film, which WWII veteran Lee Marvin had originally dismissed as “just a dummy moneymaker”, has gone on to become a classic piece of badass cinema that even received recognition in Sleepless in Seattle during a scene where Tom Hanks and Victor Garber hilariously ad-lib about what movie could make a man cry:
Jim Brown was throwing these hand grenades down these airshafts. And Richard Jaeckel and Lee Marvin – (begins mock crying) were sitting on top of this armored personnel carrier, dressed up like Nazis… and Trini Lopez… he busted his neck while they were parachuting down behind the Nazi lines…
James Bond’s Piz Gloria Assault Anorak Jacket
Vitals
George Lazenby as James Bond, rogue British secret agent
Switzerland, December 1969
Film: On Her Majesty’s Secret Service
Release Date: December 18, 1969
Director: Peter R. Hunt
Costume Designer: Marjory Cornelius
Background
Here in Pittsburgh, the snow has finally fallen and folks are sporting all the cold weather that they can muster. The weather may be different depending on what part of the world you’re in, but Swiss vacationers should make sure they have some snow attire ready to hit the Alps, Bond style.
The latest Bond adventure, Spectre, has released some photos on location of the cast and crew enjoying the icy slopes of the Sölden ski resort in Austria. It’s hard for a Bond fan to see 007 out in the snow in a blue down jacket without recalling George Lazenby’s similar attire for the climactic battle sequence in On Her Majesty’s Secret Service. Continue reading
“Pretty Boy” Floyd’s Death in Public Enemies
80 years ago today, Depression-era outlaw Charles Arthur Floyd was shot down by federal agents and local police in a farm outside East Liverpool, Ohio.
Vitals
Channing Tatum as Charles “Pretty Boy” Floyd, charismatic but violent Depression-era outlaw
Clarkson, Ohio, October 1934
Film: Public Enemies
Release Date: July 1, 2009
Director: Michael Mann
Costume Designer: Colleen Atwood
Background
After dedicating the majority of my life to researching the Depression-era crime wave that saw guys like John Dillinger, “Pretty Boy” Floyd, and Alvin Karpis roaming the American countryside with the support of the public and the rage of the government, I was elated when I learned that Bryan Burrough’s masterful docu-novel Public Enemies was finally being turned into a film. I wondered how a two-hour movie could capture the intricacies of each colorful individual in each of the various gangs over a two-year period, and I assumed that – like Burrough – director Michael Mann would focus primarily on Karpis, the lone survivor of the original batch of Public Enemies. Continue reading
Andy Garcia in The Untouchables
Vitals
Andy Garcia as Giuseppe Petri, aka “George Stone”, honest Chicago police recruit and expert marksman
Chicago, September 1930
Film: The Untouchables
Release Date: June 3, 1987
Director: Brian De Palma
Costume Designer: Marilyn Vance
Background
A contemporary interview from People magazine at the time of The Untouchables‘ release was very flattering to Garcia:
Andy Garcia really doesn’t have much of a part in The Untouchables. His big moments come at the beginning, when he angrily jams a gun barrel into Sean Connery’s neck, and at the end, when he coolly kills one of Al Capone’s henchmen from a prone position. Of quiet demeanor, Garcia’s minor character has no love scenes and little to say. Yet Garcia’s rich portrayal of Treasury agent George Stone, the Italian-American T-man with a chip of ice on his shoulder, adds up to much more than the sum of his minutes onscreen. He’s The Untouchables‘ quicksilver gunslinger, the deadly rookie who’s a natural pistolero.
Garcia’s character, particularly his background, are a nod to the political correctness of the original 1950s TV series’ inclusion of Nick Georgiade as Agent Rico Rossi, who served primarily to show the audience that not all Italian-Americans are mafioso. Continue reading
Clyde Barrow’s Death Suit (2013 Version)
Vitals
Emile Hirsch as Clyde Barrow, bank robber with “second sight”
Rural Louisiana, May 1934
Series Title: Bonnie and Clyde
Air Date: December 8, 2013
Director: Bruce Beresford
Costume Designer: Marilyn Vance
Background
Eighty years ago today, six Southern lawmen pulled off a feat that the federal government had been failing to do for months with the first real victory in the United States’ “War on Crime”.
With the advent of the Great Depression following the stock market crash of 1929, criminals abandoned gangsterdom and bootlegging (both “Machine Gun” Kelly and “Pretty Boy” Floyd were known to be bootleggers early in their career) in favor of motorized banditry. In the spirit of the Old West, bank robbers took to cars all across the country – with a special concentration in the poorest areas of the Midwest and the South.
This crime wave did not go unnoticed by the government. Soon, names like John Dillinger, “Baby Face” Nelson, and Alvin Karpis were dominating the headlines, and they were surprisingly welcome by the people who were sick and tired of the perceived “fat cats” in the government. Some of the criminals, Dillinger and Floyd especially, even had the begrudging respect of some small-town lawmen. But the greatest disparity between public opinion and actual temperament is with the case of Bonnie and Clyde. Continue reading
Truth vs. Fiction: The Bank-Robbing Style of Warren Oates as Dillinger
Vitals
Warren Oates as John Dillinger, Depression-era bank robber and “super gang” leader
Indiana, Fall 1933
Film: Dillinger
Release Date: July 20, 1973
Director: John Milius
Costume Designer: James M. George
Background
Eighty years ago today in East Chicago, Indiana, 43-year-old ECPD patrolman William Patrick O’Malley responded to a call concerning the robbery of the First National Bank. Without hesitation, O’Malley showed up at the scene, unaware that he would be going up against John Dillinger, the Indiana bandit who would soon become famous as the first national Public Enemy #1. Continue reading










You must be logged in to post a comment.