Tagged: Thompson SMG
Sinners: Michael B. Jordan’s Suits as the Smokestack Twins
Michael B. Jordan as Elias and Elijah Moore in Sinners (2025)
Vitals
Michael B. Jordan as the Smokestack Twins: Elias “Stack” Moore and Elijah “Smoke” Moore
Clarksdale, Mississippi, October 1932
Film: Sinners
Release Date: April 18, 2025
Director: Ryan Coogler
Costume Designer: Ruth E. Carter
WARNING! Spoilers ahead!
Background
Sinners has been one of the biggest movies of 2025, with the highest opening weekend box office for an original film since Nope in 2022 and, as of January 2026, the most-nominated film in Academy Awards history with 16 nominations, including Best Picture.
Produced, written, and directed by Ryan Coogler, Sinners is set 93 years ago tonight from October 15 to 16, 1932 as the snappily dressed twin Moore brothers—recently returned from Chicago, where they were gunmen for the mob—have returned to their Mississippi Delta hometown to open a juke joint.
Smoke: Chicago ain’t shit but Mississippi with tall buildings instead of plantations.
Stack: And that’s why we came back home. Figure we might as well deal with the devil we know.
Bonnie and Clyde: Michael J. Pollard’s Herringbone Jacket and Jeans as C.W.
Michael J. Pollard as C.W. Moss in Bonnie & Clyde (1967)
Vitals
Michael J. Pollard as C.W. Moss, slow-witted mechanic-turned-bank robber
Iowa, Summer 1933
Film: Bonnie & Clyde
Release Date: August 13, 1967
Director: Arthur Penn
Costume Designer: Theadora Van Runkle
WARNING! Spoilers ahead!
Background
W.D. “Deacon” Jones may not be as famous as Bonnie Parker or Clyde Barrow, but the Dallas teenager was once among their closest companions in the notorious Barrow gang.
At only 16 years old, Jones was running jobs and riding shotgun on robberies, a role later blended with the gang’s informant Henry Methvin to create the fictionalized composite character C.W. Moss in Arthur Penn’s landmark 1967 film Bonnie & Clyde. Jones lived long enough to see the movie and admitted in a Playboy interview that “Moss was a dumb kid who run errands and done what Clyde told him… that was me, all right.”
Having survived countless shootouts during nearly a year riding with the Barrow gang, Jones ultimately couldn’t escape the fate that had claimed his contemporaries. Fifty-one years ago today in Houston during the early morning hours of August 20, 1974, the 58-year-old Jones was shot three times with a 12-gauge shotgun during an altercation outside a friend’s house. Continue reading
Dillinger (1973): Geoffrey Lewis’ Striped Suit as Harry Pierpont
Geoffrey Lewis as Harry Pierpont in Dillinger (1973)
Vitals
Geoffrey Lewis as Harry Pierpont, even-tempered bank robber
Across the Midwest, Fall 1933 to Spring 1934
Film: Dillinger
Release Date: July 20, 1973
Director: John Milius
Costume Designer: James M. George
Background
Today would have been the 90th birthday of character actor Geoffrey Lewis, born July 31, 1935. A familiar face across decades of movies and television, Lewis had one of his earliest prominent screen roles among the supporting cast of John Milius’ bullet-riddled 1973 directorial debut Dillinger, chronicling the life and crimes of the titular Depression-era bank robber.
Lewis co-starred as Harry Pierpont, a real-life associate of Dillinger’s known for his loyalty, cool head, and quiet leadership within the gang. Born in Muncie in 1902, the real “Pete” Pierpont first made a name for himself with Indiana law enforcement during the early 1920s through a spree of escalating crimes and bank heists. He was eventually captured and sentenced to both the Indiana State Reformatory and Indiana State Prison, where he crossed paths with a younger inmate named John Dillinger, then serving a 10–20 year stretch for mugging a grocer. Pierpont took the eager Dillinger under his wing, teaching him the tricks of the trade. Continue reading
Dillinger (1973): Ben Johnson’s Stone Summer Suit as Melvin Purvis
Ben Johnson as Melvin Purvis in Dillinger (1973)
Vitals
Ben Johnson as Melvin Purvis, experienced federal agent
Memphis, Tennessee, September 1933
Film: Dillinger
Release Date: July 20, 1973
Director: John Milius
Costume Designer: James M. George
Background
My most recent post commemorated the 90th anniversary of outlaw “Pretty Boy” Floyd’s death following a brief manhunt through rural Ohio led by federal agent Melvin Purvis, as portrayed by Christian Bale in Michael Mann’s 2009 drama Public Enemies. Two days later, on what would have been his 121st birthday, agent Purvis has inspired his second consecutive BAMF Style post—this time via Ben Johnson’s more grizzled characterization in John Milius’ bullet-riddled 1973 film Dillinger. Continue reading
Tom Hanks in Road to Perdition
Tom Hanks in Road to Perdition (2002)
Vitals
Tom Hanks as Michael Sullivan, recently widowed Irish mob enforcer and dedicated father
The Midwest, Winter 1931
Film: Road to Perdition
Release Date: July 12, 2002
Director: Sam Mendes
Costume Designer: Albert Wolsky
Tailor: John David Ridge
WARNING! Spoilers ahead!
Background
“Natural law… sons were put on this earth to trouble their fathers,” avuncular mob boss John Rooney (Paul Newman) advises his top enforcer Michael Sullivan (Tom Hanks) at a time that both men are facing crises with their respective sons.
Father’s Day feels like the appropriate time to celebrate the style from this unorthodox role for America’s Dad. Tom Hanks pivoted from a career built on playing affable heroes and everymen to a dangerous Depression-era mob hitman in Road to Perdition, Sam Mendes’ 2002 drama adapted by screenwriter David Self from a graphic novel series of the same name by Max Allan Collins and Richard Piers Rayner. Continue reading
Bonnie and Clyde (1967): Warren Beatty’s “Air Ties” and Vests
Faye Dunaway and Warren Beatty in Bonnie & Clyde (1967)
Vitals
Warren Beatty as Clyde Barrow, Depression-era bank robber and gang leader
Across the American South and Midwest, Spring 1932 to 1934
Film: Bonnie & Clyde
Release Date: August 13, 1967
Director: Arthur Penn
Costume Designer: Theadora Van Runkle
Background
Ninety years ago today on the morning of May 23, 1934, a light-gray Ford V-8 sedan traveling northeast on a rural Louisiana highway slowed as it approached a truck stopped by the side of the road. Suddenly, volleys of rifle fire peppered the car, obliterating the young couple in the front seat. After an estimated 167 rounds were fired, a half-dozen lawmen emerged from their ambush positions and approached the Ford, in which wanted outlaws Bonnie Parker and Clyde Barrow were now unquestionably dead.
Despite their bloody crime spree that left at least a dozen men dead, Bonnie and Clyde captivated the fascination of a Depression-era public that often celebrated the exploits of contemporary outlaws like John Dillinger and “Pretty Boy” Floyd. The scrappy couple was hardly as criminally capable as their fellow “Public Enemies”, but Clyde’s remarkable ability to escape police traps and Bonnie’s frequent involvement added a romantic element that made them a newspaper favorite, especially after the discovery of undeveloped photos depicting the Barrow gang at play, including Bonnie smoking one of Clyde’s cigars—crafting a public image she would greatly resent—and holding him at gunpoint with one of the gang’s cut-down shotguns.
Among the many photos found at the gang’s abandoned Joplin, Missouri hideout after an April 1933 gunfight was this snapshot of Clyde and Bonnie in front of one of their many stolen Ford V-8 coupes, likely photographed earlier that year by their teenage gang member W.D. Jones. In the 1967 film Bonnie & Clyde, Warren Beatty and Faye Dunaway posed in a similar manner, but this reenactment didn’t make the final cut.
The frequent news coverage during their lifetime ensured that Bonnie and Clyde wouldn’t be quickly forgotten after their deaths, inspiring a string of “couple of the run” crime movies like You Only Live Once (1937) and the films noir They Live By Night (1948) and Gun Crazy (1950). The couple’s story formed the basis for the highly fictionalized The Bonnie Parker Story, an exploitative 1958 quickie from American International Pictures starring Dorothy Provine as the “cigar-smoking hellcat of the roaring thirties” and Jack Hogan as her simping partner-in-crime, uh, “Guy Darrow”.
The outlaw couple would be immortalized on screen after the release of Bonnie & Clyde in 1967, produced by Warren Beatty who also starred as Clyde opposite newcomer Faye Dunaway as a redoubtable Bonnie Parker. Continue reading
Sam Neill’s Peak-Lapel Dinner Jacket as Sidney Reilly
Sam Neill as Sidney Reilly on Reilly: Ace of Spies, with Jeananne Crowley, Laura Davenport, and Celia Gregory, who portrayed Reilly’s three wives.
Vitals
Sam Neill as Sidney Reilly, shrewd British agent and anti-Bolshevik
New York City and Berlin, Fall 1924
Series: Reilly: Ace of Spies
Episode: “The Trust” (Episode 10)
Air Date: November 2, 1983
Director: Martin Campbell
Costume Designer: Elizabeth Waller
WARNING! Spoilers ahead!
Background
Although there’s little consensus on the details of his life—including his birth name—the famous adventurer who would eventually known as Sidney Reilly is said to have been born on March 24, though even the year is a question of debate; he may have been born Georgy Rosenblum in Odessa in 1873, or he may have been born Sigmund Rosenblum to a wealth Bielsk family in 1874. His escapades as a British agent during the Russian Revolution cemented his self-aggrandized reputation as the “Ace of Spies”, establishing a legend that would inspire no less than Ian Fleming when developing the character of his fictional agent James Bond.
The opportunistic Reilly—as he had rechristened himself during his initial service for Special Branch in the late 1890s—never missed a chance to build his wealth or reputation, crafting a legend during his lifetime that would live well beyond his ostensible execution by the Soviets in 1925. A household name by the end of the decade, Reilly was the subject of multiple books, including Ace of Spies, written by the son of R.H. Bruce Lockhart, the Scottish-born diplomat who had worked with Reilly in the infamous “Ambassadors’ Plot” attempt to overthrow the fledgling Bolshevik government in 1918 and resulted in both men being sentenced to death in absentia. Robin Lockhart’s book was adapted into Reilly: Ace of Spies, a stylish twelve-part miniseries that originally aired in ITV across the fall of 1983. Continue reading
Warren Beatty as Dick Tracy
Warren Beatty in Dick Tracy (1990)
Vitals
Warren Beatty as Dick Tracy, square-jawed detective
“Homeville”, December 1938
Film: Dick Tracy
Release Date: June 15, 1990
Director: Warren Beatty
Costume Designer: Milena Canonero
Background
Ninety years ago today on Sunday, October 4, 1931, Chester Gould’s comic strip Dick Tracy premiered in the Detroit Mirror, introducing the world—or at least Detroit—to the determined detective in his trademark yellow coat.
Despite the strip’s longevity and popularity, attempts to adapt it for the screen never came into fruition for nearly six decades until the blockbusting success of Tim Burton’s Batman in 1989 proved to studios there a profitable market for comic book adaptations. Bringing Dick Tracy to Hollywood became a passion project for Warren Beatty, who starred as the title character as well as producing, directing, and attracting a cavalcade of stars to portray the colorful—and colorfully dressed—figures of the mysterious Chicago-like city where Tracy faced off against gangsters and gun molls.
A Bullet for Pretty Boy: Fabian’s Navy Suit
Fabian Forte as Charles “Pretty Boy” Floyd in A Bullet for Pretty Boy (1970)
Vitals
Fabian Forte as Charles “Pretty Boy” Floyd, Depression-era bank robber
Kansas City, Spring 1930 and 1931
Film: A Bullet for Pretty Boy
Release Date: June 1970
Director: Larry Buchanan (and Maury Dexter, uncredited)
Wardrobe Credit: Ron Scott
Background
After Warner Brothers’ success with Bonnie and Clyde in 1967, American International Pictures (AIP) leapt at the chance to capitalize on the emerging trend of Depression-era crime movies using their own brand of inexpensive, exploitative filmmaking. This wasn’t AIP’s first rodeo in the realm of ’30s public enemies, having earlier produced The Bonnie Parker Story and Machine Gun Kelly, both released in May 1958. Their B-movie output in the decade that followed Bonnie and Clyde ranged from fictional stories like Boxcar Bertha (1972) directed by Martin Scorsese to those loosely based on actual criminals like Bloody Mama (1970) starring Shelley Winters as a caricature of “Ma” Barker (alongside a young Robert De Niro as one of her sons) to Dillinger (1973).
Even before that arguably most famous ’30s bank robber would be played by a grizzled Warren Oates, former teen idol Fabian got a shot to rebrand his image by playing Charles “Pretty Boy” Floyd, the outlaw whose moniker alone lent itself to suit the fresh-faced Mr. Forte.
The real Charles Arthur Floyd was born 117 years ago on February 3, 1904, in Adairsville, Georgia, though his family moved to Oklahoma when Floyd was seven, and it was the Cookson Hills that he would consider home for the 30 years of his life.
A fellow Aquarius, Forte was born only three days (and 39 years) later on February 6, 1943, making him 26—the same age as Floyd was for his first bank robbery—when A Bullet for Pretty Boy was filmed from June to October 1969. A Bullet for Pretty Boy loosely follows the facts of Floyd’s life, albeit exaggerated and certainly simplified for the sake of AIP’s low-budget, short-runtime formula for success that would thrill teens at the drive-ins just before these audiences found the real thrills in their own back seats later that night. Continue reading
Sean Connery’s Tweed Coat and Cardigan in The Untouchables
Sean Connery as Jim Malone in The Untouchables (1987)
Vitals
Sean Connery as Jim Malone, tough and honest Chicago beat cop
Canadian border, September 1930
Film: The Untouchables
Release Date: June 3, 1987
Director: Brian De Palma
Costume Designer: Marilyn Vance
Background
Recently recruited off the streets of Chicago, aging beat cop Jim Malone is more than happy to bring his grizzled brand of tough justice to the Canadian border to assist federal agent Eliot Ness (Kevin Costner) and their small but effective band of “untouchable” lawmen in stopping an illegal shipment of liquor from making its way into the United States.
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