Category: TV Series
Gene Barry’s Fawn Suit as Dr. Ray Flemming in Prescription: Murder
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Gene Barry as Dr. Ray Flemming, smarmy psychiatrist
Los Angeles, Spring 1967
Film: Prescription: Murder
Original Air Date: February 20, 1968
Director: Richard Irving
Costume Designer: Burton Miller
Background
This week in 1968, TV audiences were introduced to an unassuming yet indefatigable homicide detective in a wrinkled raincoat whose humble mannerisms and appearance belied an uncanny ability to bring murderers to justice. Oh, and just one more thing… that detective was named Columbo.
Peter Falk wasn’t the first to play the detective, nor was he even the first choice when Richard Levinson and William Link’s stage play was adapted for TV as Prescription: Murder, the first episode of what would become the long-running series Columbo. Bert Freed had originated the role in a 1960 episode of The Chevy Mystery Show, to be followed by Thomas Mitchell when Levinson and Link debuted the play Prescription: Murder two years later in San Francisco.
Prescription: Murder establishes many trademark elements of Columbo, including the delayed introduction of the shrewd but shabbily dressed lieutenant himself until after we watch the murderer of the week commit his—or her—crime.
Gene Barry set a standard in Prescription: Murder that the killers foiled by Columbo would follow for decades to come: arrogant, well-dressed, and clever enough to pull together a murder scheme that keeps them above suspicion… from all but Lieutenant Columbo, of course. Continue reading
Magnum, P.I.: Cream V-Neck Cable-Knit Sweater
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Tom Selleck as Thomas Magnum, private investigator and former Navy SEAL
Hawaii, Summer 1981
Series: Magnum, P.I.
Episodes:
– “No Need to Know” (Episode 1.05, dir. Lawrence Doheny, aired 1/8/1981)
– “The Ugliest Dog in Hawaii” (Episode 1.08, dir. Lawrence Doheny, aired 1/29/1981)
– “Adelaide” (Episode 1.14, dir. Lawrence Doheny, aired 3/19/1981)
– “Beauty Knows No Pain” (Episode 1.18, dir. Ray Austin, aired 4/16/1981)
– “Tropical Madness” (Episode 2.07, dir. Lawrence Doheny, aired 11/12/1981)
Creator: Donald P. Bellisario & Glen Larson
Costume Designer: Charles Waldo (credited with first season only)
Costume Supervisor: James Gilmore
WARNING! Spoilers ahead!
Background
We all love Magnum, P.I., don’t we, folks? I’ll be transparent, I was hoping that I would have had enough of the series screencapped so that I could gift BAMF Style readers on the national observance of Selleck’s Birthday with a rundown of that iconic red “jungle bird” shirt that, if I’m not mistaken, was the most frequently worn—and prominently featured—of Tom’s tropical-printed Aloha shirts.
Though armed with the entire series on Blu-ray, my digital rewatch was stalled in the middle of the third season (blame the untimely death of my computer-friendly Blu-ray player and Amazon Prime for removing the show last summer), but the good news is that Tom sported enough stylish looks by that point that I should have plenty of Magnum fodder on hand to tide us over until I’m able to complete the series. (The bad news? Still nothing for those fans of Magnum’s Pepsi bezel Rolex.)
I considered the half-measure of featuring his black-and-neon version of the “jungle bird” shirt, but—given that Selleck’s January 29 birthday falls during #SweaterWeather for many of us in the Northern Hemisphere—it felt like the right time to divert from those famous Aloha shirts and summer-weight polos to focus on Magnum’s more winter-friendly knitwear. Continue reading
Mad Men: Don Draper’s Decade of Black Tie
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Jon Hamm as Don Draper, mysterious and award-winning Madison Avenue ad man
Series: Mad Men
Creator: Matthew Weiner
Costume Designer: Janie Bryant
Background
Only three days left in 2020! The tradition of gents wearing black tie on New Year’s Eve, popularized in movies like the 1960 Rat Pack classic Ocean’s Eleven, seems to have fallen out of favor among the general population as standards of formality have decreased. However, given how excited many will be to see 2020 come to an end may herald a resurgence in dinner jackets and tuxedoes as many celebrate the new year in private.
On #MadMenMonday, we can take a few style tips from the enigmatic Don Draper on assembling a classic black tie ensemble from his half-dozen screen-worn dinner jackets. Continue reading
Seinfeld: Frank Costanza’s Festivus Cardigan
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Jerry Stiller as Frank Costanza, neurotic (but inventive) retiree
Queens, New York, Tuesday, December 23, 1997
Series: Seinfeld
Episode: “The Strike” (Episode 9.10)
Air Date: December 18, 1997
Director: Andy Ackerman
Created by: Larry David & Jerry Seinfeld
Costume Designer: Charmaine Nash Simmons
Background
Fed up with the materialism around the holidays? Do you wish the holidays were less about forgiveness and cheer and more about directly telling people what they’ve done to upset you over the past year? Happy Festivus!
The Office: Classy Christmas – Ranking Holiday Looks
If you’ve been following BAMF Style for a few years, you know I like to take a break from the enviable style of Grant, McQueen, Poitier, and their ilk to tackle a problem many of us have faced: how to dress for the office Christmas party. Given that corporate America’s closets tend to have more in common with Michael Scott than with Steve McQueen, the American version of The Office rose to the occasion to address the phenomenon of ill-fitting sweaters and ill-advised ties that seems to plague my fellow cubicle-dwellers as they don their gay apparel for the holiday season.
2020 being the year that it’s been, many staff parties have been relegated to holiday happy hours via Zoom or Teams where there will likely be a better chance of catching glimpse of a co-worker’s sweatpants than Christmas ties. For this year’s ranking of Dunder Mifflin duds, it thus feels more appropriate to settle in for Michael Scott’s vision of a more intimate holiday gathering… which also hosts its fair share of snowball scenes that would no doubt result in severe HR violations.
“Classy Christmas” aired ten years ago, the second of three episodes to be directed by Rainn Wilson. It also marked Michael Scott’s final Christmas celebration at Dunder Mifflin Scranton before Steve Carell left the series at the end of the seventh season.
A Magnum, P.I. Christmas: The Burgundy Rugby Shirt
Vitals
Tom Selleck as Thomas Magnum, private investigator and former Navy SEAL
Hawaii, Christmas 1980 to Summer 1981
Series: Magnum, P.I.
Episodes:
– “Thank Heaven for Little Girls and Big Ones Too” (Episode 1.04, dir. Bruce Seth Green, aired 12/25/1980)
– “Lest We Forget” (Episode 1.10, dir. Lawrence Doheny, aired 2/12/1981)
– “Beauty Knows No Pain” (Episode 1.18, dir. Ray Austin, aired 4/16/1981)
– “Dead Man’s Channel” (Episode 2.02, dir. Ray Austin, aired 10/15/1981)
Creator: Donald P. Bellisario & Glen Larson
Costume Designer: Charles Waldo (credited with first season only)
Costume Supervisor: James Gilmore
WARNING! Spoilers ahead!
Background
In perhaps an early Christmas gift to the TV-watching world, Magnum, P.I. debuted on CBS forty years ago tonight on December 11, 1980, when the two-parter “Don’t Eat the Snow in Hawaii” introduced us to a charming, bewhiskered private investigator living the dream life on a Hawaiian estate with a sleek red Ferrari and a full closet of Aloha shirts at his disposal.
Four episodes in, Magnum, P.I. aired its first holiday-set episode when “Thank Heaven for Little Girls and Big Ones Too” aired on Christmas night, 1980. The series would revisit the holidays once more during the fourth season’s more festively titled “Operation: Silent Night”, though Magnum spends most of the episode clad in his drab tank top and bush shirt rather than the more colorful, creative outfit he wears while spending the holidays foiled by schoolteacher Linda Booton (Katherine Cannon) and her larcenous young wards.

Tom Selleck and Katherine Cannon in Magnum, P.I.‘s first season Christmas-set episode “Thank Heaven for Little Girls and Big Ones Too”.
With just two weeks to go to Christmas on this #AlohaFriday, I wanted to wish BAMF Style readers a happy holiday season by delving into a yuletide-themed episode from one of my favorite series!
Tony Soprano’s Black Bullethole Shirt in “The Weight”
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James Gandolfini as Tony Soprano, New Jersey mob boss
New Jersey, Fall 2001
Series: The Sopranos
Episode: “The Weight” (Episode 4.04)
Air Date: October 6, 2002
Director: Jack Bender
Creator: David Chase
Costume Designer: Juliet Polcsa
Background
I know it’s only been a week since my last post about the style of The Sopranos, but I have a great reason for returning to my favorite show as today happens to be the birthday of my friend Gabe, the hardworking curator of @tonysopranostyle on Instagram. Having attained more than 30,000 followers in less than a year on the platform, @tonysopranostyle remains an authoritative and entertaining source of information for everything James Gandolfini wore during his iconic tenure portraying the boss of the New Jersey Mafia, from his boldly printed shirts and velvet tracksuits to his gold jewelry and cigars.
Not just an expert, Gabe also puts his money where his mouth is, tracking down and purchasing many shirts in the original designs from the manufacturers who were sourced by costume designer Juliet Polcsa for the series. Gabe started his collection in late 2016 when, having read Christopher Hooton’s interview with Polcsa for The Independent, he used the brands cited by Polcsa to find a black Alan Stuart shirt with the same scattered abstract pattern that Gandolfini wore for a few scenes in the fourth season episode “The Weight”. Continue reading
Mad Men: Burgundy Knitwear for Don Draper’s Lonely Thanksgiving
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Jon Hamm as Don Draper, lonely ad man
Greenwich Village, New York, Thanksgiving 1964
Series: Mad Men
Episode: “Public Relations” (Episode 4.01)
Air Date: July 25, 2010
Director: Phil Abraham
Creator: Matthew Weiner
Costume Designer: Janie Bryant
WARNING! Spoilers ahead!
Background
In contrast to the swaggering image he presents as an advertising hot shot, Don Draper has been reduced to a very lonely man at the start of Mad Men‘s fourth season.
The Sopranos: Paulie’s Black Velvet Tracksuit

Tony Sirico as “Paulie Walnuts” Gualtieri in “The Strong, Silent Type”, the tenth episode of the fourth season of The Sopranos.
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Tony Sirico as “Paulie Walnuts” Gualtieri, mob captain and Army veteran
New Jersey, Spring 2002 and Fall 2006
Series: The Sopranos
Episodes:
– “The Strong, Silent Type” (Episode 4.10, dir. Alan Taylor, aired 11/17/2002)
– “Moe n’ Joe” (Episode 6.10, dir. Steve Shill, aired 5/14/2006)
Creator: David Chase
Costume Designer: Juliet Polcsa
Background
November 21 was proclaimed World Television Day by the United Nations in 1996, so this Saturday evening feels like a fine opportunity to pop down in your favorite plastic-covered chair to read about one of the greatest TV shows of all time. And, as I discovered far too late in life, there are few outfits more comfortable for such indulgence than a velvet tracksuit.
I feel that I’ve demonstrated several times my appreciation for the once-in-a-lifetime character of Paulie Walnuts on The Sopranos, a perfect character for the world of the acclaimed series as well as a role that could have only been played by Tony Sirico, the Brooklyn-born actor and one-time “half a wiseguy” who lent his quirks, mannerisms, style, and even biographical details to the character.
Mad Men, 1970 Style – Sterling’s Sporty Turtleneck
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John Slattery as Roger Sterling, aging ad man
New York City, Fall 1970
Series: Mad Men
Episode: “Person to Person” (Episode 7.14)
Air Date: May 17, 2015
Director: Matthew Weiner
Creator: Matthew Weiner
Costume Designer: Janie Bryant
WARNING! Spoilers ahead!
Background
Mad Men style typically evokes thoughts of men in sleek, ’60s-cut business suits, raising a glass of whiskey behind a veil of Lucky Strike smoke while juggling accounts and affairs. Of course, even a Madison Avenue man dresses down on the weekends.









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