Tagged: 1980s

Scrooged: Bill Murray’s Navy Pinstripe Suit

Bill Murray as Frank Cross in Scrooged (1988)

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Bill Murray as Frank Cross, cynical TV executive

New York City, December 1988

Film: Scrooged
Release Date: November 23, 1988
Director: Richard Donner
Costume Designer: Wayne A. Finkelman

WARNING! Spoilers ahead!

Background

Happy December! I’m already in the the midst of rewatching many of my favorite Christmas movies, which range in vibe from sentimental to cynical. Action director Richard Donner helmed two of the most cynical holiday-themed movies—Lethal Weapon and Scrooged—released back-to-back in 1987 and 1988, respectively.

A comic update of Charles Dickens’ classic novel A Christmas Carol, Scrooged stars Bill Murray as Frank Cross, president of the fictional IBC television network who gets the chance to prove whether Murray still ain’t afraid of no ghosts. Continue reading →

When Harry Met Sally: Harry’s Leather Flight Jacket

Billy Crystal and Meg Ryan in When Harry Met Sally (1989)

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Billy Crystal as Harry Burns, sarcastic political consultant and recent divorcée

New York City, Fall 1987

Film: When Harry Met Sally…
Release Date: July 14, 1989
Director: Rob Reiner
Costume Designer: Gloria Gresham

WARNING! Spoilers ahead!

Background

One of the most aesthetically pleasing fall movies, Rob Reiner’s romantic comedy When Harry Met Sally celebrated its 35th anniversary earlier this year. Billy Crystal and Meg Ryan—who celebrates her 63rd birthday today—star as the titular enemies-turned-friends-turned lovers. Continue reading →

Freddy Krueger in A Nightmare on Elm Street

In the spirit of Halloween tomorrow and following a suggestion received from a BAMF Style reader earlier this year, today’s post explores the costume of a cinematic horror icon who needs little introduction.

Robert Englund as Freddy Krueger in A Nightmare on Elm Street (1984)

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Robert Englund as Freddy Krueger, supernatural serial killer

Suburban Ohio, Spring 1981

Film: A Nightmare on Elm Street
Release Date: November 9, 1984
Director: Wes Craven
Costume Designer: Dana Lyman

WARNING! Spoilers ahead!

Background

Next month will mark the 40th anniversary of A Nightmare on Elm Street, Wes Craven’s iconic slasher film that introduced the world to the terrifying Freddy Krueger, the pizza-faced killer who can target his victims through their dreams—a concept inspired by the mysterious deaths among Hmong refugees who mysteriously died in their sleep following disturbing nightmares.

Craven embodied the terror of a monster who can attack people at their most vulnerable in the form of Freddy Krueger, the undead spirit of a vindictive child murderer. I have to respect Craven’s own vindictiveness, borrowing the name from his childhood bully Fred Krueger and immortalizing it as one of the most grotesque monsters in horror cinema history. Continue reading →

Stop Making Sense: David Byrne’s Big Suit

David Byrne models the famous “big suit” he introduced in Stop Making Sense (1984)

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David Byrne, eccentric Talking Heads frontman

Los Angeles, December 1983

Film: Stop Making Sense
Release Date: October 19, 1984
Director: Jonathan Demme
Costume Designer: Gail Blacker

Background

Widely regarded as one of the best concert films ever made, Stop Making Sense was released 40 years ago today on October 19, 1984. Independently produced by Gary Goetzman and directed by Jonathan Demme, Stop Making Sense captures Talking Heads performing over four nights in December 1983 at the Pantages Theater in Los Angeles, during their tour promoting the album Speaking in Tongues.

As the lead singer and chief songwriter, frontman David Byrne defined much of the band’s quirky personality, energetically dancing across the stage and rotating between his Martin D-35 acoustic guitar, sunburst ’63 Fender Stratocaster, and dual-humbucker Roland guitars.

In a 2020 Newsweek interview with Samuel Spencer, Byrne shared that he maintained a cohesive visual effect by “[asking] everyone to wear medium grey outfits, whatever style they preferred (a questionable decision there), but always in medium grey. It worked—this consistency meant the effects of the various lighting cues and gags were more seamless.” However, drummer Chris Frantz had to break from this neutral formula after his laundry wasn’t returned following the first night’s performance, opting for a turquoise-blue polo shirt each night to maintain continuity.

Still, it’s not Frantz’s splash of color that steals the sartorial spotlight in Stop Making Sense. After Tina Weymouth and Frantz perform “Genius of Love” from their side project Tom Tom Club, Byrne rejoins his band on stage ahead of “Girlfriend is Better”, now dressed in an absurdly oversized business suit. Continue reading →

Paris, Texas: Travis Borrows a Cream Suit

Harry Dean Stanton in Paris, Texas (1984)

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Harry Dean Stanton as Travis Henderson, once-wandering drifter

Los Angeles, Fall 1983

Film: Paris, Texas
Release Date: September 19, 1984
Director: Wim Wenders
Costume Designer: Birgitta Bjerke

WARNING! Spoilers ahead!

Background

Exactly four months after its Palme d’Or-winning debut at the 37th Cannes Film Festival, Paris, Texas was officially released in France forty years ago today on September 19, 1984.

Directed by Wim Wenders, this reflective film provided a rare leading role for stalwart character actor Harry Dean Stanton, who portrayed the lost Travis Henderson, who attempts to reconnect with his family after four years of aimless wandering, following the dissolution of his increasingly troubled relationship with his estranged wife.

Travis’ brother Walt (Dean Stockwell)—who had been raising Travis’ young son Hunter (Hunter Carson)—brought a disconnected Travis back from the west Texas desert to Los Angeles, where he confronts his own past and works on rebuilding a relationship with his son as part of his profound desire for redemption. Continue reading →

Miami Vice: Sonny Crockett’s Peach Linen Jacket in the Pilot Episode

Don Johnson as Detective Sonny Crockett on Miami Vice (Episode 1.01: “Brother’s Keeper”)

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Don Johnson as James “Sonny” Crockett, smooth Miami-Dade vice detective

Miami, Spring 1984

Series: Miami Vice
Episode: “Brother’s Keeper” (Episode 1.01)
Air Date: September 16, 1984
Director: Thomas Carter
Creator: Anthony Yerkovich
Costume Designer: Jodie Lynn Tillen

WARNING! Spoilers ahead!

Background

Miami Vice premiered 40 years ago tonight on Sunday, September 16, 1984 when NBC aired the feature-length pilot “Brother’s Keeper” at 9:00 p.m., introducing audiences to stylish Metro-Dade Police Department detectives Sonny Crockett (Don Johnson) and Ricardo Tubbs (Philip Michael Thomas). The two-part episode established the show’s signature pop-scored blend of fashion and fast action, set against the sun-bleached days and neon nights of Magic City. Continue reading →

Breathless: Richard Gere’s Rockabilly Shirt and Plaid Trousers

Richard Gere in Breathless (1983)

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Richard Gere as Jesse Lujack, swaggering drifter

Los Angeles, Summer 1982

Film: Breathless
Release Date: May 13, 1983
Director: Jim McBride
Costume Designer: J. Allen Highfill

WARNING! Spoilers ahead!

Background

Happy 75th birthday to Richard Gere! To celebrate this prolific actor’s August 31, 1949, today’s post looks at one of my unexpectedly favorite performances from the prolific actor.

Jim McBride’s 1983 remake of Breathless flips the nationalities of the French crook and his American girlfriend in the 1960 French New Wave classic, starring Gere as the cocky ne’er-do-well Jesse Lujack who shacks up with Monica Poiccard (Valérie Kaprisky), a French UCLA student he had met once during a weekend trip to Las Vegas. Continue reading →

Sam Elliott’s Black Clothes in Road House

Sam Elliott in Road House (1989)

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Sam Elliott as Wade Garrett, reliable bouncer

Jasper, Missouri, Spring 1988

Film: Road House
Release Date: May 19, 1989
Director: Rowdy Herrington
Costume Designer: Marilyn Vance

WARNING! Spoilers ahead!

Background

Today is the 80th birthday of Sam Elliott, the prolific actor who has brought his commanding voice and distinguished mustache to a variety of roles from his breakthrough performance in Lifeguard (1976) to hits like Mask (1985), Tombstone (1993), The Big Lebowski (1998), and A Star is Born (2018), to name just a few.

The first time I saw Road House, I was surprised to see that Elliott had shaved his signature soup-strainer to portray Wade Garrett, the tough and trusted bouncer that professional cooler Dalton (Patrick Swayze) calls to the small town of Jasper, Missouri, where local crime boss Brad Wesley (Ben Gazzara) is making his task of taming the Double Deuce more of a challenge than he hoped. Continue reading →

Al Pacino in Scarface: Tony Montana’s Red Tiger-Print Shirt

Al Pacino as Tony Montana in Scarface (1983)

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Al Pacino as Tony Montana, fearless dishwasher-turned-drug courier

Miami Beach, Spring 1981

Film: Scarface
Release Date: December 9, 1983
Director: Brian De Palma
Costume Designer: Patricia Norris

WARNING! Spoilers ahead!

Background

As this hot summer stretches into the first “Aloha Friday” of August, let’s flashback to the ’80s and Al Pacino’s explosive performance in Brian De Palma’s crime classic Scarface. The film was actually a remake of a 1932 gangster classic of the same name, which had been adapted from Armitage Trail’s contemporary novel… and which itself was loosely inspired by the infamous Al Capone. Oliver Stone’s screenplay updated the story for the ’80s by conceptualizing Pacino’s criminal protagonist Tony Montana as one of the approximately 125,000 Cuban refugees who arrived in Miami during the 1980 Mariel boatlift.

Failing to envision his low-wage dishwashing job as a step on the path toward money and power, Tony enlists his charismatic comrade Manny Ribera (Steven Bauer) to take a job by the hotheaded Omar Suarez (F. Murray Abraham) to broker a cocaine deal at the oceanside Sunray Motel in Miami Beach. Continue reading →

From Pinstripes to Plaid: Travis Henderson’s Transformation in Paris, Texas

Harry Dean Stanton in Paris, Texas (1984)

Vitals

Harry Dean Stanton as Travis Henderson, wandering drifter

West Texas to Los Angeles, Fall 1983

Film: Paris, Texas
Release Date: September 19, 1984
Director: Wim Wenders
Costume Designer: Birgitta Bjerke

WARNING! Spoilers ahead!

Background

Wim Wenders’ masterpiece Paris, Texas debuted during 40 years ago today on May 19, 1984 during the 37th Cannes Film Festival, where it was awarded the Palme d’Or among other accolades. The film arrived at theaters exactly four months later and would continue to garner critical acclaim including a BAFTA win for Wenders’ direction.

Co-written by Sam Shepard and L.M. Kit Carson, Paris, Texas presents a rare starring role for stalwart character actor Harry Dean Stanton—one of my personal favorites—who had been well-regarded for his performances in Cool Hand Luke (1967), Dillinger (1973), Alien (1979), Escape from New York (1981), and Christine (1983) before Shepard tapped the nearly 60-year-old actor for the leading role of the lost Travis Henderson.

Continue reading →