Tagged: Al Pacino
Tony Montana’s Chalkstripe Showdown Suit in Scarface
Vitals
Al Pacino as Tony Montana, impulsive and hotheaded cocaine kingpin
New York City to Miami, Spring 1983
Film: Scarface
Release Date: December 9, 1983
Director: Brian De Palma
Costume Designer: Patricia Norris
Tailor: Tommy Velasco
Background
Even if you’re one of the 0.5% of the population who hasn’t seen Scarface, you’ve seen this suit and you know this scene. You’ve seen it on T-shirts, dorm room posters, memes, and anywhere that pop culture will allow it. The scene has become legendary over the last three decades as one of the greatest movie gunfights in history for many reasons: an unhinged Al Pacino who may or may not have been pretending to be high, an endless mob of cartel gunmen each meeting their fate at the end of his AR-15, and—of course:
Say hello to my little friend!
Capt. Michael Corleone, USMC
Vitals
Al Pacino as Michael Corleone, USMC Captain, WWII hero, and Mafia son
Long Island, NY, September 1945
Film: The Godfather
Release Date: March 15, 1972
Director: Francis Ford Coppola
Costume Designer: Anna Hill Johnstone
Background
On the 70th anniversary of VJ Day, BAMF Style is looking at one of cinema’s most notorious fictional war heroes from the Pacific Theater of World War II: Michael Corleone.
(Just so we’re clear, BAMF Style believes that the true heroes of World War II are those that did not go on to become mob bosses.)
What’d He Wear?
Michael’s USMC Uniform
Michael arrives at his sister’s wedding wearing his traditional Marine “greens”, the winter service uniform worn from September through April. Although appearing brown on screen, the uniform – now known as the Service A (or “Alpha”) – is forest green wool in a color specific to the Marine Corps, dating back to its introduction in 1912. At the time, the winter service uniform was standard in garrison and on leave and liberty. Since the iconic dress blues were temporarily ceased for most of WWII, a Marine not wearing his utility uniform would almost always be seen in his winter service greens. Continue reading
Scarface: Tony’s Tan Suit and Cadillac
Vitals
Al Pacino as Tony Montana, hotheaded Cuban-American cocaine dealer
Miami, August 1981
Film: Scarface
Release Date: December 9, 1983
Director: Brian De Palma
Costume Designer: Patricia Norris
Background
BAMF Style is continuing Car Week with the second grand American convertible from the automotive golden era – the 1963 Cadillac Series 62 owned by Tony Montana in 1983’s Scarface. Ironically, we first see this Caddy while Tony is actually shopping for a different luxury car, the silver 1979 Porsche 928 4.5L that he adds to his growing collection.
The ’63 Caddy convertible is clearly Tony’s favorite, though, driving it to show off his status even though Elvira pointedly tells him:
It looks like somebody’s nightmare.
Michael Corleone’s Shopping Attire in The Godfather
Vitals
Al Pacino as Michael Corleone, war hero and Mafia son
New York City, Christmas 1945
Film: The Godfather
Release Date: March 15, 1972
Director: Francis Ford Coppola
Costume Designer: Anna Hill Johnstone
Background
Christmas shopping is an activity not traditionally associated with BAMF activity, but the tradition of exchanging gifts with family is fun. After all, Don Corleone says:
…a man who doesn’t spend time with his family can never be a real man.
So, in the spirit of Monday’s holiday list post, follow Michael Corleone as he and Kay Adams go on a midtown shopping date at Christmas. Continue reading
Michael Corleone’s Gray Striped Suit in The Godfather
Vitals
Al Pacino as Michael Corleone, cold and calculating New York Mafia boss
Long Island, NY, August 1955
Film: The Godfather
Release Date: March 15, 1972
Director: Francis Ford Coppola
Costume Designer: Anna Hill Johnstone
Background
Last weekend, I attended a baptism. While other family members were snapping photos through tearful eyes, I kept picturing fat Clemenza blowing a guy away with a shotgun and Moe Greene getting the Bugsy Siegel treatment.
Whether or not you’re the type of person moved to sentiment by a baptism, anyone who has seen The Godfather can hardly forget the brilliance of Coppola’s juxtaposition between Michael admitting his son into the church while simultaneously sending his enemies to hell.
After returning to the United States and taking his slain brother‘s former mantle as boss of the Corleone Crime Family, Michael Corleone leaves behind the earth tones he sported earlier in the film. Gray is now his color of choice, reflected throughout his wardrobe. Continue reading
Scarface: Tony’s White Pinstripe Suit
Vitals
Al Pacino as Tony Montana, ambitious Cuban-American cocaine dealer
Miami (and Bolivia), Summer 1981
Film: Scarface
Release Date: December 9, 1983
Director: Brian De Palma
Costume Designer: Patricia Norris
Tailor: Tommy Velasco
Background
One of the few sartorial rules actually practiced in the United States is adherence to the “no white after Labor Day” rule. While it’s technically outdated, having been decided after the Civil War by snobbish housewives who wanted to establish their place in society, it makes sense that light-colored attire would find its place in the summer. Further enhancing the arbitrary rule, the snobbish housewives’ society determined that Memorial Day would mark the first day for white clothing to be appropriate in polite society.
While he may not be the prime example of “polite society” in the eyes of postbellum America, Tony Montana redefined drug dealer chic in 1983’s Scarface with his numerous sharp suits and incomparable swagger while wearing them. Continue reading
Michael Corleone’s Gray Dupioni Silk Suit
Vitals
Al Pacino as Michael Corleone, powerful Mafia boss
Lake Tahoe, Fall 1958
Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle
Background
The Godfather is an American cultural phenomenon that needs no explanation. (For all the people secretly bummed out that I won’t give an explanation, here: It’s an epic three film journey following the rise of a Mafia family in the United States from 1901 to 1979).
There are differing opinions as to whether the first or the second part was the best. (No one ever says it’s the third one.)
In the first two films especially, costumes were a large indicator of the story. Much credit for this should be given to costume designer Theadora Van Runkle. When Michael is a proud Marine, he wears his uniform. When he is a college man looking for work, he wears a simple odd jacket, tie, and trousers. As he grows into the Don we have come to know, he wears expensive suits. Interestingly, Michael never wears a hat (aside from his USMC officer’s cap) until he becomes involved in the family.
This post will focus on the first act of The Godfather, Part II, where Michael Corleone is holding court on the day of his son’s Communion. Continue reading







You must be logged in to post a comment.