Tagged: College Student

Blue Velvet: Kyle MacLachlan’s Black Jacket

Kyle MacLachlan in Blue Velvet (1986)

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Kyle MacLachlan as Jeffrey Beaumont, inquisitive college student

Lumberton, North Carolina, Spring 1985

Film: Blue Velvet
Release Date: September 19, 1986
Director: David Lynch
Costumer: Ronald Leamon

WARNING! Spoilers ahead!

Background

Today marks the 66th birthday of Kyle MacLachlan, star of the late David Lynch’s neo-noir thriller Blue Velvet. Lynch and “Kale” had first collaborated two years earlier for the director’s adaptation of Frank Herbert’s Dune, which was met with poor reception. Undeterred, Lynch shifted direction with Blue Velvet, a more personal project that delved into his now-familiar themes of surrealism and the dark, oft-criminal underbelly of Americana.

MacLachlan stars as Jeffrey Beaumont, a college student who returns to his hometown of Lumberton, North Carolina to help his family following his father’s heart attack. Taking a secluded shortcut to his parents’ home after a hospital visit, Jeffrey discovers a severed ear in a vacant field… launching him into a dangerous conspiracy involving a sultry lounge singer and a sadistic gangster. Continue reading

Society of the Snow: Numa Turcatti’s Corduroy Trucker Jacket

Enzo Vogrincic as Numa Turcatti in Society of the Snow (2023)
Photo by Quim Vives

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Enzo Vogrincic as Numa Turcatti, Uruguayan law student and college soccer player

Andes Mountains, Fall 1972

Film: Society of the Snow
(Spanish title: La sociedad de la nieve)
Release Date: December 13, 2023
Director: J.A. Bayona
Costume Designer: Julio Suárez

WARNING! Spoilers ahead!

Background

On October 13th, 1972, an Uruguayan plane crashed in the Andean mountain range. Forty of us passengers and five crew members were on board the plane. Some say it was a tragedy, others call it a miracle. What really happened? What happens when the world abandons you? When you have no clothes and you’re freezing? When you have no food and you’re dying? The answer is in the mountain. We have to go back to the past to understand that the past is what changes the most…

Society of the Snow begins with the narration of Numa Turcatti (Enzo Vogrincic), a 24-year-old law student and footballer encouraged by friends to buy a cheap plane ticket to Chile on Uruguayan Air Force Flight 571, joining his friend Gastón Costemalle (LOUTA) who was traveling with the Old Christians Rugby Club to play a match in Santiago. The flight departed from Montevideo 52 years ago today, followed by an overnight stop in Mendoza, Argentina.

The following day—Friday the 13th of October, 1972—Numa became one of 33 initial survivors when this FH-227D crashed into the Andes just inside the Argentinian side of the Chilean border. Numa’s narration describes this inhospitable pocket of nature where the temperature plunges to −22 °F at night as “a place where life is impossible.”

While official search efforts were called off after the first eight days, the young men endured a total of 72 days through an inspiring mix of fierce determination, resourcefulness, and teamwork, all while continually facing hardships like injury, disease, extreme weather, and avalanches that reduced them to less than half of their number. With an already dwindling food supply exhausted, the small group of remaining survivors resorted to cannibalism of their dead companions to stay alive—an unimaginable decision yet one that almost certainly saved the lives of the sixteen who were ultimately rescued in December 1972.

Skillfully directed by J.A. Bayona, Society of the Snow doesn’t shy away from these more disturbing facts of the incident while remaining a tasteful retelling that celebrates the survival of these sixteen while simultaneously honoring the memory of the dead. Wendy Ide of ScreenDaily cited the latter as one of the film’s greatest strengths, applauding that “Bayona is at pains to ensure that the voices that are foregrounded are not necessarily those of the crash victims who eventually make it home.” Continue reading

Carnal Knowledge: Jack Nicholson’s Duffel Coat

Jack Nicholson in Carnal Knowledge (1971)

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Jack Nicholson as Jonathan Fuerst, arrogant Amherst College student

Hampshire County, Massachusetts, Winter 1946

Film: Carnal Knowledge
Release Date: June 30, 1971
Director: Mike Nichols
Costume Designer: Anthea Sylbert

WARNING! Spoilers ahead!

Background

As we continue facing snow and below-freezing temps here in the northeast U.S., I’m finding comfort in the layered winter style from movies like Carnal Knowledge, Mike Nichols’ cold (in every sense of the word) depiction of sexuality through the mid-20th century.

Even though the “New Hollywood” movement led by directors like Nichols, Robert Altman, and Arthur Penn had been breaking cinematic barriers since the late ’60s when the strict Production Code crumbled and the ratings system was introduced, the content and presentation of Carnal Knowledge was still considered too obscene and offensive for some audiences, to the point that a Georgia theater owner was convicted of obscenity charges (later overhauled by the U.S. Supreme Court) for showing it in his theater.

Carnal Knowledge centers around the swaggering Jonathan (Jack Nicholson) and his mild-mannered friend Sandy (Art Garfunkel), whom we first meet as students at Amherst College in the years following World War II. Continue reading

Love Story: Ryan O’Neal’s Sheepskin Shearling Coat

Ryan O'Neal as Oliver Barrett IV in Love Story (1970)

Ryan O’Neal as Oliver Barrett IV in Love Story (1970)

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Ryan O’Neal as Oliver Barrett IV, preppy Harvard student

New England, Winter 1966, and New York City, Winter 1970

Film: Love Story
Release Date: December 16, 1970
Director: Arthur Hiller
Costume Design: Alice Manougian Martin & Pearl Somner

Background

Happy Valentine’s Day! In the spirit of the season of romance, it felt appropriate to explore the preppy style in one of the most famous cinematic love stories of all time… the perhaps uncleverly titled Love Story.

I went into my inaugural Love Story viewing this year familiar only with Larry Siegel and Mort Drucker’s Mad magazine parody and the movie’s reviled thesis that “love means never having to say you’re sorry,” so I was a little surprised to find myself non-ironically enjoying it more than I expected. Sure, my friend @berkeley_breathes had primed me to expect some standout Ivy-inspired style worn by Ryan O’Neal as our romantic hero Oliver, but I guess the half-century since Love Story has yielded considerably cornier products with the odd effect that this aged… relatively well? Or maybe I’m just speaking from behind the blinders of my enduring crush on early ’70s Ali MacGraw. Continue reading