Tagged: France
Grand Prix: James Garner’s Burgundy Blazer and Shelby GT350H
Vitals
James Garner as Pete Aron, determined Formula One driver
Clermont-Ferrand, France, Summer 1966
Film: Grand Prix
Release Date: December 21, 1966
Director: John Frankenheimer
Costume Supervisor: Sydney Guilaroff
Background
#CarWeek continues with Grand Prix, the action-packed, globe-trotting racing epic that director John Frankenheimer made in the tradition of Grand Hotel with a talented international cast including James Garner, Eva Marie Saint (who celebrated her 95th birthday yesterday), Yves Montand, Toshiro Mifune, Jessica Walter, Brian Bedford, and Thunderball villain Adolfo Celi. As a talented driver in his own right, Garner looks natural behind the wheel as Pete Aron, the Formula One driver hoping to salvage his career after gaining a reckless reputation, and the unique racing cinematography—in part credited to “visual consultant” Saul Bass—make the film a must for fans of the racing genre and earned the film its well-deserved Academy Awards for Best Sound Effects (Gordon Daniel), Best Film Editing, and Best Sound (Franklin Milton).
Belmondo in Breathless: Tweed in Marseille
Vitals
Jean-Paul Belmondo as Michel Poiccard, small-time car thief
Marseille, France, August 1959
Film: Breathless
(French title: À bout de souffle)
Release Date: March 16, 1960
Director: Jean-Luc Godard
Background
Happy birthday, Bébel! Jean-Paul Belmondo was born 86 years ago today in Neuilly-sur-Seine, west of Paris. Following a brief career as an amateur boxer and his compulsory military service, Belmondo began acting in the mid-1950s and found international stardom after his performance in Jean-Luc Godard’s À bout de souffle (Breathless to English-speaking audiences), a seminal example of the burgeoning French New Wave cinematic movement.
James Coburn’s Corduroy Suit in Charade
Vitals
James Coburn as Tex Panthollow, larcenous former OSS commando
Paris, April 1963
Film: Charade
Release Date: December 5, 1963
Director: Stanley Donen
WARNING! Spoilers ahead!
Background
As portrayed by the brilliant and versatile James Coburn, Tex Panthollow makes his dramatic introduction in the beginning of Charade as the second of three mysterious men who show up to “pay respects” at the funeral of their one-time brother-in-arms Charles Lampert, each one increasingly perplexing his widow Reggie (Audrey Hepburn) with their behavior. Par examplum: Tex draws a hand-sized mirror from his inside breast pocket and holds it directly under the deceased’s nose to ensure that he’s really passed from this world before sneering: “Arrive-derci, Charlie.”
Gregory Peck’s Tweed in The Snows of Kilimanjaro
Vitals
Gregory Peck as Harry Street, adventurous American expatriate writer and former newspaper reporter
Paris, Spring 1925
Film: The Snows of Kilimanjaro
Release Date: September 17, 1952
Director: Henry King
Wardrobe Supervisor: Charles Le Maire
Background
The snowy month of January—and my shared half-birthday with Ernest Hemingway on the 21st—makes today a perfect time to look at Gregory Peck’s style in The Snows of Kilimanjaro, the first of Henry King’s two adaptations of Papa’s work that would star Ava Gardner and Peck’s second go at playing a Hemingway protagonist.
Ronin: De Niro’s Brown Suede Jacket
Vitals
Robert De Niro as Sam, professional mercenary thief and ex-CIA operative
Nice, France, December 1997
Film: Ronin
Release Date: September 25, 1998
Director: John Frankenheimer
Costume Designer: May Routh
Background
I recently received a request to explore Robert De Niro’s outfit in Ronin when his ex-CIA thief Sam accompanies Deirdre (Natascha McElhone) on a recon mission in Nice. Deirdre has hired Sam’s crew to attack an armed convoy to steal an unidentified briefcase that would serve as the film’s MacGuffin.
Rather than bothering with spy cameras and tactics, Sam merely brings Deirdre and his Leica R6 2 camera to the luxurious Hôtel Barrière Le Majestic (actually located in Cannes), posing as a pair of tourists and thus not raising any suspicions as they take a considerable amount of photos to prepare for the job. Continue reading
The Day of the Jackal: Blue Sleeveless Cardigan
Vitals
Edward Fox as “The Jackal”, mysterious professional assassin
Southern France, near Grasse, August 1963
Film: The Day of the Jackal
Release Date: May 16, 1973
Director: Fred Zinnemann
Costume Design: Joan Bridge, Rosine Delamare, and Elizabeth Haffenden
Background
The only time we see Edward Fox’s enigmatic Jackal in a non-earthtone ensemble outside of his numerous disguises is this brief interlude for a summer evening in the south of France, near Grasse, as he chats up Colette (Delphine Seyrig) in a hotel parlor. His seduction induces Colette into his cadre of temporarily useful—but ultimately disposable—assets as he kills his way across Europe to his ultimate target… French President Charles de Gaulle. Continue reading
Army of Shadows: Jardie’s Pilot Coat
Vitals
Jean-Pierre Cassel as Jean-François Jardie, dashing French pilot and resistance operative
France, Winter 1942
Film: Army of Shadows
(French title: L’armée des ombres)
Release Date: September 12, 1969
Director: Jean-Pierre Melville
Costume Designer: Colette Baudot
Background
Jean-Pierre Melville’s 1969 French Resistance epic, released at a volatile time for France and the world at large, was barely seen by the rest of the world until decades later. Army of Shadows officially debuted in the United States in 2006 and quickly shot to the top of many critics’ “best of the year” lists.
Cary Grant’s Green Pajamas in Charade
Vitals
Cary Grant as Brian Cruikshank (aka Peter Joshua, Alexander Dyle, or Adam Canfield), U.S. Treasury agent
Paris, April 1963
Film: Charade
Release Date: December 5, 1963
Director: Stanley Donen
Background
Take your relaxing Saturday a step further during Cary Grant’s birthday weekend with a tasteful loungewear ensemble and a charming Archie Leach classic like Charade, one of the legendary actor’s final films before his retirement and the only one for which he was nominated for both a BAFTA Award and a Golden Globe.
After yet another death in Paris, Reggie Lambert (Audrey Hepburn) and a man she now refers to as “Adam Canfield” are mustered from their sleep by the industrious Inspector Grandpierre (Jacques Marin), setting the two back on their search for the film’s MacGuffin in the middle of the night. Continue reading
Ronin: De Niro’s Leather Jacket and Mercedes-Benz

Robert De Niro as Sam in Ronin (1998), firing an FN Minimi in front of the gang’s brown Mercedes-Benz 450SEL 6.9 sedan.
Vitals
Robert De Niro as Sam, professional mercenary thief and ex-CIA operative
Nice to Paris, France, December 1997
Film: Ronin
Release Date: September 25, 1998
Director: John Frankenheimer
Costume Designer: May Routh
WARNING! Spoilers ahead!
Background
Several BAMF Style readers have requested to see Robert De Niro’s style from Ronin, the sensational and fast-paced thriller that follows a team of mercenaries carrying out a high-profile robbery in France. The film has been particularly singled out for its realistic car chases, filmed across stunning French settings by cinematographer Robert Fraisse as De Niro et al pursue their prey in European luxury sedans from more modern Audis and BMWs to a classic Mercedes-Benz 450SEL 6.9 performance sedan.
Shortly before Christmas, the mercenaries carry out their heist, ambushing a well-armed convoy in La Turbie and absconding with the film’s MacGuffin. A running gun battle and car chase ensues as the mercenaries pursue the surviving convoy to the port of Nice. The convoy is exterminated, but mercenaries Sam (De Niro) and Vincent (Jean Reno) then realize that they’ve been double-crossed by a deceptive confederate. Continue reading
Belmondo in Breathless: Camelhair Jacket in Paris

Jean-Paul Belmondo as Michel Poiccard and Jean Seberg as Patricia Franchini strolling down the Champs-Élysées in an iconic scene from À bout de souffle (Breathless) (1960).
Vitals
Jean-Paul Belmondo as Michel Poiccard, petty thief and killer on the run
Paris, August 1959
Film: Breathless
(French title: À bout de souffle)
Release Date: March 16, 1960
Director: Jean-Luc Godard
Background
Directed by Jean-Luc Godard from an original treatment by François Truffaut, À bout de souffle (or Breathless to us Americans) marked a defining moment in the evolution of French New Wave cinema. The lanky, youthful, and energetic Jean-Paul Belmondo shot to cinematic stardom as he became the new face of French New Wave, a term to which he charmingly admitted his own ignorance to P.E. Schneider of New York Times Magazine.
In that 1961 piece, Schneider was profiling Belmondo for a piece called “A Punk With Charm,” referring to the actor’s role in Breathless as the Bogart-idolizing Michel Poiccard, a swaggering and sociopathic walking id. Continue reading








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