Tagged: Gangster
Michael Corleone’s Tan Check Suit and Day Cravat in Havana
Al Pacino as Michael Corleone in The Godfather Part II (1974).
Vitals
Al Pacino as Michael Corleone, cold and calculating Mafia boss
Havana, December 1958
Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle
Background
Get into a smooth, summer relaxation mood for this Mafia Monday post that takes a look at Michael Corleone’s style for Hyman Roth’s birthday party in Havana… an appropriately timed post as my dad just returned from a trip to Cuba. (Yes, he brought back some Cohibas!)
What’d He Wear?
For all of his power and prestige, Michael Corleone has a considerably limited wardrobe, designed by the legendary Theadora Van Runkle (Bonnie and Clyde, Bullitt, and The Thomas Crown Affair are all among her repertoire.)
Michael makes good use of his four unique suits in The Godfather Part II, sometimes wearing a three-piece suit without a vest or, as we see in this case, adopting a more luxuriously casual look by swapping out the shirt and tie for a soft polo and a day cravat.
Although it appears a flat tan at the outset, this fully cut two-piece suit consists of a fine tan and cream plain weave glen check with teal blue on the outer check to create a teal windowpane effect throughout. Continue reading
Tony Soprano’s Last Appearance
James Gandolfini on set in Bloomfield, NJ, as Tony Soprano, filming “Made in America” (Episode 6.21), the series finale of The Sopranos. (Taken by Arnaldo Magnani for Getty Images, March 22, 2007.)
Vitals
James Gandolfini as Tony Soprano, New Jersey mob boss
Bloomfield, NJ, Late Fall 2007
Series: The Sopranos
Episode: “Made in America” (Episode 6.21)
Air Date: June 10, 2007
Director: David Chase
Creator: David Chase
Costume Designer: Juliet Polcsa
WARNING! Spoilers ahead!
Background
Nine years ago today, nearly 12 million viewers tuned into HBO to watch “Made in America”, the final installment in the epic and groundbreaking saga of The Sopranos. The episode’s controversial ending polarized some audiences who demanded more closure for the conflicted and complex mob boss and his biological and criminal families after 86 episodes. (For better or worse, the episode also revived Journey’s “Don’t Stop Believin'” in the public consciousness.) Continue reading
Leo’s Red Silk Robe in Miller’s Crossing
Albert Finney as Leo O’Bannon in Miller’s Crossing (1990).
Vitals
Albert Finney as Liam “Leo” O’Bannon, Irish Mob-connected political boss
Upstate New York, Fall 1929
Film: Miller’s Crossing
Release Date: September 21, 1990
Director: Joel Coen & Ethan Coen
Costume Designer: Aude Bronson-Howard
WARNING! Spoilers ahead!
Background
Today is the 80th birthday of Albert Finney so BAMF Style is taking a look at his portrayal of Liam “Leo” O’Bannon, the “cheap political boss with more hair tonic than brains” in Miller’s Crossing, the Coen brothers’ 1990 nod to Dashiell Hammett.
Michael Corleone’s “Nice Ivy League” Charcoal Suit
Al Pacino as Michael Corleone in The Godfather (1972).
Vitals
Al Pacino as Michael Corleone, Mafia son and World War II hero
New York City, January 1946
Film: The Godfather
Release Date: March 15, 1972
Director: Francis Ford Coppola
Costume Designer: Anna Hill Johnstone
Background
Happy birthday to Al Pacino, born this day in 1940. It was The Godfather that arguably catapulted Pacino into public consciousness as one of the greatest actors of his generation, an impressive feat for an actor with only two preceding film credits. Although Paramount production chief Robert Evans had more box office-oriented names in mind for its central role ranging from Jack Nicholson to Robert Redford, Francis Ford Coppola insisted on Pacino who delivered in spades and received both an Academy Award nomination as well as a massive salary increase (from $35,000 to $600,000) to return as Michael Corleone in The Godfather Part II only two years later.
Although all of The Godfather is an acting tour de force for Pacino, there is one monumental scene often cited as the moment that truly established him as one of the most talented stars in the industry. An outsider to his family’s illegitimate business, Michael Corleone surprised everyone by offering to retaliate for the attempt on his father’s life by personally gunning down both the drug-peddling gangster Sollozzo (Al Lettieri) and the corrupt police captain McCluskey (Sterling Hayden). Armed with the family’s blessing, an escape route, and a .38 taped behind an old toilet, Michael finds himself sitting across from these two criminals for—ostensibly—a peace meeting. Continue reading
The Sopranos: Tony’s Pale Blue Sportcoat in “Two Tonys”
James Gandolfini as Tony Soprano in “Two Tonys”, episode 5.01 of The Sopranos.
Vitals
James Gandolfini as Tony Soprano, Jersey mob boss and conflicted family man
New Jersey, March 2004
Series: The Sopranos
Episode: “Two Tonys” (Episode 5.01)
Air Date: March 7, 2004
Director: Tim Van Patten
Creator: David Chase
Costume Designer: Juliet Polcsa
Background
Easter is right around the corner, so BAMF Style is taking this Mafia Monday to look at a brightly-dressed family man.
Recently inspired by The Prince of Tides (by all things), Tony decided the time was right to escalate his therapy by actually dating his therapist, Dr. Jennifer Melfi. Following up on his gift of flowers—accompanied by a gallon of Tide detergent—he is persistent in his desire to see her socially, despite her outright refusal. When finally pushed to her limits by him, Dr. Melfi lists off the things about him as a person that don’t appeal to her—including, you know, being a criminal—and he doesn’t take it well. Continue reading
Peaky Blinders – Tommy’s Gray Striped Flannel Suit
Cillian Murphy as Tommy Shelby on the third episode of Peaky Blinders.
Vitals
Cillian Murphy as Thomas “Tommy” Shelby, cunning Peaky Blinders gang leader and jaded WWI veteran
Gloucestershire, England, Fall 1919
Series: Peaky Blinders
Episodes: Episodes 1.03 – 1.05
Air Dates: September 26, 2013 – October 10, 2013
Directors: Otto Bathurst (Episode 1.03) & Tom Harper (Episode 1.04 & 1.05)
Creator: Steven Knight
Costume Designer: Stephanie Collie
Tailor: Keith Watson
Background
While many will be celebrating their Irish heritage this week (whether it exists or not), fans of Peaky Blinders may be interested to know that tomorrow marks the beginning of the Cheltenham Festival, the prestigious annual four-day meeting in the National Hunt racing calendar that finds many of the best British and Irish-trained horses racing against the backdrop of the excited crowd’s “Cheltenham roar”. Continue reading
Henry’s Copa Date Suit in Goodfellas
Ray Liotta as Henry Hill in Goodfellas (1990).
Vitals
Ray Liotta as Henry Hill, ambitious New York mob associate
New York, Spring 1964
Film: Goodfellas
Release Date: September 19, 1990
Director: Martin Scorsese
Costume Designer: Richard Bruno
Background
Yesterday was Valentine’s Day, so BAMF Style is appropriating Mafia Monday for one of the most memorable scenes from Goodfellas, the impressive Steadicam shot that follows Henry and Karen’s date at their Copacabana. After leaving his Chrysler Newport with a doorman across the street (“It’s easier than leaving it at a garage”), the camera follows Henry as he spirits Karen through the labyrinth of hallways and kitchens into the famous nightclub, peeling off twenties for every hand that helps along the way. Continue reading
John Shelby’s Glen Plaid Suit for Peaky Blinders’ Gypsy Wedding
Joe Cole as John Shelby on Peaky Blinders (Ep. 1.04, 2013).
Vitals
Joe Cole as John Shelby, impulsive Peaky Blinder gang member
Birmingham, England, September 1919
Series: Peaky Blinders
Episode: Episodes 1.04
Air Date: October 3, 2013
Director: Tom Harper
Creator: Steven Knight
Costume Designer: Stephanie Collie
Background
Week of Weddings continues with a look from BBC Two’s Peaky Blinders. In the fourth episode, the Shelby brothers gather the Peaky Blinders for what ostensibly seems like an attack on the rival gypsy Lee family. John, the hotheaded younger brother of gang leaders Tommy and Arthur, has recently come to his family requesting their blessing to marry the neighborhood’s most prolific prostitute. The Lees, on the other side of town, have a girl that’s “gone a bit wild”. Tommy sees the opportunity here to end things without blood. (Not including the blood symbolically drawn from each new spouse’s hand.)
On the morning of the big showdown, John shows up especially itching for a fight… until Tommy pins a boutonniere on John’s left lapel and directs him to his new wife Esme. Continue reading
American Gangster: Frank Lucas’ Wedding Suit
Denzel Washington and Lymari Nadal as Frank Lucas and Eva Lucas in American Gangster (2007).
Vitals
Denzel Washington as Frank Lucas, heroin kingpin
Harlem, Summer 1971
Film: American Gangster
Release Date: November 2, 2007
Director: Ridley Scott
Costume Designer: Janty Yates
Tailor: Leonard Logsdail
Background
For BAMF Style, the week leading up to Valentine’s Day always means a Week of Weddings, focusing on how some of the greatest on-screen tough guys dress up for their big day.
American Gangster depicts the rise and fall of heroin trafficker Frank Lucas and his disputed claims of smuggling dope home in the caskets of American servicemen who had died during the Vietnam War. He meets the Puerto Rican beauty queen Eva (her real name was Julianna) at his nightclub, and the two are soon married. Continue reading
The Sopranos: Christopher’s Blue Herringbone “Made Man” Suit
Michael Imperioli as Christopher Molitsanti on The Sopranos (Episode 3.03: “Fortunate Son”).
Vitals
Michael Imperioli as Christopher Moltisanti, newly “made” mob soldier
New Jersey, Fall 2000
Series: The Sopranos
Episode: “Fortunate Son” (Episode 3.03)
Air Date: March 11, 2001
Director: Henry J. Bronchtein
Creator: David Chase
Costume Designer: Juliet Polcsa
Background
This suit had been requested a few weeks ago, and—as both a huge fan of The Sopranos and a kindred spirit of the tragic Christopher Moltisanti character—I was more than pleased to delve a little deeper into the suit and scene where Christopher finally “gets his button” for Mafia Monday. Continue reading