Tagged: James Bond
Bond’s Gray Suit and Gray BMW in Hamburg
Vitals
Pierce Brosnan as James Bond, British government agent
Hamburg, Germany, April 1997… specifically Saturday, April 12, 1997
Film: Tomorrow Never Dies
Release Date: December 6, 1997
Director: Roger Spottiswoode
Costume Designer: Lindy Hemming
Background
Tomorrow Never Dies, Pierce Brosnan’s second outing as Bond, also carried a few notable firsts. It was the first film produced after the death of longtime Bond producer Albert “Cubby” Broccoli, and it was the first film to not use any traditional Fleming title or plot elements; Licence to Kill had borrowed heavily from both Live and Let Die and “The Hildebrand Rarity”, and GoldenEye – though an original story – was the name of Ian Fleming’s home.
Thus, without two of its most influential auteurs’ assistance, Tomorrow Never Dies was left to its own devices – pun intended – and marked a significantly different direction for the series. Continue reading
Bond’s Gray Office Suit in For Your Eyes Only
Vitals
Roger Moore as James Bond, British government agent
London, Spring 1981
Film: For Your Eyes Only
Release Date: June 24, 1981
Director: John Glen
Costume Designer: Elizabeth Waller
Tailor: Douglas Hayward
Background
I often cite For Your Eyes Only as the best 007 film of Moore’s era despite many fans’ contention that The Spy Who Loved Me was his apex. After a sketchy start with two OK outings, Moore finally found his footing with a good script and co-star in The Spy Who Loved Me, but it still rings of a disco-enthused rehash of You Only Live Twice dunked underwater. I still like the film, but For Your Eyes Only appeals more to the From Russia With Love fan that I am.
The minds behind the Bond franchise realized (a bit too late) that Moonraker was excessive, even by 1979 standards. Sure, it remained the highest-grossing Bond film until GoldenEye sixteen years later, but are massive profit margins any excuse for a loss of artistic integrity?
Thankfully, the franchise scrapped any ideas of continuing Bond’s space adventures against unkillable giants with the help of just the right gadget. In 1981, For Your Eyes Only marked a new direction for Moore’s Bond: a grounded and (relatively) realistic spy thriller. Continue reading
Skyfall – Bond’s Dark Blue Tuxedo in Macau

Excerpt from a promotional poster for Skyfall (2012), featuring Daniel Craig as James Bond against the familiar “gunbarrel” backdrop.
Vitals
Daniel Craig as James Bond, British government agent
Macau, Spring 2012
Film: Skyfall
Release Date: November 9, 2012
Director: Sam Mendes
Costume Designer: Jany Temime
Background
Nearly forty years after his last visit in The Man with the Golden Gun, James Bond returns to Macau after discovering a casino chip on an assassin in Shanghai. Now officially back in Her Majesty’s Secret Service, Bond packs up his dinner suit, cut-throat razor, and sunglasses and heads to the film’s version of Macau. Continue reading
Roger Moore as 007: The Man with the Red and Black Check Sportcoat
Vitals
Roger Moore as James Bond, British government agent
Thailand, Spring 1974
Film: The Man with the Golden Gun
Release Date: December 20, 1974
Director: Guy Hamilton
Tailor: Cyril Castle
Wardrobe Supervisor: Elsa Fennell
Background
The Man with the Golden Gun was the first Bond movie I ever saw. Given that my first Connery Bond was Diamonds are Forever and my first theater-seen Bond was Die Another Day, it’s a miracle at all that I became the Bond enthusiast I am today after starting with these three. (Britt Ekland in a bikini in The Man with the Golden Gun may have helped keep me enthused, though.)
The film’s plot ditches the majority of Ian Fleming’s mostly-ghostwritten finale to the Bond canon, keeping only the primary villain – golden gun-wielding assassin Francisco Scaramanga – intact. The simple story of Bond infiltrating Scaramanga’s organization is replaced with a current events story that weaves in the then-contemporary energy crisis and finds Bond and Scaramanga to be instant enemies.
After some cheeky cat-and-mouse (made rendered by corny jokes, the return of Sheriff J.W. Pepper, and a slide whistle), Bond finally catches up to Scaramanga for the film’s climax on Khao Phing Kan, an island off the coast of Thailand now known as “James Bond Island” for this reason alone. Continue reading
Casino Royale: Bond’s Blue Sunspel Polo in Bahamas
Vitals
Daniel Craig as James Bond, recently reactivated British secret agent
Bahamas, July 2006
Film: Casino Royale
Release Date: November 14, 2006
Director: Martin Campbell
Costume Designer: Lindy Hemming
Background
After a brief lesson in How Not To Vacation 101 (getting a beautiful bedmate killed, stabbing an international arms dealer in the middle of a museum, being mistakenly arrested as a potential plane bomber, and checking his work e-mail), James Bond is taken back to the Bahamas via helicopter to meet with “M” and discuss his future.
What’d He Wear?
Following his adventure in Miami, Bond returns to the Bahamas via helicopter, dressed far more casually than he was for his initial arrival. Although casual, it is still a classically simple look and provides Bond with his first on-screen polo shirt since the Connery era. The outfit is very fitting for the warm climate and can be easily adapted for any man. Continue reading
From Russia With Love – Bond’s Istanbul Suits, Pt. 4: Glen Plaid

Sean Connery behind the scenes in Turkey during his second outing as James Bond, From Russia With Love, in 1963.
Vitals
Sean Connery as James Bond, British government agent and legendary super spy
Turkey, Spring 1963
Film: From Russia With Love
Release Date: October 10, 1963
Director: Terence Young
Costume Designer: Jocelyn Rickards
Tailor: Anthony Sinclair
Background
For the 007th of the 7th month of the year, BAMF Style is focusing on James Bond’s 7th suit worn in From Russia With Love, a black and gray Glen plaid check suit. Bond had worn a different Glen Urquhart suit earlier in the film when visiting Kerim Bey in his office, but this suit can be differentiated by details in the tailoring.
At this point in the story, Bond has finally “met” Tatiana Romanova, the enigmatic bait in SPECTRE’s plan to ruin him and smear the British Secret Service. Bond is quite certain that he has Tania right where he wants her, but his charismatic MI6 contact Kerim Bey seems sure of the opposite… Continue reading
Bond Style – Crab Key Summer Attire in Dr. No
Vitals
Sean Connery as James Bond, cunning and sophisticated British government agent
Jamaica, Summer 1962
Film: Dr. No
Release Date: October 5, 1962
Director: Terence Young
Wardrobe Master: John Brady
Tailor: Anthony Sinclair
Background
Last year around this time, I covered the various swimwear sported by Sean Connery in Thunderball. Today, I’ll be looking at James Bond’s first cinematic beach visit, although his intent was more reconnaissance than leisure.
After a thorough investigation in Jamaica—which included a very bad date—Bond decides that his new target is undoubtedly the evil and enigmatic Dr. No, who has holed up on Crab Key with a small army of disposable minions and a standard megalomaniac plan to take over the world. Continue reading
Bond’s Gray Suit and Mustang Mach 1 in Vegas
Vitals
Sean Connery as James Bond, British government agent
Las Vegas, Spring 1971
Film: Diamonds are Forever
Release Date: December 17, 1971
Director: Guy Hamilton
Wardrobe Master: Ray Beck
Tailor: Anthony Sinclair
Background
Yesterday’s post discussed the first car driven by Sean Connery’s James Bond (in an action scene). Today, we’ll be looking at the last.
After making five Bond films in as many years, Sean Connery was reasonably tired of his role. Sure it made him a star, but he was an actor, and actors like roles with character development and tight dialogue rather than repetitive plots, anonymous henchmen deaths, and volcano lairs. The days of espionage thrillers laced with realism like From Russia With Love had given way to over-the-top action and cliches in You Only Live Twice. (Sir Sean and I both agree on this matter.) Continue reading
Bond’s Navy Blazer and Sunbeam Alpine in Dr. No
Vitals
Sean Connery as James Bond, suave British government agent
Jamaica, Summer 1962
Film: Dr. No
Release Date: October 5, 1962
Director: Terence Young
Wardrobe Master: John Brady
Tailor: Anthony Sinclair
Background
Yesterday’s Car Week post focused on a man on an assignment in the Caribbean wearing a blue sport coat and slacks, speeding a sporty roadster along the coast in the early 1960s. Today’s post is going to be exactly the same thing but different.
All kidding aside, plenty of the elements people know and love from James Bond films can be found in the very first movie, 1962’s Dr. No. Here, we see Bond sharply attired as he downs vodka martinis, shoots bad guys, beds exotic beauties, and gets into a car chase… all between cringe-worthy quips and double entendres. Today, I’ll be focusing on the very first James Bond “action car” seen on screen, a blue Sunbeam Alpine roadster. Continue reading
The Literary James Bond

Sean Connery as James Bond in Goldfinger (1964), wearing the closest cinematic approximation of the suit imagined by Ian Fleming for his character. Inset is a drawing created by Fleming and commissioned for the Daily Express comic strip.
Vitals
James Bond, British government agent
1950s-1960s
Background
106 years ago, on May 28, 1908, Ian Lancaster Fleming was born in Mayfair to an eventual member of parliament and his wife. Throughout his life, Fleming would be a journalist, a Naval Intelligence officer, and – the role in which he is most remembered – the author who introduced the world to James Bond.
After World War II, Fleming was demobilized from his position at British Naval Intelligence and began working as a newspaper manager, a job allowing him three months vacation. Fleming, whose ambition had long been to write a spy novel, used those winter months to retreat to Jamaica.
Uneasy about his upcoming wedding to Ann Charteris, who divorced the second Viscount Rothermere after her long-time affair with Fleming was uncovered, Fleming began writing the novel which would become Casino Royale.
The novel’s hero, the dryly named James Bond, was a thinly veiled version of the man Fleming wanted himself to be – and soon became recognized as the man every man wanted to be. Bond was originally supposed to be, in Fleming’s words, “an extremely dull, uninteresting man to whom things happened.” Thus, Fleming chose the most boring name that he could find – James Bond, the American ornithologist who wrote the Birds of the West Indies field guide.
However, this idea for a Hitchcock-style hero was soon discarded in favor of the world-trotting, womanizing super spy who spend his time eating fine French dinners and drinking champagne and cocktails when not masterfully quelling whatever dastardly plans the novel’s villain has in store. Continue reading







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