Tagged: Mob Boss
The Departed: Jack Nicholson’s Seersucker Sport Jacket
Jack Nicholson as Frank Costello in The Departed (2006)
Vitals
Jack Nicholson as Francis “Frank” Costello, sadistic Irish-American mob boss
Boston, Spring 2007
Film: The Departed
Release Date: October 6, 2006
Director: Martin Scorsese
Costume Designer: Sandy Powell
WARNING! Spoilers ahead!
Background
With 12 Academy Award nominations (and three wins), today’s birthday boy Jack Nicholson remains the most-nominated male actor in Oscar history. Following a prolific career that began in the late 1950s, Nicholson delivered one final characteristically intense performance in The Departed (2006), his first—and, given his decades-long retirement from acting, only—collaboration with director Martin Scorsese. Continue reading
The Godfather, Part II: Michael Corleone’s Black Pinstripe Suit
Al Pacino as Michael Corleone in The Godfather Part II (1974)
Vitals
Al Pacino as Michael Corleone, calculating Mafia boss
Washington, D.C., Winter 1959
Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle
WARNING! Spoilers ahead!
Background
Just over a week after its New York City premiere on December 12th, The Godfather Part II was widely released 50 years ago today on December 20, 1974. The follow-up to Francis Ford Coppola’s 1972 epic continued chronicling the ambitions of underworld boss Michael Corleone (Al Pacino) following his ascension to power after the death of his father and the orchestrated murders of his enemies.
By the latter half of Part II, the tension between Michael’s public persona and private life reach a boiling point as he’s faced with the consequences of his ruthlessness. Called to testify in front of a Senate subcommittee investigating organized crime, he maintains composure while defending his reputation—starkly contrasted by the emotionally charged confrontation with his wife Kay (Diane Keaton).
Kay’s revelations about the loss of what would have been their third child strains their already fragile marriage to a pivotal breaking point that underscores Michael’s increasing isolation and the personal cost of his choices. Continue reading
The Godfather Part II: Don Fanucci’s White Suit
Gastone Moschin as Don Fanucci in The Godfather Part II (1974)
Vitals
Gastone Moschin as Don Fanucci, ruthless Black Hand extortionist
New York City, Summer 1917
Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle
WARNING! Spoilers ahead!
Background
Born 95 years ago today on June 8, 1929, Italian actor Gastone Moschin may be most recognizable to audiences around the world for his portrayal of the sinister Don Fanucci in The Godfather, Part II (1974), celebrating its 50th anniversary this year.
Genco Abbandando (Frank Sivero) introduces the young Vito Corleone (Robert De Niro)—and we the audience—to the sneering white-suited gangster as an enforcer for the “Black Hand”, the real-life extortion racket which preyed upon Italian-American immigrants in communities along the eastern seaboard from Boston to New Orleans, where it was linked to the 1890 assassination of police chief David Hennessy.
The Black Hand operated primarily within the United States around the turn of the 20th century, violently threatening victims who ranged from simple shopkeepers to celebrities like tenor Enrico Caruso, who enlisted the help of crusading NYPD Lieutenant Joseph Petrosino. Though Petrosino arrested two men connected with the Caruso threats, he himself would become a victim of Mano Nera when he was fatally shot in March 1909 while undercover in Sicily, investigating the history of brutal criminals he hoped to banish from the United States. The Petrosino murder increased pressure from law enforcement that all but dissolved the Black Hand’s influence by the 1920s, around the time that Prohibition provided the opportunity for younger and more ambitious crooks like “Lucky” Luciano to organize the former Black Hand threads into a structure known alternately as La Cosa Nostra (“Our Thing”) or simply Mafia.
One of the most prominent Black Hand gangsters of this era was the Sicilian-born Ignazio Lupo, known as “Lupo the Wolf” among the neighborhoods he terrorized in New York City’s Little Italy. Lupo was reportedly a direct inspiration for Mario Puzo to craft the character of Don Fanucci who first appeared in the 1969 novel The Godfather before he would be brought to life by Gastone Moschin in the cinematic sequel. Continue reading
The Sopranos: Tony’s Gray Suit and Shirt in the Pilot Episode
James Gandolfini as Tony Soprano on The Sopranos (Episode 1.01)
Vitals
James Gandolfini as Tony Soprano, New Jersey mob chief
North Caldwell, New Jersey, Summer 1998
Series: The Sopranos
Episode: “The Sopranos” (Episode 1.01)
Air Date: January 10, 1999
Director: David Chase
Creator: David Chase
Costume Designer: Juliet Polcsa
WARNING! Spoilers ahead!
Background
The Sopranos premiered 25 years ago tonight, introducing HBO audiences to New Jersey Mafia chief Tony Soprano (James Gandolfini), driven to therapy following stress-induced panic attacks as he attempts to balance family and The Family.
“Written and directed by [David] Chase, the pilot is a hybrid slapstick comedy, domestic sitcom, and crime thriller, with dabs of ’70s American New Wave grit,” conclude Matt Zoller Seitz and Alan Sepinwall in The Sopranos Sessions. “The device of putting the hero in therapy lets Chase deliver reams of information about Tony, his crew, his bosses, his family, and their overlaps, along with the points where Tony’s personal and professional distress are inseparable, all without the usual pilot-episode busy work.” Continue reading
Peter Falk’s Tuxedo in Machine Gun McCain
Peter Falk as Charlie Adamo in Machine Gun McCain (1969)
Vitals
Peter Falk as Charlie Adamo, ambitious gangster
San Francisco and Las Vegas, Summer 1968
Film: Machine Gun McCain
(Italian title: Gli intoccabili)
Release Date: April 1, 1969
Director: Giuliano Montaldo
Costume Designer: Enrico Sabbatini
WARNING! Spoilers ahead!
Background
Born 96 years ago today on September 16, 1927, Peter Falk may be best remembered as the rumpled but indefatigable Lieutenant Columbo (to the extent that his September 16th is also observed as “Wrinkled Raincoat Day”), but Falk spending most of his screen time wearing a handsomely tailored tuxedo in the 1969 Italian crime film Machine Gun McCain illustrates how the Bronx-born actor could clean up well. (And yes, I do plan on writing about Falk’s iconic wardrobe in Columbo someday!)
Released in Italy as Gli intoccabili (translated to “The Untouchables”) and based on the Ovid Demaris novel Candyleg, Machine Gun McCain joins the subject of my prior post as a prime example of poliziottesco, an Italian crime subgenre that emerged during the nation’s violent “Years of Lead” era and typified by corruption, violence, cynicism… and American lead actors. In this case, Falk was joined by his pal and frequent collaborator John Cassavetes, who portrays the eponymous ex-bank robber opposite Falk as gangster Charlie Adamo. Continue reading
The Godfather, Part II: De Niro’s Blue Two-Toned Shirt as Young Vito
Robert De Niro as Vito Corleone in The Godfather, Part II (1974)
Vitals
Robert De Niro as Vito Corleone, née Andolini, Sicilian-born immigrant-turned-gangster
New York City, Summer 1917 to Spring 1920
Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle
WARNING! Spoilers ahead!
Background
On screen legend Robert De Niro’s 80th birthday, today’s post revisits his star-making, Oscar-winning role as the young Vito Corleone in The Godfather, Part II.
Born August 17, 1943, De Niro’s birthday falls the day after the traditional August 16th observance of the Feast of San Rocco—the backdrop of the young Vito’s 1917 assassination of Black Hand extortionist Don Fanucci (Gastone Moschin) that propels his gangland ascension. Continue reading
The Sopranos: The Don Wearing Shorts
James Gandolfini as Tony Soprano on The Sopranos (Episode 2.01: “Guy Walks into a Psychiatrist’s Office…”)
Vitals
James Gandolfini as Tony Soprano, New Jersey mob boss
North Caldwell, New Jersey, Summer 1999
Series: The Sopranos
Episode: “Guy Walks into a Psychiatrist’s Office…” (Episode 2.01)
Air Date: January 16, 2000
Director: Allen Coulter
Creator: David Chase
Costume Designer: Juliet Polcsa
Background
“A Don doesn’t wear shorts.” Yeah, yeah, every fan of The Sopranos knows the story… but after the record-breaking heat last month, I think we can all agree that Tony Soprano would get a pash for that as we head into August.
Tony Soprano’s Mint-and-Black Bowling Shirt in “Members Only”
James Gandolfini as Tony Soprano on The Sopranos (Episode 6.01: “Members Only”)
Vitals
James Gandolfini as Tony Soprano, New Jersey mob boss
New Jersey, Spring 2006
Series: The Sopranos
Episode: “Members Only” (Episode 6.01)
Air Date: March 12, 2006
Director: Tim Van Patten
Creator: David Chase
Costume Designer: Juliet Polcsa
Background
Ten years ago today, James Gandolfini died suddenly of a heart attack after a day spent sightseeing in Rome with his family. To commemorate this brilliant, influential, and beloved actor’s legacy, I want to revisit the style from his iconic, Emmy-winning performance as Tony Soprano.
The two-part final season of The Sopranos begins with “Members Only”, an episode rich with themes that set in place the series’ endgame—with some even citing its title as a significant clue to the finale episode. Despite its gangster characters and depiction of the underworld, The Sopranos was always far more philosophical than just a show about the mob, reflecting on themes of identity, masculinity, and mental health, or, as Tony so eloquently describes to Dr. Melfi (Lorraine Bracco) during this episode’s therapy session:
The circle jerk of life.
Tony Soprano’s Depressed Dad Duds in “Isabella”
James Gandolfini as Tony Soprano on The Sopranos (Episode 1.12: “Isabella”)
Vitals
James Gandolfini as Tony Soprano, depressed New Jersey mob chief
Montclair, New Jersey, Fall 1998
Series: The Sopranos
Episode: “Isabella” (Episode 1.12)
Air Date: March 28, 1999
Director: Allen Coulter
Creator: David Chase
Costume Designer: Juliet Polcsa
WARNING! Spoilers ahead!
Background
Since 1949, May has been observed as Mental Health Awareness Month. The first day of May aligning with the informal BAMF Style observance of “Mafia Monday” feels fortuitous as it was The Sopranos that helped me get more in touch with my own anxiety and depression.
I was starting college when I first watched The Sopranos, just months after the final episode stymied audiences when it cut to black. I had long loved movies like Goodfellas, Casino, and The Godfather, so I was excited when my roommate introduced me to this acclaimed HBO series centered around the mob… and I was instantly intrigued when it pulled me into a deeper exploration of identity, masculinity, and mental health. Tony’s psychiatric treatment with Dr. Melfi helped me recognize symptoms that I thought were just “normal” sadness as brought me to a point where—with the added help of real-life professionals (of course!)—I was more comfortable with healthy expression than repression.
The twelfth episode, “Isabella”, arguably presents Tony Soprano at his lowest point—heavily medicated to the point of hallucination, barely dressing himself, and hardly enough wits to fight back during an attempted assassination as two gunmen corner him on Bloomfield Avenue in Montclair. Continue reading
The Departed: Jack Nicholson’s IRISH T-Shirt
Jack Nicholson as Frank Costello in The Departed (2006)
Vitals
Jack Nicholson as Francis “Frank” Costello, sadistic Irish-American mob boss
Boston, Spring 2007
Film: The Departed
Release Date: October 6, 2006
Director: Martin Scorsese
Costume Designer: Sandy Powell
WARNING! Spoilers ahead!
Background
Happy St. Patrick’s Day, BAMF Style readers!
After decades of cinematic focus on Italian-American culture and its proximity to the Mafia, Martin Scorsese turned his directorial lens onto the Irish mob in The Departed, the film which finally earned the director an Academy Award for Best Director after five previous nominations. Continue reading