Tagged: Musician
Kris Kristofferson’s Brown Suede Jacket as Cisco Pike
Kris Kristofferson on the cover of his 1971 album The Silver Tongued Devil and I, photographed by Baron Wolman the previous year while in costume for Cisco Pike (1973).
Vitals
Kris Kristofferson as Cisco Pike, down-on-his-luck musician and former drug dealer
Venice Beach, California, Fall 1970
Film: Cisco Pike
Release Date: January 14, 1972
Director: Bill L. Norton
Costume Designer: Rosanna Norton
WARNING! Spoilers ahead!
Background
He’s a poet, he’s a picker, he’s a prophet, he’s a pusher, he’s a pilgrim and a preacher and a problem when he’s stoned. He’s a walkin’ contradiction—partly truth and partly fiction—takin’ every wrong direction on his lonely way back home.
In tribute to the late outlaw country icon who died one month ago today at the age of 88, I recently received a great suggestion from a BAMF Style reader to cover the style that Kris Kristofferson wore in Bill L. Norton’s directorial debut Cisco Pike. Continue reading
Stop Making Sense: David Byrne’s Big Suit
David Byrne models the famous “big suit” he introduced in Stop Making Sense (1984)
Vitals
David Byrne, eccentric Talking Heads frontman
Los Angeles, December 1983
Film: Stop Making Sense
Release Date: October 19, 1984
Director: Jonathan Demme
Costume Designer: Gail Blacker
Background
Widely regarded as one of the best concert films ever made, Stop Making Sense was released 40 years ago today on October 19, 1984. Independently produced by Gary Goetzman and directed by Jonathan Demme, Stop Making Sense captures Talking Heads performing over four nights in December 1983 at the Pantages Theater in Los Angeles, during their tour promoting the album Speaking in Tongues.
As the lead singer and chief songwriter, frontman David Byrne defined much of the band’s quirky personality, energetically dancing across the stage and rotating between his Martin D-35 acoustic guitar, sunburst ’63 Fender Stratocaster, and dual-humbucker Roland guitars.
In a 2020 Newsweek interview with Samuel Spencer, Byrne shared that he maintained a cohesive visual effect by “[asking] everyone to wear medium grey outfits, whatever style they preferred (a questionable decision there), but always in medium grey. It worked—this consistency meant the effects of the various lighting cues and gags were more seamless.” However, drummer Chris Frantz had to break from this neutral formula after his laundry wasn’t returned following the first night’s performance, opting for a turquoise-blue polo shirt each night to maintain continuity.
Still, it’s not Frantz’s splash of color that steals the sartorial spotlight in Stop Making Sense. After Tina Weymouth and Frantz perform “Genius of Love” from their side project Tom Tom Club, Byrne rejoins his band on stage ahead of “Girlfriend is Better”, now dressed in an absurdly oversized business suit. Continue reading
Odds Against Tomorrow: Harry Belafonte’s Heist Turtleneck
Harry Belafonte in Odds Against Tomorrow (1959)
Vitals
Harry Belafonte as Johnny Ingram, nightclub entertainer-turned-bandit
Upstate New York, Spring 1959
Film: Odds Against Tomorrow
Release Date: October 15, 1959
Director: Robert Wise
Costume Designer: Anna Hill Johnstone
WARNING! Spoilers ahead!
Background
Today is the first anniversary of Harry Belafonte’s March 1, 1927 birthday since the multi-talented entertainer’s death last April at the age of 96. In addition to a singing career that popularized Calypso music around the world and his tireless activism, Belafonte acted on screen in more than a dozen films spanning over 65 years.
One of Belafonte’s standout performances is also from one of the coolest movies of the 1950s: Odds Against Tomorrow. This Robert Wise-directed film noir features Belafonte as Johnny Ingram, a New York nightclub entertainer whose gambling addiction leads to his recruitment into an upstate bank heist with ex-cop David Burke (Ed Begley) and bigoted career crook Earl Slater (Robert Ryan). Continue reading
Elvis Presley’s White Suit in the ’68 Comeback Special: Reel vs. Real
Elvis Presley’s iconic “If I Can Dream” performance in his 1968 comeback special (left) was recreated on screen by Austin Butler in the 2022 biopic Elvis (right).
Vitals
Austin Butler as Elvis Presley, rock star on the eve of a comeback
Burbank, California, June 1968
Film: Elvis
Release Date: June 23, 2022
Director: Baz Luhrmann
Costume Designer: Catherine Martin
Tailor: Gloria Bava
Original Concept: Bill Belew
Background
Fifty-five years ago tonight, the King signaled his return to glory in the music world when NBC aired Singer Presents… Elvis, now also known as the ’68 Comeback Special.
Despite his start in music, Elvis Presley’s career through much of the ’60s was anchored in movies. There were a few winners among the mix, but the singer’s famously shrewd manager Colonel Tom Parker engineered them closer to formulaic, low-budget comedies that would yield higher profits—particularly when they could be linked to a soundtrack album, an opportunity less possible or profitable with the more dramatic (and often higher-quality) roles that Elvis preferred.
By late 1967, Elvis had grown disenchanted with the programmatic films like Clambake, Double Trouble, and Stay Away, Joe that had led him far from the recording and touring that cemented his colossal popularity in the ’50s. At the same time, Colonel Tom approached NBC with a million-dollar deal to feature Elvis in what would be a holiday special, designed to conclude with the King of Rock and Roll crooning Christmas carols.
Luckily for Elvis, producer Bob Finkel convinced his cohorts and presenting sponsor Singer Corporation to green-light a different concept that focused exclusively on Elvis—intended to connect him with younger audiences and refresh the cultural mindset of Elvis as a groundbreaking rock star and not the tired star of corny comedies. Despite expected resistance from Colonel Tom, Elvis was fully on board with Finkel and director Steve Binder’s renewed vision for the special, which was rehearsed, recorded, and produced through June 1968.
It was during this tumultuous month that Bobby Kennedy was shot and killed in Los Angeles, just two months after Martin Luther King, Jr. was murdered in Memphis. The King assassination particularly troubled Elvis, who “definitely wanted to say something more with his music than a song like ‘Hound Dog’ could express,” as Peter Guralnick wrote in Careless Love: The Unmaking of Elvis Presley. “Binder wanted a musical statement based on [Elvis’] conversations about the assassinations and the discord gripping the country,” wrote Donald Liebenson for Vanity Fair on the 50th anniversary of the special. Binder charged songwriter Walter Earl Brown Jr. to craft “the greatest song you’ve ever written,” which Brown did—overnight.
The next day, Brown played “If I Can Dream” for the core members of the production. After Elvis asked Brown to play it at least six times, he simply stated “We’re doing it,” and the special’s finale was determined. Of course, Finkel knew that “the Colonel will blow his stack. It’s got to be a Christmas song,” and even after Colonel Tom’s initial protest that it “ain’t Elvis’ kind of song,” taste prevailed and “If I Can Dream” became the closing number of Singer Presents… Elvis. Continue reading
Austin Butler as Elvis: Black Suit for a 4th of July Concert
Austin Butler as Elvis Presley in Elvis (2022)
Vitals
Austin Butler as Elvis Presley, country rock guitarist and singer
Memphis, Tennessee, July 4, 1956
Film: Elvis
Release Date: June 23, 2022
Director: Baz Luhrmann
Costume Designer: Catherine Martin
Tailor: Gloria Bava
Background
It doesn’t get much more American than Elvis.
Austin Butler went all out in his performance as the King of Rock and Roll in Baz Lurhmann’s characteristically flamboyant biopic, released last summer. Butler’s performance received particular praise—including endorsements from the Presley family—and Elvis would be nominated for eight Academy Awards, including Best Picture, Best Actor, and Best Costume Design.
Elvis follows Presley’s brief life from boyhood through the various levels of stardom, particularly through the lens of his complicated relationship with his domineering manager, Colonel Tom Parker (Tom Hanks). In the early years of his fame, Presley’s hip-swinging celebration of Black music is shown to so enrage the bigoted establishment that he’s being threatened with legal trouble.
The film presents his July 4, 1956 concert in Memphis as an opportunity for Presley to maintain the cleaned-up “New Elvis” image he had introduced three days early while performing “Hound Dog” on The Steve Allen Show three days earlier, stuffed into a white tie and tails as he crooned to an actual basset hound. Instead, having rediscovered the meaning behind his music among the blues joints on Beale Street, Elvis delivers a sweltering performance of “Trouble”—and lands himself right in it, arrested by the Memphis vice squad when he soundly disobeys being told to not “so much as wiggle a finger.” To avoid prosecution, Colonel Tom devises a plan for Elvis to swap out his blue suede shoes for spit-shined service derbies: “It’s either the Army or jail.”
Except that isn’t quite what really happened. Continue reading
Walk the Line: Johnny Cash in Black for an On-Stage Engagement
Joaquin Phoenix and Reese Witherspoon in Walk the Line (2005). Photo credit: Suzanne Tenner.
Vitals
Joaquin Phoenix as Johnny Cash, country rock star
London, Ontario, February 1968
Film: Walk the Line
Release Date: November 18, 2005
Director: James Mangold
Costume Designer: Arianne Phillips
Tailor: Pam Lisenby
Background
Fifty-five years ago on February 22, 1968, Johnny Cash surprised both the audience and perhaps also his frequent performing partner, June Carter, by proposing to her in the middle of a performance in London, Ontario. The pair had been friends—and eventually lovers—for nearly a decade, as depicted in the 2005 biopic Walk the Line, which culminated with Cash’s on-stage proposal following their performance of “Ring of Fire”, the song June had composed with Merle Kilgore four years earlier to meditate on her own emotions about their relationship. Continue reading
Austin Butler as Elvis: Pink-and-Black Rockabilly Suit
Austin Butler as Elvis Presley in Elvis (2022)
Vitals
Austin Butler as Elvis Presley, country rock guitarist and singer
Shreveport, Louisiana, January 1955
Film: Elvis
Release Date: June 23, 2022
Director: Baz Luhrmann
Costume Designer: Catherine Martin
Tailor: Gloria Bava
Background
Elvis Presley was born 88 years ago today on January 8, 1935. Little introduction is needed for the King of Rock and Roll, who remains one of the most significant cultural figures of the last century even nearly 50 years after this death. Several movies have been made about Presley’s life and musical career, the most recent being the highly publicized Elvis, released last year with an astounding and immersive lead performance by Austin Butler that has been touted as a likely contender for an Academy Award. Continue reading
The Godfather: Johnny Fontane’s Cream Silk Suit
Al Martino as Johnny Fontane in The Godfather (1972)
Vitals
Al Martino as Johnny Fontane, down-on-his-luck crooner
Long Island, New York, Summer 1945
Film: The Godfather
Release Date: March 14, 1972
Director: Francis Ford Coppola
Costume Designer: Anna Hill Johnstone
Background
Today in 1927, Al Martino was born in Philadelphia to two Italian immigrants from Abruzzo, the same southern Italian region from which much of my family hails. Following his U.S. Navy service during World War II, the singer began earnestly following his career in entertainment. Twenty years after his first single, “Here in My Heart”, reached #1 in the U.S. Billboard and UK Singles charts, Martino joined the cast of The Godfather as Johnny Fontane, an Italian-American crooner whose early career parallels that of Martino’s contemporary Frank Sinatra. Continue reading
Johnny Cash on Columbo
Johnny Cash as Tommy Brown on Columbo (Episode 3.07: “Swan Song”)
Vitals
Johnny Cash as Tommy Brown, homicidal gospel singer
From Bakersfield to Los Angeles, Spring 1974
Series: Columbo
Episode: “Swan Song” (Episode 3.07)
Air Date: March 3, 1974
Director: Nicholas Colasanto
Credited by: Richard Levinson & William Link
Background
Johnny Cash was born 90 years ago today on February 26, 1932. Following more than a decade and a half of country hits, the Man in Black riffed on his own image as the villainous guest star in the penultimate episode of Columbo‘s third season, airing just a week after his 42nd birthday. Continue reading
Paul Newman in Paris Blues
Paul Newman and Joanne Woodward, filming Paris Blues (1961)
Vitals
Paul Newman as Ram Bowen, temperamental jazz trombonist
Paris, Fall 1960
Film: Paris Blues
Release Date: September 27, 1961
Director: Martin Ritt
Background
On this day in 1958, one of the most legendary marriages in Hollywood history began when Paul Newman and Joanne Woodward tied the knot in Las Vegas, three days after his 33rd birthday. The two had met earlier that decade during a Broadway production of Picnic and reunited while filming The Long, Hot Summer for director Martin Ritt. Newman and Woodward would co-star in several subsequent movies together, but their next collaboration with their ostensible “matchmaker” Ritt was Paris Blues, adapted from Harold Flender’s 1957 novel of the same name.
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