Tagged: Penny Loafers
Michael Caine’s Olive Sweater as Alfie
Michael Caine as Alfie Elkins in Alfie (1966)
Vitals
Michael Caine as Alfie Elkins, charming part-time car service driver and full-time cad
Middlesex, England, Summer 1965
Film: Alfie
Release Date: March 24, 1966
Director: Lewis Gilbert
Wardrobe Supervisor: Jean Fairlie
Background
During his stay in a convalescent home earlier in the movie, Alfie Elkins (Michael Caine) befriended Harry Clamacraft (Alfie Bass, hey his name actually is Alfie!). Alfie later returns to visit Harry, who requests that Alfie give a ride to his tired-looking wife Lily (Vivien Merchant) in his Rolls-Royce.
The reluctant ride turns into a summertime seduction as Alfie and Lily make a fateful stop for “a nice cup of tea.” Continue reading
Don Draper’s Navy Weekend Sportcoat
Jon Hamm as Don Draper in “Marriage of Figaro”, Episode 1.03 of Mad Men.
Vitals
Jon Hamm as Don Draper, mysterious ad exec and suburban dad
Ossining, New York, April 1960
Series: Mad Men
Episode: “Marriage of Figaro” (Episode 1.03)
Air Date: August 2, 2007
Director: Ed Bianchi
Costume Designer: Janie Bryant
Background
In addition to Mad Men‘s first mention of Dick Whitman, “Marriage of Figaro” includes a snazzy casual outfit for a slick spring weekend in the suburbs.
The first two episodes certainly hinted at the deep layers lurking beneath the man first introduced to us as Don Draper, but it is “Marriage of Figaro” that breaks Mad Men‘s ground in exploring our ostensible protagonist’s isolation and loneliness… a quality that Emily VanDerWerff of The AV Club described as “his essential unhappiness.” Continue reading
Michael Corleone’s Tan Check Suit and Day Cravat in Havana
Al Pacino as Michael Corleone in The Godfather Part II (1974).
Vitals
Al Pacino as Michael Corleone, cold and calculating Mafia boss
Havana, December 1958
Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle
Background
Get into a smooth, summer relaxation mood for this Mafia Monday post that takes a look at Michael Corleone’s style for Hyman Roth’s birthday party in Havana… an appropriately timed post as my dad just returned from a trip to Cuba. (Yes, he brought back some Cohibas!)
What’d He Wear?
For all of his power and prestige, Michael Corleone has a considerably limited wardrobe, designed by the legendary Theadora Van Runkle (Bonnie and Clyde, Bullitt, and The Thomas Crown Affair are all among her repertoire.)
Michael makes good use of his four unique suits in The Godfather Part II, sometimes wearing a three-piece suit without a vest or, as we see in this case, adopting a more luxuriously casual look by swapping out the shirt and tie for a soft polo and a day cravat.
Although it appears a flat tan at the outset, this fully cut two-piece suit consists of a fine tan and cream plain weave glen check with teal blue on the outer check to create a teal windowpane effect throughout. Continue reading
Rebel Without a Cause – Jim’s Fleck Jacket and 1949 Mercury
James Dean as Jim Stark in Rebel Without a Cause (1955).
Vitals
James Dean as Jim Stark, confused suburban high school student and loner
Los Angeles, Spring 1956
Film: Rebel Without a Cause
Release Date: October 27, 1955
Director: Nicholas Ray
Costume Designer: Moss Mabry
Background
Car Week concludes with a look at one of the most iconic drivers to ever speed across the silver screen: James Dean.
In Rebel Without a Cause, the second of Dean’s three credited films as an actor, Dean played the archetypical angsty teen Jim Stark. After a drunkenly difficult Easter Sunday that landed him in some hot water with the local fuzz, Jim begins his first day at Dawson High School and finds himself also at odds with most of his fellow students – particularly a bully who is, of course, named Buzz.
During a field trip that day to the Griffith Observatory overlooking the city, Jim further antagonizes his new enemies by… uh… existing? Buzz isn’t a very understanding sort of person.
After slashing the tires of Jim’s ’49 Mercury coupe and trying to get a knife fight going, Buzz challenges him to a “chickie run” at Millertown Bluff, setting the stage for the film’s climactic stolen car race. Continue reading
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