Tagged: Star Model B

Steve McQueen Robs a Bank in The Getaway

Steve McQueen as Carter "Doc" McCoy in The Getaway (1972).

Steve McQueen as Carter “Doc” McCoy in The Getaway (1972).

Vitals

Steve McQueen as Carter “Doc” McCoy, Texas bank robber and parolee

Texas, Spring 1972

Film: The Getaway
Release Date: December 13, 1972
Director: Sam Peckinpah
Men’s Costumer: Kent James

WARNING! Spoilers ahead!

Background

If nothing else, I hope that this blog has served the purpose of further informing the world as to just how cool Steve McQueen is. If life should throw enough lemons at you that you decide your only way to succeed is to rob a bank, at least do it in style and follow Steve’s example.

McQueen plays Carter “Doc” McCoy, a paroled bank robber who teams up with his wife Carol (Ali MacGraw) and a few cronies to take down a Texas bank and line the pockets of a crooked political boss. The film is an excellent piece of ’70s action drama, full of twists, double-crosses, and Sam Peckinpah’s trademark violence. Continue reading

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Three Days of the Condor

Robert Redford in Three Days of the Condor (1975)

Robert Redford in Three Days of the Condor (1975)

Vitals

Robert Redford as Joe Turner, alias “Condor”, CIA researcher

New York City, December 1975

Film: Three Days of the Condor
Release Date: September 24, 1975
Director: Sydney Pollack
Costume Designer: Joseph G. Aulisi

Background

In a July 2012 article of GQ, Sydney Pollack’s masterpiece paranoia government thriller Three Days of the Condor was named one of “The 25 Most Stylish Films of All Time.” Pollack apparently was shocked by questions about the wardrobe worn by Robert Redford, saying “He wore one outfit through the whole picture!”

True as that may be, Redford’s versatile costume throughout fits the character of a desk-bound ex-military bookworm who finds himself in dangerous circumstances despite a relatively non-dangerous job with the CIA.

Redford pulls off a great classic fall look and, despite lapels and collars dangerously close to disco-style widths, manages to not look overly dated – not an easy task given that the film was made in 1975, and no era dated itself as much as the 1970s. Continue reading