Tagged: Tweed Suits and Jackets
Gregory Peck’s Tweed in The Snows of Kilimanjaro
Vitals
Gregory Peck as Harry Street, adventurous American expatriate writer and former newspaper reporter
Paris, Spring 1925
Film: The Snows of Kilimanjaro
Release Date: September 17, 1952
Director: Henry King
Wardrobe Supervisor: Charles Le Maire
Background
The snowy month of January—and my shared half-birthday with Ernest Hemingway on the 21st—makes today a perfect time to look at Gregory Peck’s style in The Snows of Kilimanjaro, the first of Henry King’s two adaptations of Papa’s work that would star Ava Gardner and Peck’s second go at playing a Hemingway protagonist.
New Girl – Nick’s Holiday Party Tweed for “The 23rd”
Vitals
Jake Johnson as Nick Miller, grumpy bartender
Los Angeles, December 23, 2010 (“Christmas Eve Eve“)
Series: New Girl
Episode: “The 23rd” (Episode 1.09)
Air Date: December 13, 2011
Director: Jason Winer
Creator: Elizabeth Meriwether
Costume Designer: Debra McGuire
Background
Nick: All dressed up. What, are you in The Temptations tonight?
Winston: That’s so cute, Nick, you’re intimidated by my style. But one of us is walking out of here with a job.
Nick Miller is easily the least fashion-conscious of the dwellers of the 4D loft. Between Winston Bishop (Lamorne Morris) with his colorful printed “bird shirts” to the materialistic Schmidt (Max Greenfield), who is obsessive about his tailoring and whose heart could be won over by a pair of gray Calvin Klein slacks, Nick is the most content to roll out of bed in a stained henley shirt and unwashed sweatpants before heading straight to work at his bar. Continue reading
It’s a Wonderful Life: Jimmy Stewart’s Sporty Tweed Suit
Vitals
James Stewart as George Bailey, newlywed banker
Bedford Falls, NY, fall 1932 through spring 1934
Film: It’s a Wonderful Life
Release Date: December 20, 1946
Director: Frank Capra
Costume Designer: Edward Stevenson
Background
Although the film takes place over the course of one man’s whole life, It’s a Wonderful Life has earned a comfortable home among nostalgic holiday cinema. The man in question, George Bailey (James Stewart), spends a depressing Christmas Eve questioning his existence… prompting a visit from his guardian angel to remind him of the titular wonderful life that he has led.
Yesterday, Today and Tomorrow: Renzo and the Rolls

Marcello Mastroianni as Renzo with a 1963 Rolls-Royce in Yesterday, Today and Tomorrow (Ieri, oggi, domani) (1963)
Vitals
Marcello Mastroianni as Renzo, Italian writer
Milan, Italy, October 1963
Film: Yesterday, Today and Tomorrow
(Italian title: Ieri, oggi, domani)
Release Date: December 19, 1963
Director: Vittorio De Sica
Costume Designer: Piero Tosi
Background
Car Week continues with a focus on a classic Italian comedy released 55 years ago this month.
After four movies together in the 1950s, Marcello Mastroianni and Sophia Loren reteamed in 1963 for Vittorio De Sica’s Yesterday, Today and Tomorrow—released in Italy as Ieri, oggi, domani—a stylish anthology about life, love, and lust. The film is split into three segments that each star Loren and Mastroianni as a different couple.
The second segment, “Anna”, is the shortest of the three and stars Loren as an industrialist’s glamorous wife—dressed to the nines in Christian Dior—as she is forced to choose between her husband’s Rolls-Royce and her unassuming lover Renzo (Mastroianni).
The V.I.P.s: Louis Jourdan’s Tweed Jacket
Vitals
Louis Jourdan as Marc Champselle, “a gigolo… a buffoon… a professional diner-outer… a notorious sponger!”
Heathrow Airport, London, Winter 1963
Film: The V.I.P.s
(also released as Hotel International)
Release Date: September 19, 1963
Director: Anthony Asquith
Costume Designer: Pierre Cardin (uncredited)
Background
Happy December! For the first month of winter in the Northern Hemisphere, we look to the stylish 1963 film The V.I.P.s, a cinematic celebration of jet-age luxury starring an impressive international cast as a group of travelers stranded at London’s Heathrow Airport and the neighboring Hotel International for a cold but passionate January night.
Indiana Jones’ Tweed Jacket for Dinner
Vitals
Harrison Ford as Indiana Jones, adventurer and archaeology professor
India, Summer 1935
Film: Indiana Jones and the Temple of Doom
Release Date: May 23, 1984
Director: Steven Spielberg
Costume Designer: Anthony Powell
Background
A memorable scene in Indiana Jones and the Temple of Doom finds the titular archaeologist and his two newly introduced companions, Willie Scott (Kate Capshaw) and Short Round (Ke Huy Quan), invited to a banquet at Pankot Palace hosted by the young Majarajah Zalim Singh (Raj Singh). The trio doesn’t take warmly to the feast, which includes such delicacies as “snake surprise” and chilled monkey brains.
One of my favorite aspects of Indiana Jones and the Temple of Doom is the alternative costumes that Indy sports when not in his signature leather jacket and fedora. In addition to a Casablanca-inspired (but ’80s-executed) white dinner jacket at the film’s outset, Indy uses this dinner as an opportunity to dress up his usual bush shirt and “pinks” trousers by donning a tweed sport jacket and bow tie.
Lee Marvin’s Plaid Tweed Sport Jacket in Point Blank
Vitals
Lee Marvin as Walker, revenge-driven armed robber
Santa Monica, Summer 1967
Film: Point Blank
Release Date: August 30, 1967
Director: John Boorman
Costume Designer: Margo Weintz
Background
With the first day of autumn only a day away, we’re looking ahead to fall fashion from a tough guy. In John Boorman’s 1967 neo-noir Point Blank, Lee Marvin starred as Walker, the unsmiling thief out for revenge after he was left for dead on Alcatraz Island by his one-time partner Mal Reese (John Vernon).
Having patched up his wounds, Walker seeks out the help of his sister-in-law Chris (Angie Dickinson), who agrees to lend her own particular brand of charm to assist Walker in retrieving the $93,000 he believes he is rightfully owed. Continue reading
James Garner as Marlowe: Gray Tweed Jacket
Vitals
James Garner as Philip Marlowe, cynical private detective
Los Angeles, Spring 1969
Film: Marlowe
Release Date: October 22, 1969
Director: Paul Bogart
Costume Design: Florence Hackett & James Taylor
Background
Save for a single season of a loosely adapted ABC TV series, he character of Philip Marlowe had gone more than two decades without a cinematic portrayal at the time Marlowe was released in 1969. Directed by the appropriately named Paul Bogart (no relation), this adaptation of Raymond Chandler’s 1949 pulp novel The Little Sister updated the setting to contemporary Los Angeles.
James Garner took some criticism for his take on the famous private eye, but I think the likable actor’s vulnerable sincerity works for his interpretation of Chandler’s anti-hero. Continue reading
The Quiet Man: John Wayne’s Tweed Jacket
Vitals
John Wayne as Sean Thornton, Irish-American former prizefighter
Inisfree, Ireland, spring during the 1920s
Film: The Quiet Man
Release Date: July 21, 1952
Director: John Ford
Costume Designer: Adele Palmer
Background
John Ford’s cinematic love letter to his ancestral home remains a perennial St. Patrick’s Day favorite, even if it is a somewhat overly sanitized depiction of Irish life in the 1920s. As Duke’s outfit from The Quiet Man has been requested by at least three different BAMF Style readers over the last few years, I couldn’t imagine a better time to feature it than on St. Patrick’s Day weekend.
Based on a 1933 short story by Maurice Walsh, The Quiet Man stars Ford’s favorite actor John Wayne as Sean Thornton, a former boxer from Pittsburgh who is returning home to reclaim his family’s land in Ireland. Continue reading
Kingsman: The Secret Service – Jack Davenport as Lancelot
Vitals
Jack Davenport as James Spencer, aka “Lancelot”, smooth British agent
Argentina, Winter 2014
Film: Kingsman: The Secret Service
Release Date: January 29, 2015
Director: Matthew Vaughn
Costume Designer: Arianne Phillips
WARNING! Spoilers ahead!
Background
James Spencer, aka “Lancelot” (Jack Davenport), is introduced to audiences in the manner one would expect of a story’s hero. He transitions between dry wit and superhuman agility as he deftly takes out a room full of assassins in his attempt to rescue Professor James Arnold (Mark Hamill) from his kidnappers.
The vignette concludes with a Lancelot in the traditional pose of an action hero, gun up and smirking while on bended knee… Continue reading









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