Tagged: Warren Beatty
Heaven Can Wait: Warren Beatty’s Gray Sweats
Vitals
Warren Beatty as Joe Pendleton, ill-fated quarterback
Los Angeles, Fall 1977
Film: Heaven Can Wait
Release Date: June 28, 1978
Directed by: Warren Beatty & Buck Henry
Costume Designer: Richard Bruno
WARNING! Spoilers ahead!
Background
Warren Beatty and Elaine May collaborated on the screenplay for this cool and charming retelling of Harry Segall’s original play Heaven Can Wait, which was first adapted for the screen in the 1940s as Here Comes Mr. Jordan. The 1978 film retains Segall’s original title, re-imagining our hero Joe Pendleton as a football player, specifically a skilled backup quarterback for the Los Angeles Rams who looks forward to leading his team to the Super Bowl. Despite taking great care of his physique through exercise and meals like his liver-and-whey shake, Joe can’t avoid catastrophe when a reckless van driver crashes into his bicycle.
Joe wakes up in the clouds with his soprano sax in hand, escorted by a bespectacled guardian angel (Buck Henry) into the afterlife. Believing he’s merely dreaming, Joe performs a coin trick (“the only trick I know!”) and some impromptu push-ups while the escort’s supervisor, the urbane Mr. Jordan (James Mason), intervenes to try to urge Joe’s cooperation—until he determines that the overzealous escort fumbled his first assignment by extracting Joe from his earthly body too soon, as the late Mr. Pendleton wasn’t scheduled to die for another half-century, surviving until 10:17 a.m. PDT on March 20, 2025.
R.I.P., Joe! Continue reading
Heaven Can Wait: Warren Beatty’s Leather Jacket
Vitals
Warren Beatty as Joe Pendleton, L.A. Rams quarterback
Los Angeles, February 1978
Film: Heaven Can Wait
Release Date: June 28, 1978
Directed by: Warren Beatty & Buck Henry
Costume Designer: Richard Bruno
WARNING! Spoilers ahead!
Background
Ahead of the Super Bowl this weekend, one of the movies that the big game always brings to mind for me is Heaven Can Wait, Warren Beatty and Buck Henry’s 1978 remake of Harry Segall’s 1930s play of the same name, which had already been adapted for the screen in 1941 as Here Comes Mr. Jordan.
Beatty stars as Joe Pendleton, an affably simple-minded backup quarterback for the Los Angeles Rams whose sole ambition is to lead his team to the Super Bowl. Continue reading
Warren Beatty’s Brown Trucker Jacket in The Parallax View
Vitals
Warren Beatty as Joe Frady, maverick political reporter
Seattle and Los Angeles, Spring 1974
Film: The Parallax View
Release Date: June 14, 1974
Director: Alan J. Pakula
Costume Designer: Frank L. Thompson
Background
The Parallax View was released 50 years ago today on Flag Day 1974—an appropriate observance for this second of Alan J. Pakula’s trio of politically themed paranoid thrillers that also included Klute (1971) and All the President’s Men (1976).
Warren Beatty provides one of the arguably best performances of his career as Joe Frady, an investigative reporter for an Oregon newspaper who is tipped to a deadly political conspiracy by ex-girlfriend Lee Carter (Paula Prentiss) shortly before she too died under questionable circumstances attributed to a drug overdose. At a time when, in Joe’s words, “every time you turned around, some nut was knockin’ off one of the best men in the country,” Lee witnessed the assassination of a presidential hopeful three years earlier. Continue reading
Bonnie and Clyde (1967): Warren Beatty’s “Air Ties” and Vests
Vitals
Warren Beatty as Clyde Barrow, Depression-era bank robber and gang leader
Across the American South and Midwest, Spring 1932 to 1934
Film: Bonnie & Clyde
Release Date: August 13, 1967
Director: Arthur Penn
Costume Designer: Theadora Van Runkle
Background
Ninety years ago today on the morning of May 23, 1934, a light-gray Ford V-8 sedan traveling northeast on a rural Louisiana highway slowed as it approached a truck stopped by the side of the road. Suddenly, volleys of rifle fire peppered the car, obliterating the young couple in the front seat. After an estimated 167 rounds were fired, a half-dozen lawmen emerged from their ambush positions and approached the Ford, in which wanted outlaws Bonnie Parker and Clyde Barrow were now unquestionably dead.
Despite their bloody crime spree that left at least a dozen men dead, Bonnie and Clyde captivated the fascination of a Depression-era public that often celebrated the exploits of contemporary outlaws like John Dillinger and “Pretty Boy” Floyd. The scrappy couple was hardly as criminally capable as their fellow “Public Enemies”, but Clyde’s remarkable ability to escape police traps and Bonnie’s frequent involvement added a romantic element that made them a newspaper favorite, especially after the discovery of undeveloped photos depicting the Barrow gang at play, including Bonnie smoking one of Clyde’s cigars—crafting a public image she would greatly resent—and holding him at gunpoint with one of the gang’s cut-down shotguns.

Among the many photos found at the gang’s abandoned Joplin, Missouri hideout after an April 1933 gunfight was this snapshot of Clyde and Bonnie in front of one of their many stolen Ford V-8 coupes, likely photographed earlier that year by their teenage gang member W.D. Jones. In the 1967 film Bonnie & Clyde, Warren Beatty and Faye Dunaway posed in a similar manner, but this reenactment didn’t make the final cut.
The frequent news coverage during their lifetime ensured that Bonnie and Clyde wouldn’t be quickly forgotten after their deaths, inspiring a string of “couple of the run” crime movies like You Only Live Once (1937) and the films noir They Live By Night (1948) and Gun Crazy (1950). The couple’s story formed the basis for the highly fictionalized The Bonnie Parker Story, an exploitative 1958 quickie from American International Pictures starring Dorothy Provine as the “cigar-smoking hellcat of the roaring thirties” and Jack Hogan as her simping partner-in-crime, uh, “Guy Darrow”.
The outlaw couple would be immortalized on screen after the release of Bonnie & Clyde in 1967, produced by Warren Beatty who also starred as Clyde opposite newcomer Faye Dunaway as a redoubtable Bonnie Parker. Continue reading
Warren Beatty’s White Suit in Reds
Vitals
Warren Beatty as John Silas “Jack” Reed, radical journalist and activist
Provincetown, Massachusetts, Summer 1916
Film: Reds
Release Date: December 4, 1981
Director: Warren Beatty
Costume Designer: Shirley Ann Russell
Background
Whether it’s because Labor Day is considered by some sartorial purists to be the last acceptable day for wearing summer whites or because the holiday originated to recognize the American labor movement, it feels appropriate for today’s post to explore Warren Beatty’s off-white summer suit as labor activist Jack Reed in his 1981 historical epic Reds.
Reds won three of the 12 Academy Awards for which it was nominated, including Beatty for Best Director, Maureen Stapleton for Best Supporting Actress, and Vittorio Storaro for Best Cinematography, though it had also been nominated for Best Picture and—of significant interest for this blog’s focus—Best Costume Design. Continue reading
Warren Beatty in McCabe and Mrs. Miller
Vitals
Warren Beatty as John McCabe, enterprising gambler and pimp
Presbyterian Church, Washington, Fall to winter 1902
Film: McCabe & Mrs. Miller
Release Date: June 24, 1971
Director: Robert Altman
Wardrobe Credit: Ilse Richter
WARNING! Spoilers ahead!
Background
There are moments every January where I envy the idiosyncratic wardrobe of John McCabe, warmly swaddled in hefty furs as he trots into the humble hamlet of Presbyterian Church, Washington, scored by Leonard Cohen’s mournful baritone.
One of the most prolific pioneers of the “New Hollywood” movement that began in the 1960s, Robert Altman followed up his maverick success with MASH (1970) and his artistic experiment with Brewster McCloud (1970) by setting his sights on one of the most venerated genres in American cinema. Altman and Brian McKay adapted a 1959 novel by Edmund Naughton to deliver McCabe & Mrs. Miller, which the director would ultimately deem an “anti-Western” for its subversion of genre conventions and expectations. Continue reading
Warren Beatty as Dick Tracy
Vitals
Warren Beatty as Dick Tracy, square-jawed detective
“Homeville”, December 1938
Film: Dick Tracy
Release Date: June 15, 1990
Director: Warren Beatty
Costume Designer: Milena Canonero
Background
Ninety years ago today on Sunday, October 4, 1931, Chester Gould’s comic strip Dick Tracy premiered in the Detroit Mirror, introducing the world—or at least Detroit—to the determined detective in his trademark yellow coat.
Despite the strip’s longevity and popularity, attempts to adapt it for the screen never came into fruition for nearly six decades until the blockbusting success of Tim Burton’s Batman in 1989 proved to studios there a profitable market for comic book adaptations. Bringing Dick Tracy to Hollywood became a passion project for Warren Beatty, who starred as the title character as well as producing, directing, and attracting a cavalcade of stars to portray the colorful—and colorfully dressed—figures of the mysterious Chicago-like city where Tracy faced off against gangsters and gun molls.
Warren Beatty’s Blue Levi’s Jacket in The Parallax View
Vitals
Warren Beatty as Joe Frady, maverick political reporter
Rural Washington state, Spring 1974
Film: The Parallax View
Release Date: June 14, 1974
Director: Alan J. Pakula
Costume Designer: Frank L. Thompson
Background
Happy birthday to Warren Beatty, born 84 years ago today on March 30, 1937. A rising star through the ’60s, Beatty established himself as a forced to be reckoned with when he spearheaded production of Bonnie & Clyde in 1967, not only starring in but producing the acclaimed gangster film. Following his innovative success with Bonnie & Clyde, Beatty slowed down his career to only occasional movies, frequently going several years without acting while putting much of his energy into political activism and—more notoriously—dating his way through many of Hollywood’s hottest before marrying Annette Bening after the two co-starred in Bugsy.
One of Beatty’s most notable post-Bonnie & Clyde films was The Parallax View, the second in a trio of Alan J. Pakula’s paranoid political thrillers of the ’70s. Continue reading
Bugsy’s Houndstooth Sports Coat
Vitals
Warren Beatty as Benjamin “Bugsy” Siegel, “celebrity” gangster and casino builder
Los Angeles, Spring 1945 and Las Vegas, Fall 1946
Film: Bugsy
Release Date: December 13, 1991
Director: Barry Levinson
Costume Designer: Albert Wolsky
WARNING! Spoilers ahead!
Background
Everybody deserves a fresh start once in a while.
At least three times while wearing this outfit alone, Warren Beatty’s Bugsy Siegel pontificates on the power of fresh starts. While the real Siegel may not have been quite as forgiving, Beatty plays him with the actor’s characteristic charisma to better communicate to audiences how a violent gangster could have charmed the stars of “golden age” Hollywood.
Bugsy’s Checked Jacket and Mint Green Shirt
Vitals
Warren Beatty as Benjamin “Bugsy” Siegel, “celebrity” gangster and casino builder
Los Angeles, Spring 1945
Film: Bugsy
Release Date: December 13, 1991
Director: Barry Levinson
Costume Designer: Albert Wolsky
WARNING! Spoilers ahead!
Background
BAMF Style goes green for the first #MafiaMonday after St. Patrick’s Day!
We catch up with Ben “don’t-call-him-Bugsy” Siegel in the middle of realizing his dream – the Flamingo Hotel and Casino and, by extension, Las Vegas. Continue reading










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