Category: Bond Style
Bond Style: Poolside Terry Cloth in Goldfinger
Sean Connery as James Bond in Goldfinger (1964)
(Photo sourced from thunderballs.org)
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Sean Connery as James Bond, British government agent
Miami Beach, Summer 1964
Film: Goldfinger
Release Date: September 18, 1964
Director: Guy Hamilton
Wardrobe Supervisor: Elsa Fennell
WARNING! Spoilers ahead!
Background
Happy birthday, Sean Connery! On his 90th birthday, let’s take a look at one of the Scottish legend’s most talked-about (and controversial) outfits as James Bond… and see how it can be updated for the modern Bond style enthusiast catching some late summer rays or rubdowns by the pool.
You Only Live Twice: Bond’s Gray Herringbone Suit in Aki’s Toyota
Sean Connery as James Bond in You Only Live Twice (1967)
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Sean Connery as James Bond, British government agent presumed dead
Tokyo, Summer 1966
Film: You Only Live Twice
Release Date: June 13, 1967
Director: Lewis Gilbert
Wardrobe Master: Eileen Sullivan
Tailor: Anthony Sinclair
WARNING! Spoilers ahead!
Background
Welcome to Japan, Mr. Bond.
Sean Connery’s fifth film as James Bond was the first of the franchise to considerably depart from Ian Fleming’s source novel, though it retains the title, the basic plot line and characters, and the Japanese setting. In fact, while most Bond films are continent-hopping travelogues, Japan hosts the majority of the action in You Only Live Twice aside from the pre-credits sequence, set in Hong Kong where Bond is ostensibly murdered.
Of course, it’s hardly a spoiler to reveal that the assassination is a ruse to fool Bond’s enemies into thinking he is out of the picture while the agent himself lives to die another day… in fact, you could say he lived twice! Presumed dead by his enemies after his burial at sea, Bond is free to be sent to Japan to investigate a mysterious spacecraft that has seemingly landed in the Sea of Japan. Bond soon makes contact with his lovely ally Aki (Akiko Wakabayashi), who drives him around Tokyo in a sporty Toyota 2000GT that had been customized by the production to accommodate Sean Connery’s height.
I had long wanted to cover this sequence as I love Bond’s tailoring, Aki’s Toyota, and the trio of drinks he imbibes with varying degrees of satisfaction, but it felt particularly appropriate to write about for a #CarWeek post this 00-7th of July given James Bond’s safe pro-masking message…
The face mask may just be a disguise, but extra points for covering both nose and mouth, Mr. Bond.
Timothy Dalton’s Shawl-Collar Dinner Jacket in The Living Daylights
Timothy Dalton as James Bond in The Living Daylights (1987). Source: thunderballs.org.
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Timothy Dalton as James Bond, British government agent
Bratislava, Fall 1986
Film: The Living Daylights
Release Date: June 27, 1987
Director: John Glen
Costume Designer: Emma Porteous
Costume Supervisor: Tiny Nicholls
Background
Happy birthday to Timothy Dalton, born 74 years ago today on March 21, 1946! To celebrate the Welsh actor’s birthday, I want to revisit Dalton’s debut as James Bond, bringing a serious, Ian Fleming-influenced approach two decades before Daniel Craig would approach the role in a similar manner.
Dalton had long been a contender for the role, turning it down twice due to his youth when the filmmakers sought a replacement for Sean Connery and then for George Lazenby. When it was unclear if Roger Moore would return for his trio of 007 films in the ’80s, Dalton’s name came up each time, but it wasn’t until Pierce Brosnan was contractually obligated to turn down the role to return to Remington Steele in 1986 that a pathway was finally opened for Dalton, then 40 years old and seasoned enough to play the agent, to slip into Bond’s finely tailored dinner jacket for The Living Daylights. Continue reading
Bond Style: Charcoal Suit for Air Travel in Goldfinger
Sean Connery as James Bond in Goldfinger (1964)
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Sean Connery as James Bond, British government agent
en route Washington, D.C., Fall 1964
Film: Goldfinger
Release Date: September 18, 1964
Director: Guy Hamilton
Tailor: Anthony Sinclair
Wardrobe Supervisor: Elsa Fennell
WARNING! Spoilers ahead!
Background
Following up on Saturday’s post about Frank Sinatra’s jet-setting style in the early ’60s, let’s see how a contemporary style icon dressed for a private flight of his own. As it’s the first 00-7th of the month in 2020, it seems only appropriate to check in with the first James Bond—Sean Connery! (Barry Nelson notwithstanding.)
Bond’s Leather Coat and Aston Martin in The Living Daylights
Timothy Dalton poses with an Aston Martin V8 as James Bond in The Living Daylights (1987)
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Timothy Dalton as James Bond, British government agent
Bratislava to Vienna, Winter 1986
Film: The Living Daylights
Release Date: June 27, 1987
Director: John Glen
Costume Designer: Emma Porteous
Costume Supervisor: Tiny Nicholls
Background
For a wintry #CarWeek post on the 00-7th of December, let’s look back to Timothy Dalton’s first—and best, in my opinion—adventure as James Bond in The Living Daylights, adapted and greatly expanded from Ian Fleming’s short story of the same name, though the primary plot of Fleming’s story is used up during the pre-credits defection sequence.
After noticing that reportedly a KGB sniper was a beautiful blonde cellist during the opening defection, Bond returned to Bratislava to meet the woman, Kara Milovy (Maryam D’Abo), in person. He persuades her to accompany him to Vienna, evading and eventually out-driving their KGB pursuers in 007’s tricked-out Aston Martin, which had been “winterized” and loaded with gadgets by Q (Desmond Llewelyn), MI6’s esteemed and exhausted quartermaster.
Why James Bond?
On the 00-7th of November with six months until the release of No Time to Die, I’m briefly diverting from my usual content and hope that you’ll forgive a brief, somewhat personal essay reflecting on the relevance of James Bond’s style
Roger Moore and Britt Ekland in his second film as James Bond, The Man with the Golden Gun (1974)
The first James Bond movie I had ever seen was The Man with the Golden Gun. I was at my friend Nate’s tenth birthday party, a month shy of turning 10 myself, and the entire group of about a half-dozen adolescents were transfixed for two hours by the increasingly grainy VHS from Blockbuster that took us to an escapist world of wit, style, thrills, and Britt Ekland in a bikini. I had certainly been familiar with Bond before that, as the agent had been part of pop culture for nearly four decades before I first saw Roger Moore’s sophomore adventure in late June of 1999.
The next three years, my budding interest in menswear would continue to develop I was exposed to Edith Head’s Depression-influenced designs in The Sting (1973), the lavish resort-wear in the John Braborne/Richard B. Goodwin-produced adaptations of Agatha Christie’s mystery novels, the roaring twenties brought to life by Theoni V. Aldredge and Ralph Lauren in The Great Gatsby (1974), and the mobbed-up fashions of Goodfellas (1990) and Casino (1995), but I like to think that Bond started it all.
Bond’s Cream Safari Jacket and Tie in The Man with the Golden Gun
Roger Moore, flanked by co-stars Maud Adams and Britt Ekland, in his second film as James Bond, The Man with the Golden Gun (1974)
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Roger Moore as James Bond, British government agent
Macau, Spring 1974
Film: The Man with the Golden Gun
Release Date: December 20, 1974
Director: Guy Hamilton
Tailor: Cyril Castle
Wardrobe Supervisor: Elsa Fennell
Background
Following the release of Orlebar Brown’s 007-inspired collection earlier this year, the company’s take on Roger Moore’s green safari jacket from The Man with the Golden Gun renewed my interest in the actor’s sophomore adventure as James Bond which also happened to be the first 007 movie I had ever seen.
After Bond retrieves a gold bullet during his rendezvous with Saida the belly dancer, Q identifies the soft 23-karat gold dum-dum bullet plopped from Saida’s navel as a product of Portuguese gunmaker Lazar (Marne Maitland), currently living in Macau.
“An unexpected honor, Mr. Bond,” Lazar greets him. “Your reputation precedes you.” Well… so much for that whole “secret agent” thing. Continue reading
Bond Style: Lazenby’s Cream Suit and Aston Martin
George Lazenby as James Bond in On Her Majesty’s Secret Service (1969)
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George Lazenby as James Bond, smooth British secret agent
Estoril, Portugal, September 1969
Film: On Her Majesty’s Secret Service
Release Date: December 18, 1969
Director: Peter R. Hunt
Tailor: Dimi Major
Costume Designer: Marjory Cornelius
Background
This year commemorates the 50th anniversary of On Her Majesty’s Secret Service, often considered among the best of the James Bond canon. George Lazenby, the Australian actor who batted 1000 with OHMSS as his sole outing as 007, has also activated his Instagram presence this year, sharing photos of himself in many of the same locations he had made famous a half-century ago as the world’s most famous secret agent.
George’s #OHMSS50 tour included calling on the celebrated Palácio Estoril, the Portuguese hotel where his James Bond spent the early scenes of OHMSS chasing and seducing Diana Rigg’s character, Teresa “Tracy” di Vincenzo. During the visit, he even interacted with many of the hotel’s staff who were still in the Palácio Estoril’s employ 50 years after their on-screen cameos.
Today, on the 00-7th of July, let’s take a look at the timeless summer-friendly style that Lazenby’s James Bond wore when he pulled his Aston Martin into the parking lot at Palácio Estoril some fifty years ago. Continue reading
Bond’s Green Safari Jacket in The Man with the Golden Gun
Roger Moore as James Bond in The Man with the Golden Gun (1974)
Vitals
Roger Moore as James Bond, British government agent
Bangkok, Thailand, Spring 1974
Film: The Man with the Golden Gun
Release Date: December 20, 1974
Director: Guy Hamilton
Tailor: Cyril Castle
Clothes by: Jimmy Chen
Wardrobe Supervisor: Elsa Fennell
Background
Today marks the momentous 20th anniversary of the first time I’d ever seen a James Bond movie. June 19, 1999, was the first Saturday of my summer vacation after 4th grade, and my friend Nate was hosting a dozen friends for his 10th birthday party. Among the pizza, pop, and festivities was a rented copy of The Man with the Golden Gun on VHS… and thus Roger Moore was my introduction to agent 007.
Arguably one of the most iconic outfits—for better or worse—from Moore’s sophomore outing is the green safari shirt-jacket and cream trousers that the agent wears when he arrives to meet Andrea Anders (Maud Adams) at a Muay Thai match to take possession of the film’s MacGuffin, a solex agitator.
From Russia With Love – Kerim Bey’s Beige Suit
Pedro Armendáriz as Kerim Bey in From Russia With Love (1963)
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Pedro Armendáriz as Ali Kerim Bey, gregarious MI6 station chief
Istanbul, Turkey, Spring 1963
Film: From Russia With Love
Release Date: October 10, 1963
Director: Terence Young
Costume Designer: Jocelyn Rickards
WARNING! Spoilers ahead!
Background
Kerim Bey, the gregarious head of MI6’s Station T (T for Turkey), is one of the more memorable characters from the early films of the James Bond franchise. A proudly streetwise counter to the taciturn and sophisticated agent 007, the two got on like gangbusters. It’s tragic that Kerim was designated by Ian Fleming as the story’s “sacrificial lamb” as it would have been satisfying to follow his interactions with Bond across multiple adventures à la Felix Leiter or even René Mathis, who actually returned in Fleming’s novel version of From Russia With Love, though Armendáriz’s death would have prevented this anyway. Today’s 00-7th of May post is a tribute to this charismatic character. Continue reading