Category: Black or Midnight Tuxedo
Patrick Bateman’s Tuxedo
Christian Bale and Cara Seymour as Patrick Bateman and Christie, respectively, in American Psycho (2000).
Vitals
Christian Bale as Patrick Bateman, shallow investment banker and possible serial killer
New York City, Spring 1988
Film: American Psycho
Release Date: April 14, 2000
Director: Mary Harron
Costume Designer: Isis Mussenden
Background
Halloween approaching is a fine time to address a monster in human form like Patrick Bateman who may have been a sharp dresser (for the ’80s) but was undoubtedly a terrible human being (in any era!)
You can tell Bateman is trying his best to be seen as a classy host; he plays Phil Collins, after all! Of course, Bateman is hindered by the fact that no classy evening should ever include the words “don’t just stare at it, eat it!” Continue reading
Robert Redford’s Black Tuxedo in The Sting
Robert Redford as Johnny Hooker in The Sting (1973).
Vitals
Robert Redford as Johnny Hooker, Depression-era con artist
Chicago, September 1936
Film: The Sting
Release Date: December 25, 1973
Director: George Roy Hill
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Background
To celebrate Robert Redford’s 80th birthday next week, I’m revisiting one of my favorite Redford flicks. After the incredible success of Butch Cassidy and the Sundance Kid and the chemistry of Paul Newman and Robert Redford in the starring roles, both actors re-teamed four years later to play washed-up con artist Henry Gondorff (Newman) and his de facto protégé, Johnny Hooker (Redford). Continue reading
Stanford White’s Midnight Blue Dinner Jacket
Ray Milland as Stanford White in The Girl in the Red Velvet Swing (1955).
Vitals
Ray Milland as Stanford White, debonair playboy architect
New York City, June 1906
Film: The Girl in the Red Velvet Swing
Release Date: October 1, 1955
Director: Richard Fleischer
Wardrobe Director: Charles Le Maire
Background
Tomorrow is the 110th anniversary of the famous Madison Square Garden shooting of architect Stanford White by the deranged Harry Kendall Thaw, one of the first of many incidents dubbed as “The Trial of the Century” by contemporary reporters due to the juicy scandal embellished by manipulative millionaires and illicit sex.
On June 25, 1906, the psychotic Thaw was escorting his wife, actress and artists’ model Evelyn Nesbit, to the premiere performance of Mam’zelle Champagne at Madison Square Garden’s rooftop theater. Nesbit, renowned for her beauty as the archetypical “Gibson Girl”, had married Thaw the previous year despite his violent and manipulative desire to control her. One of Thaw’s most tenacious provocations was the subject of Stanford White, Nesbit’s former lover and the man who had – in Thaw’s eyes – robbed her of her virtue. Continue reading
Winston Wolf in Pulp Fiction
Harvey Keitel as Winston Wolf in Pulp Fiction (1994).
Vitals
Harvey Keitel as Winston Wolf, problem solver
Los Angeles, Summer 1992
Film: Pulp Fiction
Release Date: October 14, 1994
Director: Quentin Tarantino
Costume Designer: Betsy Heimann
Background
I’m Winston Wolf. I solve problems.
Last Friday, Harvey Keitel turned 77 years old, a birthday that was almost certainly celebrated by Quentin Tarantino. Tarantino has stated that “Harvey had been my favorite actor since I was 16 years old,” so he penned the character of criminal fixer Winston Wolf – and according to the screenplay, it is Wolf and not Wolfe – specifically for Keitel. Two years earlier, the actor’s involvement in Reservoir Dogs as the pragmatic career criminal “Mr. White” helped shoot Q.T. onto the map of filmmakers to watch. The Wolf may have also been a nod to Keitel’s role as Victor, the ruthlessly efficient “cleaner” in 1993’s Point of No Return. Continue reading
Don Draper’s Black Tie in 1960
Jon Hamm as Don Draper on Mad Men (Episode 1.05: “5G”).
Vitals
Jon Hamm as Don Draper, mysterious and award-winning Madison Avenue ad man
Ossining, New York, Spring 1960
Series: Mad Men
Episode: “5G” (Episode 1.05)
Air Date: August 16, 2007
Director: Lesli Linka Glatter
Creator: Matthew Weiner
Costume Designer: Janie Bryant
Background
Happy birthday to Jon Hamm, born today in 1971!
While Jon is celebrating his birthday, Don Draper also had a reason to celebrate in “5G” after winning the Newkie(?) award. Although Don is dubious about his own achievements, Betty (January Jones) is very proud of him. Don had reason for concern, though, as his photo in Advertising Age gets him some unwanted attention. Continue reading
Boardwalk Empire’s Gangster Black Tie for the New Year
Anatol Yusef, Michael Stuhlbarg, and Vincent Piazza as Meyer Lansky, Arnold Rothstein, and “Lucky” Luciano, respectively, on Boardwalk Empire (Episode 3.01 – “Resolution”).
Vitals
Michael Stulhbarg as Arnold Rothstein, powerful New York gambler and racketeer
Vincent Piazza as Charlie “Lucky” Luciano, the Mafia’s smooth and ambitious future chief
Anatol Yusef as Meyer Lansky, Rothstein’s clever mob protégé
Bobby Cannavale as Gyp Rosetti, violent and hotheaded Italian-born gangster
Atlantic City, New Year’s Eve 1922
Series: Boardwalk Empire
Episode: “Resolution” (Episode 3.01)
Air Date: September 16, 2012
Director: Tim Van Patten
Creator: Terence Winter
Costume Designer: John A. Dunn
Tailor: Martin Greenfield
Background
Not every man is a Nucky Thompson. A group of New York gangsters choosing Nucky’s basement to talk business while a party oblivious heaves forward upstairs leads itself to a major conglomeration of styles – both in leadership and in attire – that illustrate just how much about a man can be determined by looking at the way he puts himself together. Continue reading
Nucky Thompson’s Black Tie for the New Year
Steve Buscemi as Enoch “Nucky” Thompson in “Resolution”, Episode 3.01 of Boardwalk Empire (2010-2014).
Vitals
Steve Buscemi as Enoch “Nucky” Thompson, crooked city politician and influential mob bootlegger
Atlantic City, New Year’s Eve 1922
Series: Boardwalk Empire
Episode: “Resolution” (Episode 3.01)
Air Date: September 16, 2012
Director: Tim Van Patten
Creator: Terence Winter
Costume Designer: John A. Dunn
Tailor: Martin Greenfield
Background
Tomorrow night is New Year’s Eve, an evening that sees many flocking to friends’ houses, bar parties, or an overcrowded section of New York without realizing that even the country’s most populous city can’t handle the lavatory needs of one million intoxicated visitors.
But I digress. For the lovable gang of murderous bootleggers on Boardwalk Empire, New Year’s Eve is an opportunity to party at the home of the town’s gregarious and graft-loving treasurer, Nucky Thompson. To ring in 1923, Nucky has a full evening planned with a literal treasure chest of gifts as well as live entertainment from Eddie Cantor and Billie Kent, his latest mistress an up-and-coming showgirl.
Guests include old favorites like Charlie “Lucky” Luciano, Meyer Lansky, and Arnold Rothstein, but Nucky also welcomes a relative newcomer, the volatile Italian gangster Gyp Rosetti who doesn’t set a good example for America’s youth about treating a host with kindness.
What’d He Wear?
And then there’s you. Fucking breadstick in a bow tie. You pasty-faced, cocksucking-
Poor Nucky goes to all this work to look sharp for his New Year’s bash, and then he goes and gets insulted for his bow tie and complexion. Although I can’t guarantee that your party’s Gyp Rosetti won’t level a few unnecessary insults in your direction, I can endorse Nucky Thompson’s dinner suit as a fine way for a gentleman to stand out at any upcoming New Year celebrations. Continue reading
Frank Sinatra Turns 100: High Society Black Tie
Frank Sinatra as Mike Connor in High Society (1956).
Vitals
Frank Sinatra as Macauley “Mike” Connor, swaggering tabloid reporter
Newport, Rhode Island, Summer 1956
Film: High Society
Release Date: July 17, 1956
Director: Charles Walters
Costume Designer: Helen Rose
Background
100 years ago today, on December 12, 1915, two Italian immigrants welcomed the birth of their son, Francis Albert Sinatra, in a Hoboken tenement. A century later, their legendary blue-eyed son has left an indelible legacy on our culture that can never be replicated. Sinatra’s style, stubbornness, and swagger complemented his natural skill and hard work to make him a living icon and one of the greatest singers of the 20th century.
After enjoying a decade of early success singing with the Harry James and Tommy Dorsey orchestras before his personal appeal allowed him to sign with Columbia as a solo artist, Sinatra’s popularity began to decline. The death of his publicist George Evans, his tumultuous public affair with Ava Gardner, and his own throat issues nearly meant the end of Sinatra’s career by the early 1950s.
Sinatra persevered. His records weren’t selling, and he was singing to county fairs in Hawaii, but he wasn’t going to give up that easily. His Oscar-winning role in From Here to Eternity (shades of The Godfather!) signified the start of a unprecedentedly booming career revival. 1953 also saw Sinatra signing his seven-year contract with Capitol Records that would produce his groundbreaking “concept albums” and – in my opinion – some of the greatest music ever recorded. Despite his perfectionist tendencies, even Sinatra couldn’t help but to agree. After hearing he and arranger Nelson Riddle’s first cut of “I’ve Got the World on a String”, Sinatra couldn’t help but to exclaim:
I’m back, baby, I’m back!
From Russia With Love – Impostor Bond’s Tuxedo
Sean Connery as James Bond (or is he?) in From Russia With Love (1963).
Vitals
Sean Connery as an impostor James Bond
SPECTRE Island, Spring 1963
(“SPECTRE Island” is actually Heatherden Hall at Pinewood Studios in Buckinghamshire.)
Film: From Russia With Love
Release Date: October 10, 1963
Director: Terence Young
Costume Designer: Jocelyn Rickards
Tailor: Anthony Sinclair
Background
Dressing up as James Bond for Halloween this year or just celebrating the new release of Spectre? You’re certainly not the first to don a 007 costume; even within the series itself, an anonymous SPECTRE bait henchman sported a classic midnight blue tuxedo for his unnecessarily detailed Bond guise during the pre-credits sequence of From Russia With Love.
This sequence provides some interesting cultural context; formalwear was nowhere nearly as prominent in Ian Fleming’s literary Bond adventures as it would become in the films, yet the opening scene of the second film seems to recognize and lampshade the fact that the audience will know this is James Bond because we’re seeing Sean Connery in a dinner suit. Continue reading
George Clooney’s Tuxedo in Ocean’s Eleven
George Clooney as Danny Ocean in Ocean’s Eleven (2001).
Vitals
George Clooney as Danny Ocean, smooth-talking casino heister and con man
Las Vegas, Summer 2001
Film: Ocean’s Eleven
Release Date: December 7, 2001
Director: Steven Soderbergh
Costume Designer: Jeffrey Kurland
Background
Although he aimed to distance himself from the original Ocean’s Eleven as much as possible with this 2001 remake, Steven Soderbergh must have realized that you don’t have George Clooney in a movie about slick Vegas con men without placing him in a tuxedo. Danny Ocean’s tux was a very welcome throwback to a time when people didn’t wear graphic t-shirts, cutoff jorts, and fanny packs to casinos. (Although, since Frank Sinatra didn’t wear a tuxedo at all in the 1960 film, it could be argued that Clooney’s dinner suit is more of a throwback to characters like Cary Grant‘s gentleman thief in To Catch a Thief.) Continue reading
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