Tagged: 2-Piece Suit
The Man Who Fell to Earth: David Bowie’s Black Suit
David Bowie, on location in New Mexico during production of The Man Who Fell to Earth (1976)
Vitals
David Bowie as Thomas Jerome Newton, ambitious humanoid alien
From New York City to Artesia, New Mexico, 1970s
Film: The Man Who Fell to Earth
Release Date: March 18, 1976
Director: Nicolas Roeg
Costume Designer: May Routh
Suits by: Ola Hudson
WARNING! Spoilers ahead!
Background
Today would have been the 75th birthday of David Bowie, born in London on January 8, 1947.
Though he’d made a few screen appearances earlier in his career, The Man Who Fell to Earth was Bowie’s first prominent leading role. Adapted by Paul Mayersberg from Walter Tevis’ novel of the same name, Nicolas Roeg’s avant-garde cult classic transcends the trappings of traditional science fiction to spin the yarn of Thomas Jerome Newton, an ambitious if naïve starman who “fell to Earth” on a mission to bring water back to his home planet… only to fall even farther, seduced by the materialistic capitalism of 1970s America and all of its celebrated hedonistic indulgences of sex, television, drugs, and booze. Continue reading
Mad Men: Lane Pryce’s Business Suit and Tweed Waistcoat on New Year’s Day
Jared Harris as Lane Pryce on Mad Men (Episode 4.03: “The Good News”)
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Jared Harris as Lane Pryce, advertising agency financial chief
New York City, New Year’s Day 1965
Series: Mad Men
Episode: “The Good News” (Episode 4.03)
Air Date: August 8, 2010
Director: Jennifer Getzinger
Creator: Matthew Weiner
Costume Designer: Janie Bryant
Background
Even with the increasing adoption of hybrid and remote workplaces, there are still many returning to offices and cubicles for the first day of the new year, a specific occupational dread that provides a “welcome distraction” for at least one lonely Brit during the final act of “The Good News”, the third episode of Mad Men‘s fourth season. Continue reading
Boogie Nights: Don Cheadle’s White ’80s Suit
Don Cheadle as Buck Swope in Boogie Nights (1997)
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Don Cheadle as Buck Swope, adult film star-turned-stereo entrepreneur
Los Angeles, Winter 1983
Film: Boogie Nights
Release Date: October 10, 1997
Director: Paul Thomas Anderson
Costume Designer: Mark Bridges
WARNING! Spoilers and gore ahead!
Background
Approaching the new year and the prospect of fresh starts, I wanted to revisit the modern masterpiece Boogie Nights and in particular one of its ensemble cast that I have always found most compelling: Don Cheadle’s performance as the well-meaning but oft-hindered Buck Swope, a former porn actor looking to build a new life with his wife and fellow ex-porn star Jessie (Melora Walters).
After his employment history interferes with his prospects to fund his entrepreneurial endeavor to open his own stereo shop, Buck encounters a reversal of fortune just two weeks before Christmas. Continue reading
Brad Pitt’s Diagonally Cut Suits in Ocean’s Eleven
On Brad Pitt’s 58th birthday, I’m pleased to present another guest post contributed by my friend Ken Stauffer, who had also covered George Clooney’s fashionable suit in Out of Sight. You can learn more from Ken about the style of the Ocean’s film series on his Instagram account, @oceansographer.
Brad Pitt as “Rusty” Ryan in Ocean’s Eleven (2001)
Vitals
Brad Pitt as Robert “Rusty” Ryan, poker pro and casino heister
Los Angeles and Las Vegas, Spring 2001
Film: Ocean’s Eleven
Release Date: December 7, 2001
Director: Steven Soderbergh
Costume Designer: Jeffrey Kurland
Tailor: Dominic Gherardi
Background
Happy Birthday, Brad Pitt! The Academy Award-winning actor and producer turns 58 today, and to celebrate, we’re taking a look back at one of his most fashionable roles, Rusty Ryan, in Ocean’s Eleven. Believe it or not, Steven Soderbergh’s reimagining of the Rat Pack caper, which resuscitated the heist film genre in 2001, celebrated its 20th anniversary this month. I think we can all agree that both actor and film have aged well.
Detour: Tom Neal’s Borrowed Clothes and Borrowed Lincoln
Tom Neal behind the wheel of a ’41 Lincoln as Al Roberts in Detour (1945)
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Tom Neal as Al Roberts, hitchhiking nightclub pianist
Across the United States, especially Arizona to California, Spring 1945
Film: Detour
Release Date: November 30, 1945
Director: Edgar G. Ulmer
Wardrobe Designer: Mona Barry
Background
On the last day of #Noirvember, let’s also kick off #CarWeek with a look at one of the best examples of “road noir” with Detour, the enduring B-movie that saw a limited release 76 years ago today on November 30, 1945, just over two weeks after its initial premiere in Boston.
Martin M. Goldsmith worked with an uncredited Martin Mooney to adapt his own 1939 novel of the same name into a screenplay. Known as “the King of PRC” for his reputation as an efficient director working for the Poverty Row studio Producers Releasing Corporation, the Austrian-born Edgar G. Ulmer filmed Detour in less than a month in the summer of 1945, with a shoestring budget of less than $100,000; for comparison, this was less than 10% of the final budget for that year’s winner of the Academy Award for Best Picture, The Lost Weekend. (Perhaps overstating his efficiency, Ulmer would later cite that he made the movie in six days for $20,000.)
Detour was my gateway to film noir, thanks to a multi-pack DVD that I was gifted in high school that included many pulp classics like D.O.A., The Hitchhiker, Quicksand, and The Strange Love of Martha Ivers, many of which—like Detour—were regularly available in budget-friendly home video releases as they had fallen into the public domain. Clocking in at just over an hour, the story may be simple, but it contains all the characteristic noir themes and stock characters, including the femme fatale (and how!) and the wrongly accused man whose questionable ethics and unfortunate circumstances launch him headway into increasingly dangerous circumstances.
Humphrey Bogart in The Maltese Falcon
Humphrey Bogart as Sam Spade in The Maltese Falcon (1941)
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Humphrey Bogart as Sam Spade, smooth private detective and “a chap worth knowing”
San Francisco, Spring 1941
Film: The Maltese Falcon
Release Date: October 3, 1941
Director: John Huston
Costume Designer: Orry-Kelly (credited for gowns)
Background
Now considered a seminal film noir, The Maltese Falcon celebrated its 80th anniversary last month. Dashiell Hammett’s excellent 1930 detective novel had already been adapted twice for the screen—once as a “lewd” pre-Code thriller and recycled as a zanier mid-’30s vehicle for Bette Davis—before Warner Bros. finally got it right.
The Maltese Falcon was the directorial debut for John Huston, who had faithfully adapted Hammett’s source material for his sharp script and demonstrated his sense of methodical efficiency, resulting in a masterpiece that benefited from the formula of director of photography Arthur Edelson’s low-key cinematography and a perfect cast led by Humphrey Bogart as the wisecracking gumshoe who “don’t mind a reasonable amount of trouble.” Continue reading
The Postman Always Rings Twice (1981): Nicholson’s Navy Striped Murder Suit
Jack Nicholson as Frank Chambers in The Postman Always Rings Twice (1981)
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Jack Nicholson as Frank Chambers, dangerous drifter
Southern California, Spring 1934
Film: The Postman Always Rings Twice
Release Date: March 20, 1981
Director: Bob Rafelson
Costume Designer: Dorothy Jeakins
WARNING! Spoilers ahead!
Background
After posting about John Cassavetes in the 1964 remake of The Killers last week, I wanted to focus on another color remake of classic film noir: the 1981 adaptation of The Postman Always Rings Twice starring Jack Nicholson and Jessica Lange, reuniting Nicholson with director Bob Rafelson following their earlier collaborations in Head (1968), Five Easy Pieces (1970), and The King of Marvin Gardens (1972). Continue reading
The Killers: Burt Lancaster’s Light Flannel Double-Breasted Suit
Burt Lancaster as Ole “Swede” Anderson in The Killers (1946)
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Burt Lancaster as Ole “Swede” Anderson, ex-boxer
Philadelphia, Spring 1938
Film: The Killers
Release Date: August 30, 1946
Director: Robert Siodmak
Background
Let’s kick off #NoirVember with a memorable scene featuring birthday boy Burt Lancaster. Born November 2, 1913 in Manhattan, Lancaster remains an icon of American film noir, having made his debut in The Killers, which also marked most of the screen-going world’s introduction to the alluring Ava Gardner.
The Killers‘ straight-outta-Hemingway opening introduces us in finem res to Lancaster as “The Swede”, an ex-boxer with a sketchy past who has been tracked down by the two eponymous killers to a small town in New Jersey. Despite having spent the last six years in hiding, the Swede makes no attempt to flee his assassins, who efficiently complete their gruesome task and leave insurance investigator Jim Reardon (Edmond O’Brien) to reconstruct the decade of mistakes that led from Anderson’s career as a boxer to that of a marked man by the mob.
As with all great film noir, the Swede’s undoing begins with a dame… Continue reading
The Beetlejuice Striped Suit
Michael Keaton in Beetlejuice (1988)
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Michael Keaton as Betelgeuse, boorish “bio-exorcist”
Connecticut, Summer 1987
Film: Beetlejuice
Release Date: March 30, 1988
Director: Tim Burton
Costume Designer: Aggie Guerard Rodgers
Background
Happy Halloween!
As delightfully and unapologetically weird as its director, Beetlejuice was Tim Burton’s follow-up to his directorial debut, Pee-wee’s Big Adventure. The darkly comic story about a recently deceased couple summoning an unprincipled poltergeist was developed by Michael McDowell, Warren Skaaren, and Larry Wilson, with Burton channeling the cheap B-movies of decades past in his interpretation that balanced humor and horror.
In less than a decade of screen roles, Michael Keaton had already established a range of versatility between zany comedy (Night Shift) and thoughtful drama (Clean and Sober) before he took on the outlandish quasi-title role as the uh, well, Julliard-trained Betelgeuse. Continue reading
Warren Beatty as Dick Tracy
Warren Beatty in Dick Tracy (1990)
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Warren Beatty as Dick Tracy, square-jawed detective
“Homeville”, December 1938
Film: Dick Tracy
Release Date: June 15, 1990
Director: Warren Beatty
Costume Designer: Milena Canonero
Background
Ninety years ago today on Sunday, October 4, 1931, Chester Gould’s comic strip Dick Tracy premiered in the Detroit Mirror, introducing the world—or at least Detroit—to the determined detective in his trademark yellow coat.
Despite the strip’s longevity and popularity, attempts to adapt it for the screen never came into fruition for nearly six decades until the blockbusting success of Tim Burton’s Batman in 1989 proved to studios there a profitable market for comic book adaptations. Bringing Dick Tracy to Hollywood became a passion project for Warren Beatty, who starred as the title character as well as producing, directing, and attracting a cavalcade of stars to portray the colorful—and colorfully dressed—figures of the mysterious Chicago-like city where Tracy faced off against gangsters and gun molls.
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