Tagged: Black Short-sleeve Polo Shirt
Duster: Josh Holloway’s Black Zip Polo and 1970 Plymouth
Josh Holloway as Jim Ellis in the pilot episode of Duster. Photo credit: James Van Evers.
Vitals
Josh Holloway as Jim Ellis, getaway driver and Army veteran
American Southwest, Summer 1972
Series: Duster
Episode: “Baltimore Changes Everything” (Episode 1.01)
Air Date: May 15, 2025
Director: Steph Green
Created by: J.J. Abrams & LaToya Morgan
Costume Designer: Dayna Pink
WARNING! Spoilers ahead!
Background
One of the most fun new shows of 2025 is Duster, a breezy-yet-badass crime thriller that screeched onto HBO Max this spring and just wrapped its first season last week. Despite my current enthusiasm for the series, its initial announcement prompted what can only be described as deeply conflicted car-guy feelings—equal parts excited (a ’70s-set crime series starring my dream car? yes, please) and irrationally anxious (what if this makes Dusters too popular for me to afford one?)
Once I decided that this was a ridiculous basis for resentment, I locked into Duster—and I’m glad I did! Duster delivers plenty of stylish retro fun, complete with a swaggering soundtrack, Dayna Pink’s period-perfect costume design, and a rubber-burning parade of car stunts performed by both veteran stuntman Corey Eubanks and series star Josh Holloway.
Set against the dusty backdrop of the American southwest in 1972, Duster stars Holloway as a talented getaway driver who gets recruited by the FBI’s first Black woman agent Nina Hayes (Rachel Hilson) to turn against his employer, Phoenix crime boss Ezra “Sax” Saxton (Keith David)—described by one of Nina’s new colleagues as “the Southwest Al Capone.” (The FBI didn’t actually hire its first Black woman agent until four years later, when 27-year-old Sylvia Mathis graduated from the FBI Academy in June 1976.)
As one of the few who had never seen Lost, I was unfamiliar with Holloway before the series, but he’s terrific as the ruggedly charming Jim Ellis, sharing an easy chemistry with the excellent Rachel Hilson as the two work against a characteristically cool-as-hell Keith David. And of course, we’re treated to plenty of Mopar muscle action, scratching my Vanishing Point-sized itch.
Following the first-season finale last week, let’s wrap up this summer’s Car Week with our introduction to Jim as he tears through Arizona’s desert highways with his precocious niece Luna (Adriana Aluna Martinez) in that sharp red-and-black V8-powered ’70 Duster. Continue reading
The Many Saints of Newark: Dickie Moltisanti’s Black Striped Knit Shirts
Alessandro Nivola as Dickie Moltisanti in The Many Saints of Newark (2021)
Vitals
Alessandro Nivola as Dickie Moltisanti, slick gangster
Newark, New Jersey, Summer 1967 through Summer 1971
Film: The Many Saints of Newark
Release Date: October 1, 2021
Director: Alan Taylor
Costume Designer: Amy Westcott
WARNING! Spoilers ahead!
Background
“Pain comes from wanting things,” Sal Moltisanti (Ray Liotta) explains to his nephew Dickie, though it could have also been meta-messaging from David Chase, creator of The Sopranos and a frequent critic of the fans and pundits always demanding more from his magnum opus, be it answers (What happened to the Russian? Did Tony die at Holsten’s?) or more stories to be told.
Regarding the latter, Chase had expressed interest in prequel stories—if anything—to continue building the Soprano-verse. He returned to a setting that had intrigued him as far back as his days in film school: the race riots that swept through Newark in July 1967.
While much excitement was garnered when it was announced that the late James Gandolfini’s son Michael would be playing a younger version of the role his father had immortalized on the series, the central character of Chase’s prequel would be Dickie Moltisanti, the smooth mafiosi whose death prior to the events of the series left the hotheaded young gangster Christopher Moltisanti (Michael Imperioli) desperately in search of a father figure.
After years of The Sopranos building up Dickie’s mythos, Alessandro Nivola delivers a charismatic and engaging performance that makes Dickie Moltisanti a particularly compelling character to finally meet, illustrating the magnetism that would have so entranced a young Tony as well as the internal demons that he would have transferred to Christopher.
The Graduate: Ben’s Beige Windbreaker and Alfa Romeo
Dustin Hoffman as Benjamin Braddock in The Graduate (1967)
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Dustin Hoffman as Benjamin Braddock, nervous and aimless college graduate
Los Angeles, Summer to Fall 1967
Film: The Graduate
Release Date: December 22, 1967
Director: Mike Nichols
Costume Designer: Patricia Zipprodt
WARNING! Spoilers ahead!
Background
Like Casablanca, Citizen Kane, Thelma & Louise, and The Sopranos, I felt like I had seen or heard about the famous ending of The Graduate in depth before actually seeing the movie itself. Given that the iconic movie is over 50 years old, I hope I wouldn’t invite too much ire by discussing its famous ending openly in discussing Benjamin Braddock’s style as he desperately races through southern California in the hopes of halting Elaine Robinson’s wedding to the dreaded Makeout King.
Having recently gotten engaged myself (yay!), it felt appropriate to end this installment of #CarWeek with the cherry red Alfa Romeo that factored so significantly in Benjamin’s life following his graduation, whether it it was on his burlesque-and-burgers date with the bright-eyed Elaine (Katharine Ross), furtive assignations with her mother (Anne Bancroft), or on his gas-guzzling dash to get him to the church on time scored by Simon & Garfunkel’s enduring folk banger “Mrs. Robinson”. Continue reading
Don Draper’s Plaid Party Jacket in “The Runaways”
Jon Hamm as Don Draper on Mad Men (Episode 7.05: “The Runaways”)
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Jon Hamm as Don Draper, conflicted ad man
Los Angeles, Spring 1969
Series: Mad Men
Episode: “The Runaways” (Episode 7.05)
Air Date: May 11, 2014
Director: Christopher Manley
Creator: Matthew Weiner
Costume Designer: Janie Bryant
WARNING! Spoilers ahead!
Background
Despite being one of the most popular shows in the streaming service’s stable of non-original content, today marks the last day that Mad Men is available to Netflix subscribers in the U.S. The first part of Mad Men‘s seventh and final season spends time with displaced ad man Don Draper as he travels from coast to coast by plane, juggling his professional aspirations in New York with his slowly stagnating marriage in L.A.
The geographic reversal is interesting, not only in the context of Mad Men but also in the east vs. west trope espoused by F. Scott Fitzgerald and Henry David Thoreau, as we’re used to seeing Don romanticizing California even when professionally soaring through the ranks of Madison Avenue’s advertising world. Now, his position has shifted with decided roots in L.A. via second wife Megan (Jessica Paré) taking up residence in Laurel Canyon to further her acting career while, back in New York, he’s been reduced to a glorified intern at the agency he helped to start… and that’s just in the eyes of those who are comfortable working with him.
The Graduate: Dustin Hoffman’s Corduroy Sports Coat
Dustin Hoffman as Benjamin Braddock in The Graduate (1967)
Vitals
Dustin Hoffman as Benjamin Braddock, nervous and aimless college graduate
Los Angeles, Summer through Fall 1967
Film: The Graduate
Release Date: December 22, 1967
Director: Mike Nichols
Costume Designer: Patricia Zipprodt
Background
Dustin Hoffman’s Ivy style mastery in The Graduate has been a frequent request from BAMF Style readers including Kyle, Ryan, Zubair, and more, so—in the spirit of the “back to school” season—let’s take a look at one of the most iconic outfits that Hoffman wore as the listless Benjamin Braddock.
Benjamin is getting tired of his wordless, emotionless trysts with Mrs. Robinson (Anne Bancroft), the sultry and troubled wife of his father’s law partner. One night in their usual room at the Taft Hotel, Benjamin suggests that the two talk more. In the words of Simon and Garfunkel, “We’d like to know a little bit about you for our files / We’d like to help you learn to help yourself…”
The Sopranos: Pilot Episode – Tony’s Black Polo Shirt
James Gandolfini as Tony Soprano in the first episode of The Sopranos
Vitals
James Gandolfini as Tony Soprano, New Jersey mob chief
New Jersey, Summer 1998
Series: The Sopranos
Episodes:
– “The Sopranos” (Episode 1.01, dir. David Chase, aired 1/10/1999)
– “46 Long” (Episode 1.02, dir. Dan Attias, aired 1/17/1999)
– “Pax Soprana” (Episode 1.06, dir. Alan Taylor, aired 2/14/1999)
Creator: David Chase
Costume Designer: Juliet Polcsa
Background
Today marks the twentieth anniversary of the first episode of The Sopranos, the first time that the HBO logo fizzed away to the thumping sound of A3’s “Woke Up This Morning” as we follow Tony Soprano from the Holland Tunnel along the New Jersey Turnpike to his north Jersey home.
We are introduced to Tony himself in the first shot of the show as he sits, bemused by a nude statue in his new doctor’s waiting room. We soon learn that the doctor is Jennifer Melfi (Lorraine Bracco), a psychiatrist, and that this ain’t the kind of mob entertainment you’re used to watching. Continue reading
Don Draper’s Navy Weekend Sportcoat
Jon Hamm as Don Draper in “Marriage of Figaro”, Episode 1.03 of Mad Men.
Vitals
Jon Hamm as Don Draper, mysterious ad exec and suburban dad
Ossining, New York, April 1960
Series: Mad Men
Episode: “Marriage of Figaro” (Episode 1.03)
Air Date: August 2, 2007
Director: Ed Bianchi
Costume Designer: Janie Bryant
Background
In addition to Mad Men‘s first mention of Dick Whitman, “Marriage of Figaro” includes a snazzy casual outfit for a slick spring weekend in the suburbs.
The first two episodes certainly hinted at the deep layers lurking beneath the man first introduced to us as Don Draper, but it is “Marriage of Figaro” that breaks Mad Men‘s ground in exploring our ostensible protagonist’s isolation and loneliness… a quality that Emily VanDerWerff of The AV Club described as “his essential unhappiness.” Continue reading
Tony Soprano’s Tabasco Sauce Polo
James Gandolfini as Tony Soprano on The Sopranos (Episode 5.02: “Two Tonys”)
Vitals
James Gandolfini as Tony Soprano, New Jersey mob boss
New Jersey, March 2004
Series: The Sopranos
Episode: “Rat Pack” (Episode 5.02)
Air Date: March 14, 2004
Director: Alan Taylor
Creator: David Chase
Costume Designer: Juliet Polcsa
Background
I’m not sure why, how, or who decided it, but today—January 22nd—is considered to be National Hot Sauce Day in America. Continue reading
Quantum of Solace – Bond’s Polo and Cream Jeans in Haiti
Daniel Craig as James Bond in Quantum of Solace (2008).
Vitals
Daniel Craig as James Bond, British government secret agent
Port-au-Prince, Haiti, Summer 2008
Film: Quantum of Solace
Release Date: October 31, 2008
Director: Marc Forster
Costume Designer: Louise Frogley
Background
Quantum of Solace ostensibly picks up minutes after Casino Royale left off (offering no feasible explanation of Bond’s radically different suit, though) and quickly establishes itself as the more action-oriented yin to the introspective Casino Royale origin story’s yang. The sequel was determined to feature every kind of chase possible; we are immediately treated to a pulse-pounding car chase along the mountains of Italy before the opening credits, and Bond finds himself engaged in a desperate foot chase through the town of Siena immediately following.
After a few relatively calm minutes of exposition in London, Bond is dispatched to follow up on a lead in Haiti where he engages in a deadly knife fight, motorbike chase, and – ultimately – a motorboat chase. All that remains is an air chase and, don’t worry, that’s coming later. Continue reading
The Sopranos: “The Legend of Tennessee Moltisanti” Leather Jacket
Michael Imperioli as Christopher Moltisanti on The Sopranos (Episode 1.08: “The Legend of Tennessee Moltisanti”)
Vitals
Michael Imperioli as Christopher Moltisanti, New Jersey Mafia associate
New Jersey, Fall 1999
Series: The Sopranos
Episode: “The Legend of Tennessee Moltisanti” (Episode 1.08)
Air Date: February 28, 1999
Director: Tim Van Patten
Costume Designer: Juliet Polcsa
Background
“The Legend of Tennessee Moltisanti”, the eighth episode of The Sopranos‘s first season, was a defining moment for the character of Christopher Moltisanti. Up to this point, he had still been more interesting than the standard TV mobster (as all characters on The Sopranos are…), but “Legend” was his—and Imperioli’s—first time to shine. Continue reading