Tagged: Car Week
Clark Griswold’s Christmas Tree-Hunting Parka and Sweater
Chevy Chase and Beverly D’Angelo in National Lampoon’s Christmas Vacation (1989)
Vitals
Chevy Chase as Clark W. Griswold Jr., festive family man and food additive executive
Chicago*, December 1989
Film: National Lampoon’s Christmas Vacation
Release Date: December 1, 1989
Director: Jeremiah S. Chechik
Costume Designer: Michael Kaplan
WARNING! Spoilers ahead!
Background
Let’s officially launch the Christmas season and continue this winter’s Car Week with the Griswold family in their “ol’ front-wheel-drive sleigh” in National Lampoon’s Christmas Vacation, released 36 years ago today on December 1, 1989!
After the first two films took the Griswolds traveling across the United States and Europe, the family spends the holidays at home, where “the last true family man” Clark (Chevy Chase) and his wife Ellen (Beverly D’Angelo) are trying to spread yuletide cheer to their kids Audrey (Juliette Lewis) and Rusty (Johnny Galecki) with a snowy Saturday afternoon trek into the most mountainous region of rural Illinois* in search of “that most important of Christmas symbols.”
Audrey: We’re not driving all the way out here so you can get one of those stupid ties with the Santa Clauses on it, are we Dad?
Clark: No, I have one of those at home.
Rather than neckwear, the family is embracing the frosty majesty of the winter landscape to find the perfect tree that will anchor the “fun, old-fashioned family Christmas” envisioned by Clark, foregoing the pre-cut trees offered in Jolly Jerry’s lot to chop one down himself… despite forgetting a saw. Continue reading
White Heat: James Cagney’s Chalkstripe Suits and 1949 Mercury
James Cagney with Margaret Wycherly in White Heat (1949)
Vitals
James Cagney as Arthur “Cody” Jarrett, ruthless gang leader and devoted son
Los Angeles, California and Springfield, Illinois, Fall 1949 to Spring 1950
Film: White Heat
Release Date: September 2, 1949
Director: Raoul Walsh
Wardrobe Credit: Leah Rhodes
WARNING! Spoilers ahead!
Background
Closing out Noirvmber but speeding into this winter’s Car Week, Raoul Walsh’s hard-boiled 1949 masterpiece White Heat erupts at the intersection of film noir and the classic Warner Brothers gangster film, which its star James Cagney had a hand in pioneering through his roles in The Public Enemy (1931), Angeles with Dirty Faces (1938), and The Roaring Twenties (1939). The latter had been his final criminal role for nearly a decade, as he evolved toward romantic and comedic roles including his Academy Award-winning performance as George M. Cohan in Yankee Doodle Dandy (1942).
But as his subsequent movies were unsuccessful with audiences, Cagney reluctantly returned to both the cinematic underworld and Jack L. Warner’s kingdom when he signed on to play the volatile gang leader Cody Jarrett in White Heat. Virginia Kellogg’s story was loosely inspired by the myth surrounding the ill-fated “Ma” Barker and her sons during the Depression-era crime wave, purchased for $2,000 by Warner Bros., where Ivan Goff and Ben Roberts spent six months adapting into a fictional screenplay where—much to Jack Warner’s frustration—they only envisioned Cagney to play Cody.
Following a $300,000 mail train robbery in the Sierra Nevada mountains that left four crewmen dead, Cody leads his gang’s retreat from their mountain hideout, splitting off with his sultry wife Verna (Virginia Mayo) and domineering mother (Margaret Wycherly) to hole up in a motel on the outskirts of Los Angeles. We’ve already seen Ma’s powerful influence over her son, both supporting him when he has his mind-splitting migraines and gently suggesting that he execute a wounded gang member rather than take the chance he’ll talk.
When Ma risks a trip into town to buy Cody’s favorite strawberries for him, she picks up a police tail that has Cody again at the wheel of their Mercury to make their getaway. After a night-time police chase through the streets of L.A., Cody ducks the Mercury into a drive-in theater and develops his plan to take the fall for a hotel heist in Illinois that was the same day as their deadly train robbery, giving himself a 2,000-mile alibi:
While those hoodlums were killing those innocent people on the train, I was pushing in a hotel in Springfield! Couldn’t be in both places at once, could I?
Duster: Josh Holloway’s Black Zip Polo and 1970 Plymouth
Josh Holloway as Jim Ellis in the pilot episode of Duster. Photo credit: James Van Evers.
Vitals
Josh Holloway as Jim Ellis, getaway driver and Army veteran
American Southwest, Summer 1972
Series: Duster
Episode: “Baltimore Changes Everything” (Episode 1.01)
Air Date: May 15, 2025
Director: Steph Green
Created by: J.J. Abrams & LaToya Morgan
Costume Designer: Dayna Pink
WARNING! Spoilers ahead!
Background
One of the most fun new shows of 2025 is Duster, a breezy-yet-badass crime thriller that screeched onto HBO Max this spring and just wrapped its first season last week. Despite my current enthusiasm for the series, its initial announcement prompted what can only be described as deeply conflicted car-guy feelings—equal parts excited (a ’70s-set crime series starring my dream car? yes, please) and irrationally anxious (what if this makes Dusters too popular for me to afford one?)
Once I decided that this was a ridiculous basis for resentment, I locked into Duster—and I’m glad I did! Duster delivers plenty of stylish retro fun, complete with a swaggering soundtrack, Dayna Pink’s period-perfect costume design, and a rubber-burning parade of car stunts performed by both veteran stuntman Corey Eubanks and series star Josh Holloway.
Set against the dusty backdrop of the American southwest in 1972, Duster stars Holloway as a talented getaway driver who gets recruited by the FBI’s first Black woman agent Nina Hayes (Rachel Hilson) to turn against his employer, Phoenix crime boss Ezra “Sax” Saxton (Keith David)—described by one of Nina’s new colleagues as “the Southwest Al Capone.” (The FBI didn’t actually hire its first Black woman agent until four years later, when 27-year-old Sylvia Mathis graduated from the FBI Academy in June 1976.)
As one of the few who had never seen Lost, I was unfamiliar with Holloway before the series, but he’s terrific as the ruggedly charming Jim Ellis, sharing an easy chemistry with the excellent Rachel Hilson as the two work against a characteristically cool-as-hell Keith David. And of course, we’re treated to plenty of Mopar muscle action, scratching my Vanishing Point-sized itch.
Following the first-season finale last week, let’s wrap up this summer’s Car Week with our introduction to Jim as he tears through Arizona’s desert highways with his precocious niece Luna (Adriana Aluna Martinez) in that sharp red-and-black V8-powered ’70 Duster. Continue reading
Reservoir Dogs — Michael Madsen’s Black Suit and Cadillac as Mr. Blonde
Michael Madsen as Vic Vega (“Mr. Blonde”) in Reservoir Dogs (1992)
Vitals
Michael Madsen as Vic Vega, cold-blooded professional thief
Los Angeles, Summer 1992
Film: Reservoir Dogs
Release Date: October 9, 1992
Director: Quentin Tarantino
Costume Designer: Betsy Heimann
WARNING! Spoilers ahead!
Background
Many have been sharing tributes to the late Michael Madsen (1957-2025), who died just days ago on Thursday, July 3, of cardiac arrest at age 67.
Following the start of his career in the early 1980s with films like WarGames (1983) and The Natural (1984), Madsen performed his arguably most iconic role as the psychopathic Vic Vega—aka “Mr. Blonde”—in Quentin Tarantino’s breakthrough 1992 directorial debut, Reservoir Dogs. Continue reading
Back to the Future: Marty McFly’s Denim and DeLorean from 1985 to 1955
Michael J. Fox as Marty McFly in Back to the Future (1985)
Vitals
Michael J. Fox as Marty McFly, time-traveling high schooler and guitarist
Hill Valley, California, Fall 1985—then 1955
Film: Back to the Future
Release Date: July 3, 1985
Director: Robert Zemeckis
Costume Designer: Deborah Lynn Scott
WARNING! Spoilers ahead!
Background
If my calculations are correct… anyone with a functioning DeLorean time machine who punches in July 3, 1985 and floors it to 88 mph would indeed see some serious shit—the release of Back to the Future, which premiered 40 years ago today.
One of the most celebrated movies of all time (and featuring the now-iconic DeLorean very appropriate for Car Week), Back to the Future became an instant cultural phenomenon upon release. It earned an Academy Award for Best Sound Effects Editing, grossed over $380 million worldwide to become the top-earning movie of 1985, and propelled the careers of director and co-writer Robert Zemeckis (then riding high off Romancing the Stone) and star Michael J. Fox (best known at the time for playing Reaganite teen Alex P. Keaton on Family Ties), who replaced Eric Stoltz in the now-iconic role of Marty McFly. Continue reading
It’s a Mad, Mad, Mad, Mad World: Dick Shawn’s Red Dodge Dart and Beach Duds
Dick Shawn as Sylvester Marcus in It’s a Mad, Mad, Mad, Mad World (1963)
Vitals
Dick Shawn as Sylvester Marcus, impulsive lifeguard
Southern California, Summer 1962
Film: It’s a Mad, Mad, Mad, Mad World
Release Date: November 7, 1963
Director: Stanley Kramer
Costume Designer: Bill Thomas
WARNING! Spoilers ahead!
Background
I like to spend a week every summer exploring the intersection of costumes and cars as they define characters on screen. For this year’s first Car Week post, I’m revisiting a sentimental favorite: the 1963 slapstick comedy It’s a Mad, Mad, Mad, Mad World with its sprawling cast of the era’s most recognizable comic actors from Milton Berle, Sid Caesar, and Buddy Hackett to Ethel Merman, Mickey Rooney, and Dick Shawn.
The latter is introduced later in the daylong pursuit of $350,000 stashed under a “big W” by the late Smiler Grogan (Jimmy Durante), portraying beach lifeguard Sylvester Marcus, described by his brother-in-law J. Russell Finch (Berle) as “an irresponsible, unreliable, big loudmouth, no-good bum who, if he isn’t a crook, it’s only because he hasn’t got the brains or ambition to even become a crook.”
Finch and his wife Emeline (Dorothy Provine) are traveling with her overbearing mother, Mrs. Marcus (Ethel Merman), whose relentless nagging during their search for the buried loot finally pushes Finch over the edge. The resulting blow-up leaves Emeline and her mother to fend for themselves, but—knowing she can count on her hopelessly devoted son—Mrs. Marcus calls Sylvester to send him ahead of them to Santa Rosita to find the loot.
Unfortunately for her quick payday, Sylvester’s sole brain cell is distracted somewhere between a beer and a bikini-clad brunette. Distracted by his mother’s description of Finch’s “assault”, Sylvester leaps into action and into the brunette’s shining red Dodge Dart convertible, tearfully determined to rescue his mother and sister without actually having listened to why they called him in the first place. Continue reading
The Deer Hunter: Robert De Niro’s Hunting Gear
Robert De Niro in The Deer Hunter (1978)
Vitals
Robert De Niro as Mike Vronsky, steel worker
Southwestern Pennsylvania, Fall 1967 and Winter 1973
Film: The Deer Hunter
Release Date: December 8, 1978
Director: Michael Cimino
Costume Supervisor: Eric Seelig
WARNING! Spoilers ahead!
Background
Michael Cimino’s acclaimed second film The Deer Hunter was released 46 years ago today on December 8, 1978. Aside from the sequences set in Vietnam, the film primarily takes place among the steel towns of western Pennsylvania. As we’re currently in the midst of the two-week deer-hunting season for Pennsylvania riflemen, let’s look at how Robert De Niro dressed as the titular outdoorsman Mike Vronsky. Continue reading
Two-Lane Blacktop: Dennis Wilson as “The Mechanic”
Dennis Wilson in Two-Lane Blacktop (1971)
Vitals
Dennis Wilson as “The Mechanic”, an unnamed car mechanic
Arizona through Tennessee, Fall 1970
Film: Two-Lane Blacktop
Release Date: July 7, 1971
Director: Monte Hellman
Costume Designer: Richard Bruno
WARNING! Spoilers ahead!
Background
This week would have been the 80th birthday of Beach Boys drummer and co-founding member Dennis Wilson, whose sole acting credit was Monte Hellman’s 1971 road movie Two-Lane Blacktop. Born December 4, 1944 in Inglewood, California, Wilson was the sole Beach Boy—even among his bandmate brothers Brian and Carl—who could actually surf, despite the band’s many songs celebrating surf culture.
Though Two-Lane Blacktop has gained a cult following in the decades since its unceremonious release in the summer of 1971, this wasn’t Wilson’s first brush with cults as he had briefly been acquainted with Charles Manson during the year before the infamous Tate-LaBianca murders.
Wilson was cast only four days before production began in August 1970. Casting director Fred Roos had recommended him to Hellman, who later explained to Marc Savlov for the Austin Chronicle that he had confidence in the inexperienced Wilson as “he had lived that role, that he really grew up with cars. It was almost as though he were born with a greasy rag in his back pocket.”
Wilson starred opposite James Taylor, a fellow popular musician making his screen debut—and, to date, sole credit—as the restless young men racing their ’55 Chevy around the country. No names are given for any of the film’s major characters, with Taylor and Wilson credited simply as “The Driver” and “The Mechanic”, respectively. Continue reading
Jeff Bridges in Starman
Jeff Bridges and Karen Allen in Starman (1984)
Vitals
Jeff Bridges as “Star Man”, an alien taking the humanoid form of Scott Hayden
Wisconsin to Arizona, Spring 1984
Film: Starman
Release Date: December 14, 1984
Director: John Carpenter
Men’s Costumer: Andy Hylton
WARNING! Spoilers ahead!
Background
Happy 75th birthday to Jeff Bridges, born December 4, 1949. The actor received his third Academy Award nomination for Starman, an interdimensional dramedy considered by director John Carpenter to be his sci-fi twist on romantic classics like It Happened One Night and Brief Encounter. Released 40 years ago this month in December 1984, Starman remains Carpenter’s second-highest grossing movie.
The movie begins seven years after NASA launched the Voyager 2 space probe designed for diplomatic contact with extra-terrestrials when the eponymous “Star Man” crashes to Earth outside the remote Chequamegon Bay in northern Wisconsin. He takes refuge in the lakeside home of young widow Jenny Hayden (Karen Allen) while she skims through memories of her late husband Scott, inadvertently providing the opportunity for our Star Man to assume his likeness.
After initially freaking Jenny out by morphing from an alien-looking child into the form of her deceased husband standing nude before her, Star Man uses his loose grasp of language—despite knowing how to communicate “greetings” in 54 of them, including English—to compel her to drive him to his designated meeting point somewhere in “Arizona maybe”, at the wheel of the burnt-orange ’77 Mustang she had shared with Scott. Continue reading
Mr. Majestyk: Charles Bronson’s Lee Jacket and Ford Truck
Charles Bronson in Mr. Majestyk (1974)
Vitals
Charles Bronson as Vincent “Vince” Majestyk, principled melon farmer, ex-convict, and Vietnam veteran
Rural Colorado, Fall 1973
Film: Mr. Majestyk
Release Date: July 12, 1974
Director: Richard Fleischer
Men’s Costumes: James Linn
WARNING! Spoilers ahead!
Background
We’ll conclude this summer’s Car Week with Mr. Majestyk, a Charles Bronson action flick released 50 years ago tomorrow on July 12, 1974. (At least according to Wikipedia; IMDB states July 17th, but it doesn’t seem worth splitting hairs.) Just weeks later, Bronson would cement his place in action cinema lore with the release of the revenge-themed Death Wish, though I prefer the fun of Mr. Majestyk, which delivers the characteristic color that could be expected from Elmore Leonard’s original screenplay.
Bronson stars as Vince Majestyk, a decorated Vietnam veteran operating a melon farm in rural Colorado, proudly manned by experienced migrant workers like the passionate union leader Nancy Chavez (Linda Cristal). When local hotshot hoodlum Bobby Kopas (Paul Koslo) tries to force Majestyk to replace his crew with Kopas’ own unskilled winos, Majestyk attacks him with his own shotgun and sends him back up the road.
Following his arrest for assaulting Kopas, the police discover Majestyk’s past conviction for assault and keep him in jail, where he also runs afoul of menacing mob hitman Frank Renda (Al Lettieri). The two men’s tenuous acquaintanceship further sours after Majestyk sabotages an escape attempt engineered by Renda’s henchmen, instead kidnapping Renda himself and intending to trade the contract killer to the authorities in exchange for his own freedom.
After Majestyk loses Renda, the hitman forces Kopas to drop the assault charges so that Renda would be free to exact his own violent revenge on Majestyk—despite the advice from his loyal right-hand man Gene Lundy (Taylor Lacher).
Majestyk himself doesn’t seem overly considered with the treat, more focused on finding labor to help him harvest his melon crop after Kopas effectively intimidates most of the town into refusing to work with him. Indeed, the crop would have struggled during his stay behind bars if not for Nancy, with whom he develops a relationship built on mutual respect after they met when he defended her fellow migrant workers’ right to use a public restroom.
Nancy: If you want to go to bed with me, why don’t you say it?
Majestyk: I don’t want to say it, I want to do it. Come on.
Aware that the police hope to use him as bait to entrap Renda, who confronts Majestyk during a barroom date. “Seems like there’s no use trying to get on your good side,” Majestyk declares before slugging him and leaving with Nancy, who proves to be deft at more than just picking melons when she handles the wheel of Vince’s Ford pickup truck during a chase with Renda’s hired guns. Continue reading
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