Tagged: Christmas
Cary Grant in The Bishop’s Wife
For this holiday treat, I again welcome BAMF Style contributor Ken Stauffer (@oceansographer on Instagram), here sharing his thoughtful analysis of a screen icon in a holiday classic.
Vitals
Cary Grant as Dudley, debonair angel
New York City, December 1947
Film: The Bishop’s Wife
Release Date: December 9, 1947
Director: Henry Koster
Costume Designer: Irene Sharaff
Background
Happy holidays, BAMF Style readers! To celebrate the season, we’re looking back at the Christmas classic The Bishop’s Wife, which premiered at the Astor Theater in Times Square exactly 75 years ago today. Interestingly, general audiences would not have a chance to see the movie until the following February, an odd marketing decision that shows how much the film industry has evolved over the years.
The film stars Cary Grant as Dudley, a literal angel on Earth, assigned to help Manhattan-based Episcopalian Bishop Henry Brougham, drolly performed by David Niven. While acting as the bishop’s assistant, Dudley finds himself drawn to his eponymous wife Julia, played by Loretta Young in an enchanting turn. Continue reading
Bond Style: Lazenby’s Christmas Eve Ski Suit and Cougar
Vitals
George Lazenby as James Bond, smooth British secret agent
Bern, Switzerland, Christmas Eve 1969
Film: On Her Majesty’s Secret Service
Release Date: December 18, 1969
Director: Peter R. Hunt
Costume Designer: Marjory Cornelius
WARNING! Spoilers ahead!
Background
Wrapping up this winter Car Week on the 00-7th of December, let’s flash back to 1969 and Aussie actor George Lazenby’s sole adventure as James Bond. Whether the Bond production team was reversing its formula after the larger-than-life You Only Live Twice or playing it safe after Sean Connery left the role, On Her Majesty’s Secret Service closely follows the plot of Ian Fleming’s source novel, chronicling the agent’s romance with the self-destructive Teresa “Tracy” di Vicenzo (Diana Rigg) as well as setting up his snowbound investigation of arch-nemesis Ernst Stavro Blofeld (Telly Savalas) at his research institute Piz Gloria, located high in the picturesque Swiss Alps.
The action culminates in a Christmas Eve confrontation that results in 007’s alpine getaway on commandeered skis, assisted by Tracy and her bright red 1969 Mercury Cougar XR-7 that had first captured his attention when they met in Portugal three months prior. Continue reading
Remember the Night: Fred MacMurray’s Christmas Road Trip
Vitals
Fred MacMurray as John “Jack” Sargent, smooth-talking New York prosecutor
New York to Indiana, Christmas 1938
Film: Remember the Night
Release Date: January 19, 1940
Director: Mitchell Leisen
Costume Designer: Edith Head
Background
This year’s winter #CarWeek installment kicks off with a holly jolly hoosier holiday in Remember the Night, a 1940 romcom released at the outset of a decade that included many classics of Christmas cinema like The Shop Around the Corner (1940), The Man Who Came to Dinner (1942), Holiday Inn (1942), Christmas in Connecticut (1945), It’s a Wonderful Life (1946), The Bishop’s Wife (1947), It Happened on Fifth Avenue (1947), Miracle on 34th Street (1947), 3 Godfathers (1948), and Holiday Affair (1949). Yet before all those classics came Remember the Night, arguably one of the earliest major movies to recognize how compellingly Christmas, both at its loneliest and most celebratory, could be effectively woven into a story.
“While it has remained for decades mysteriously under the radar, its tender romance and comedy are so skillfully blended—and its use of Christmas so poignant—that it stands among the very best holiday movies,” describes Jeremy Arnold in the TCM volume Christmas in the Movies. Continue reading
Elf: James Caan in Camelhair for Christmas
Vitals
James Caan as Walter Hobbs, workaholic children’s book publisher
New York City, December 2003
Film: Elf
Release Date: November 7, 2003
Director: Jon Favreau
Costume Designer: Laura Jean Shannon
Background
Happy December!
The late James Caan effectively subverted his screen image when he starred in Elf, a family-friendly comedy that’s already established as a modern holiday classic. Of course, as one of the big screen’s most famous tough guys, Caan’s Walter Hobbs begins the story on Santa Claus’ notorious “naughty list” as a children’s book publisher too focused on his bottom line to care about his family or even the minutae of his job, overlooking the last two pages of his latest book that leave the fate of a beloved puppy and pigeon too ambiguous for its young readers. Continue reading
White Christmas: Bing’s Fireside Flannel and Festive Socks
Vitals
Bing Crosby as Bob Wallace, Broadway crooner and World War II veteran
Pine Tree, Vermont, December 1954
Film: White Christmas
Release Date: October 14, 1954
Director: Michael Curtiz
Costume Designer: Edith Head
Background
Merry Christmas Eve! One of my family’s favorite perennial movies to watch during the holiday season is White Christmas, the VistaVision that opened and closed with the iconic eponymous tune that Bing Crosby had introduced over a decade earlier in Holiday Inn.
Jingle All the Way: Schwarzenegger in Cashmere and Corduroy
Vitals
Arnold Schwarzenegger as Howard Langston, massive Austrian bodybuilder midwestern mattress sales executive and family man
Minneapolis, Christmas Eve 1996
Film: Jingle All the Way
Release Date: November 22, 1996
Director: Brian Levant
Costume Designer: Jay Hurley
Background
With only a few more shopping days left until Christmas, some may still be scrambling for that perfect gift to put under the tree. This family-friendly ’90s comedy satirized the lengths to which people had to go in the blessed pre-Amazon days, represented by Minneapolis mattress king Howard Langston’s increasingly desperate attempts to track down a prized Turbo-Man action figure for his son… on Christmas Eve!
The Office: Season 2’s Christmas Party – Ranking Holiday Looks
Christmas is awesome. First of all, you get to spend time with people you love. Secondly, you can get drunk and no one can say anything. Third, you give presents. What’s better than giving presents? And fourth, getting presents. So, four things. Not bad for one day. It’s really the greatest day of all time.
With some offices reinstating the traditional holiday parties this year, I also want to return to my own December tradition of reviewing how the off-the-peg office drones of Dunder Mifflin Scranton dress for their annual Christmas extravaganza.
The Office first approached the festive season with the simply titled “Christmas Party”, midway through the series’ masterful second season. This has always been one of my favorite episodes of The Office, and “Christmas Party” was actually the first-ever iTunes Store purchase I had made after Christmas 2005 found a video iPod in my stocking… appropriately enough, as fans of the episode would realize.
At this point, The Office was still a more restrained satire of American workplaces—rather than the zanier character-driven comedy it would become—and the first Christmas party reflects that mundanity, with cheap decorations, cheap vodka, and cheap grab bag gifts, and seemingly none of the staff happy to be part of this forced corporate fun, save for the oblivious manager Michael Scott (Steve Carell).
The Silent Partner: Elliott Gould’s Holiday Tweed
Vitals
Elliott Gould as Miles Cullen, mild-mannered bank teller
Toronto, Christmas 1977
Film: The Silent Partner
Release Date: September 7, 1978
Director: Daryl Duke
Wardrobe Credit: Debi Weldon
Background
One of the most fun yet under-celebrated of Christmas-adjacent thrillers, The Silent Partner should sell most new viewers on the simple elevator pitch of Christopher Plummer as a gun-toting robber in a Santa Claus suit who increasingly torments Elliott Gould as a scheming teller.
The action begins on Tuesday, December 14—set exactly 44 years ago today—as the meek Miles Cullen (Gould) wraps up his daily duties at a First Bank of Toronto branch when his flirtatious sketches on a deposit slip wise him to a potential robbery plot. Continue reading
Wild Card: Jason Statham’s Corduroy Car Coat and Ford Torino
Vitals
Jason Statham as Nick Wild, tough security consultant and bodyguard-for-hire
Las Vegas, Christmas 2013
Film: Wild Card
Release Date: January 14, 2015
Director: Simon West
Costume Designer: Lizz Wolf
WARNING! Spoilers ahead!
Background
Car Week continues into December with a little-discussed action movie that—like The Bourne Identity and Three Days of the Condor—is set during against a Christmas backdrop complete with carols on the soundtrack, though the holiday timing has little impact on the plot. (I don’t include Die Hard in this category because, as many have argued, Christmas is the reason for the whole plot!)
Reviving a role originated by Burt Reynolds in William Goldman’s 1986 movie Heat, Jason Statham plays Nick Wild, a “security consultant” for Las Vegas lawyer Pinchus “Pinky” Zion (Jason Alexander), who makes his daily commute from a seedy motel in a snazzy ’69 Ford Torino. Continue reading
Love Story: Ryan O’Neal’s Sheepskin Flight Jacket
Vitals
Ryan O’Neal as Oliver Barrett IV, newlywed Harvard graduate
Boston, Fall to Winter 1968
Film: Love Story
Release Date: December 16, 1970
Director: Arthur Hiller
Costume Design: Alice Manougian Martin & Pearl Somner
Background
If all goes to plan, I’ll be getting married exactly one year from today so it felt appropriate to revisit some of the fall-friendly fashions from one of the most famous—or infamous, if you’re so inclined—romance movies of all time, Love Story.
Ryan O’Neal and Ali MacGraw star as the Ivy League lovers Oliver and Jenny who, once she overcomes her distaste for his upper-class roots (drink every time she calls him “preppy”), defy his blue-blood father’s wishes and get married, beginning their humble lives together in a Boston apartment following his graduation.
Oliver remains defiantly bitter following his father’s rejection of Jenny, cutting off all contact. After receiving an invitation to his estranged father’s 60th birthday party, Oliver refuses to even respond with their regrets, resulting in his and Jenny’s first major argument. She runs from the apartment, sending Oliver on an increasingly desperate search from local shops to music classes, until he returns home that night to find her waiting on their stoop.
Regretting his behavior, Oliver offers his apologies, to which Jenny responds by hitting him with one of the most criticized lines in movie history:
Love means never having to say you’re sorry.










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