Tagged: Colt New Service
Richard Arlen’s White Suit in Island of Lost Souls
Richard Arlen in Island of Lost Souls (1932)
Vitals
Richard Arlen as Edward Parker, shipwrecked sailor
South Pacific, Summer 1932
Film: Island of Lost Souls
Release Date: December 23, 1932
Director: Erle C. Kenton
WARNING! Spoilers ahead!
Background
The old maxim that a gentleman shouldn’t wear white after Labor Day has long grown outdated, but those looking for one last hurrah in summer whites can find inspiration in Erle C. Kenton’s pre-Code sci-fi/horror adventure Island of Lost Souls.
Set on the titular island (but actually filmed on Catalina), this adaptation of H.G. Wells’ 1896 novel The Island of Doctor Moreau stars Charles Laughton as the eponymous Moreau and Richard Arlen as the shipwrecked Edward Parker, who finds himself at Moreau’s mercy on the island.
The sole survivor from the sunken S.S. Lady Vain, Parker is plucked from the sea aboard the Covina, where he’s treated by the enigmatic ex-doctor Montgomery (Arthur Hohl)—who seems more in command of the ship and its strange animal cargo than the drunken Captain Davies (Stanley Fields), who grumblingly describes their mysterious destination as “Dr. Moreau’s island, and it stinks all over the whole South Seas.”
Parker soon understands this criticism firsthand after discovering that Moreau has been dissecting men and beasts and combining their DNA into grotesque hybrid creatures, snarling in response: “Now I can understand why you and your island stink from one end of the South Seas to the other!” To keep Parker distracted and further his own experimentation, Moreau introduces him to the alluring Lota (Kathleen Burke) without explaining that she is part-panther.
Born 126 years ago today on September 1, 1899 (and shockingly only two months younger than Laughton), Arlen was cast after Randolph Scott was initially considered to play Parker. One of the most prominent actors of the 1920s and ’30s, Arlen brought his experience as a Canadian Royal Flying Corps pilot to his starring role in the first-ever winner of the Academy Award for Best Picture, Wings (1927). Though his stature waned in later decades, Arlen was one of the few major silent-era stars to successfully transition onto television, with guest appearances on dozens of shows until his death in March 1976. Continue reading
The Italian Connection: Woody Strode’s Plaid Sports Coat
Woody Strode in The Italian Connection (1972)
Vitals
Woody Strode as Frank Webster, taciturn Mafia hitman
Milan, Italy, Spring 1972
Film: The Italian Connection
(Italian title: La mala ordina)
Release Date: September 2, 1972
Director: Fernando Di Leo
Costume Designer: Francesco Cuppini
WARNING! Spoilers ahead!
Background
Trailblazing actor and athlete Woody Strode was born 110 years ago today on July 25, 1914 in Los Angeles. Following his service in the U.S. Army Air Corps during World War II, Strode was one of four Black players to break the NFL’s postwar color barrier when he signed with the Rams in 1946. In the years to follow, Strode continued both wrestling and acting, though he became significantly better known for the latter and was also one of the first Black performers to be nominated for a Golden Globe, recognizing his performance in Spartacus (1960).
With a filmography that also includes The Ten Commandments (1956), Pork Chop Hill (1959), Sergeant Rutledge (1960), The Man Who Shot Liberty Valence (1962), Genghis Khan (1965), The Professionals (1966), and Once Upon a Time in the West (1968), it was difficult to find one of Strode’s prominent roles that wasn’t in a western, war film, or historical drama so that I could highlight the actor dressed in a contemporary wardrobe. (He did have a significant role in the 1960 disaster drama The Last Voyage, but his costume as the sinking ship’s crewman Hank Lawson consisted only of a neckerchief and dark jeans.)
Following his appearance Once Upon a Time in the West, Strode joined fellow other American actors—think the fictional Rick Dalton—by appearing in Italian films through the ’70s, including the 1972 “poliziottesco” The Italian Connection, starring alongside Henry Silva as New York mob hitmen Frank Webster and Dave Catania. Continue reading
Bonnie and Clyde (1967): Warren Beatty’s “Air Ties” and Vests
Faye Dunaway and Warren Beatty in Bonnie & Clyde (1967)
Vitals
Warren Beatty as Clyde Barrow, Depression-era bank robber and gang leader
Across the American South and Midwest, Spring 1932 to 1934
Film: Bonnie & Clyde
Release Date: August 13, 1967
Director: Arthur Penn
Costume Designer: Theadora Van Runkle
Background
Ninety years ago today on the morning of May 23, 1934, a light-gray Ford V-8 sedan traveling northeast on a rural Louisiana highway slowed as it approached a truck stopped by the side of the road. Suddenly, volleys of rifle fire peppered the car, obliterating the young couple in the front seat. After an estimated 167 rounds were fired, a half-dozen lawmen emerged from their ambush positions and approached the Ford, in which wanted outlaws Bonnie Parker and Clyde Barrow were now unquestionably dead.
Despite their bloody crime spree that left at least a dozen men dead, Bonnie and Clyde captivated the fascination of a Depression-era public that often celebrated the exploits of contemporary outlaws like John Dillinger and “Pretty Boy” Floyd. The scrappy couple was hardly as criminally capable as their fellow “Public Enemies”, but Clyde’s remarkable ability to escape police traps and Bonnie’s frequent involvement added a romantic element that made them a newspaper favorite, especially after the discovery of undeveloped photos depicting the Barrow gang at play, including Bonnie smoking one of Clyde’s cigars—crafting a public image she would greatly resent—and holding him at gunpoint with one of the gang’s cut-down shotguns.
Among the many photos found at the gang’s abandoned Joplin, Missouri hideout after an April 1933 gunfight was this snapshot of Clyde and Bonnie in front of one of their many stolen Ford V-8 coupes, likely photographed earlier that year by their teenage gang member W.D. Jones. In the 1967 film Bonnie & Clyde, Warren Beatty and Faye Dunaway posed in a similar manner, but this reenactment didn’t make the final cut.
The frequent news coverage during their lifetime ensured that Bonnie and Clyde wouldn’t be quickly forgotten after their deaths, inspiring a string of “couple of the run” crime movies like You Only Live Once (1937) and the films noir They Live By Night (1948) and Gun Crazy (1950). The couple’s story formed the basis for the highly fictionalized The Bonnie Parker Story, an exploitative 1958 quickie from American International Pictures starring Dorothy Provine as the “cigar-smoking hellcat of the roaring thirties” and Jack Hogan as her simping partner-in-crime, uh, “Guy Darrow”.
The outlaw couple would be immortalized on screen after the release of Bonnie & Clyde in 1967, produced by Warren Beatty who also starred as Clyde opposite newcomer Faye Dunaway as a redoubtable Bonnie Parker. Continue reading
James Coburn’s Corduroy Suit in Charade
James Coburn as Tex Panthollow in Charade (1963)
Vitals
James Coburn as Tex Panthollow, larcenous former OSS commando
Paris, April 1963
Film: Charade
Release Date: December 5, 1963
Director: Stanley Donen
WARNING! Spoilers ahead!
Background
As portrayed by the brilliant and versatile James Coburn, Tex Panthollow makes his dramatic introduction in the beginning of Charade as the second of three mysterious men who show up to “pay respects” at the funeral of their one-time brother-in-arms Charles Lampert, each one increasingly perplexing his widow Reggie (Audrey Hepburn) with their behavior. Par examplum: Tex draws a hand-sized mirror from his inside breast pocket and holds it directly under the deceased’s nose to ensure that he’s really passed from this world before sneering: “Arrive-derci, Charlie.”
Leo’s Red Silk Robe in Miller’s Crossing
Albert Finney as Leo O’Bannon in Miller’s Crossing (1990).
Vitals
Albert Finney as Liam “Leo” O’Bannon, Irish Mob-connected political boss
Upstate New York, Fall 1929
Film: Miller’s Crossing
Release Date: September 21, 1990
Director: Joel Coen & Ethan Coen
Costume Designer: Aude Bronson-Howard
WARNING! Spoilers ahead!
Background
Today is the 80th birthday of Albert Finney so BAMF Style is taking a look at his portrayal of Liam “Leo” O’Bannon, the “cheap political boss with more hair tonic than brains” in Miller’s Crossing, the Coen brothers’ 1990 nod to Dashiell Hammett.
Gene Hackman’s Tweed Suit as Buck Barrow
Gene Hackman and Estelle Parsons as Buck and Blanche Barrow in Bonnie and Clyde (1967)
Vitals
Gene Hackman as “Buck” Barrow, bank robber, ex-convict, and family man
Texas, May 1933
Film: Bonnie & Clyde
Release Date: August 13, 1967
Director: Arthur Penn
Costume Designer: Theadora Van Runkle
Background
Happy birthday to Gene Hackman, who turns 86 years old today!
Bonnie and Clyde marked the first major role for Hackman, who had spent much of the ’60s as a struggling actor who shared rooms with fellow struggling actors Dustin Hoffman and Robert Duvall. 1967 turned out to be a banner year for the friends and roommates, earning Hackman and Hoffman their first Academy Award nominations.
Hackman brings an easygoing charm to the role of the more famous Clyde’s older brother Buck, and the film gets many of the “on paper” details right about Buck. As Clyde’s older brother, he had more experience tangling with the law and spent the first few months of Clyde’s criminal career in the Texas state prison. He had escaped once, but—as Hackman tells Warren Beatty’s Clyde—it was his new wife Blanche that talked him into returning to prison to serve out the rest of his sentence, and he would be pardoned 15 months later. Buck and Blanche journeyed to visit Bonnie and Clyde, ostensibly for a reunion and possibly for Buck to try and talk Clyde into following his good example. Of course, the murder of two Joplin policemen during this reunion meant Buck would be wanted again as well, and the brothers led the motley “Barrow Gang” in a string of small-town stickups and kidnappings over the next three months. Continue reading
Warren Oates’s Dark Brown Suit as Dillinger
Warren Oates as master bank robber John Dillinger in 1973’s Dillinger.
Vitals
Warren Oates as John Dillinger, Depression-era bank robber and “super gang” leader
Mason City, Iowa to Manitowish, Wisconsin – Spring 1934
Film: Dillinger
Release Date: July 20, 1973
Director: John Milius
Costume Designer: James M. George
Background
By March 1934, John Dillinger had well-established himself as a national criminal hero. He made a mockery of both hated bankers and inept police and, best of all, he kept getting away with it. Sure, he wasn’t the only beloved “Public Enemy” in the national scene, but “Baby Face” Nelson was too violent, Bonnie and Clyde were too incompetent, and no one had heard from “Pretty Boy” Floyd in almost a year. Continue reading
Warren Oates as Dillinger: The Man in Black
Warren Oates as John Dillinger in 1973’s Dillinger.
Vitals
Warren Oates as John Dillinger, Depression-era bank robber
Tucson, Arizona to Crown Point, Indiana, Winter 1934
Film: Dillinger
Release Date: July 20, 1973
Director: John Milius
Costume Designer: James M. George
Background
“Hey wait, Nick, didn’t you already do a post on Dillinger’s prison suit?” ask many of my astute followers who also happen to know my first name.
While many folks of this generation were introduced to John Dillinger and his band of Depression-era desperadoes through the 2009 film Public Enemies, it was probably the tenth (at least) major production featuring Dillinger as a character. My personal favorite is the 1973 John Milius gunfest Dillinger featuring manly and scraggle-toothed actor Warren Oates in the title role.
As usual for Milius, the film doesn’t hold back in terms of violence, upping the Dillinger gang’s body count from around a dozen to more than fifty. Oates plays Dillinger as an cheeky outlaw who loves being just that – not a misunderstood farm boy who was led into a life of crime by police.
Yesterday marked the 79th anniversary of Dillinger’s legendary “wooden gun” breakout from the Lake County jail in Crown Point, Indiana. While Public Enemies had Dillinger already in prison garb by this time, Dillinger kept him in his black suit worn when he was arrested. Continue reading
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