Tagged: Directed by Francis Ford Coppola
The Cotton Club: Gregory Hines Dances in Houndstooth
Gregory Hines as Sandman Williams in The Cotton Club (1984)
Vitals
Gregory Hines as Delbert “Sandman” Williams, affable and ambitious dancer
Harlem, Spring 1929
Film: The Cotton Club
Release Date: December 14, 1984
Director: Francis Ford Coppola
Costume Designer: Milena Canonero
Background
One of the most celebrated tap dancers of all time, the multi-talented Gregory Hines died 20 years ago today on August 9, 2003. His charismatic performance as “Sandman” Williams remains a highlight from Francis Ford Coppola’s The Cotton Club, an ambitious and controversial part-musical, part-mob drama that producer Robert Evans spent five years bringing to the screen.
Centered around the legendary Cotton Club in Harlem, the movie boasts all the ingredients to entertain: an evocative Prohibition-era setting at an iconic nightclub, a pitch-perfect period soundtrack from John Barry that replicates the sounds of Duke Ellington and Cab Calloway, and a talented cast that includes then-rising stars like Richard Gere, Diane Lane, Nicolas Cage, Laurence Fishburne, Jennifer Grey, James Remar, and Gregory and Maurice Hines. Continue reading
The Godfather: Johnny Fontane’s Cream Silk Suit
Al Martino as Johnny Fontane in The Godfather (1972)
Vitals
Al Martino as Johnny Fontane, down-on-his-luck crooner
Long Island, New York, Summer 1945
Film: The Godfather
Release Date: March 14, 1972
Director: Francis Ford Coppola
Costume Designer: Anna Hill Johnstone
Background
Today in 1927, Al Martino was born in Philadelphia to two Italian immigrants from Abruzzo, the same southern Italian region from which much of my family hails. Following his U.S. Navy service during World War II, the singer began earnestly following his career in entertainment. Twenty years after his first single, “Here in My Heart”, reached #1 in the U.S. Billboard and UK Singles charts, Martino joined the cast of The Godfather as Johnny Fontane, an Italian-American crooner whose early career parallels that of Martino’s contemporary Frank Sinatra. Continue reading
The Godfather: Michael Corleone’s Sartorial Journey from War Hero to Wiseguy
Al Pacino as Michael Corleone on the set of The Godfather (1972)
Vitals
Al Pacino as Michael Corleone, Marine hero-turned-mob boss
New York City and Sicily, Summer 1945 to Summer 1955
Film: The Godfather
Release Date: March 14, 1972
Director: Francis Ford Coppola
Costume Designer: Anna Hill Johnstone
WARNING! Spoilers ahead!
Background
The Godfather premiered 50 years ago tonight at Loew’s State Theatre in New York City, forever changing the cultural landscape. Adapted from Mario Puzo’s novel of the same name, the saga to bring the mob-centric epic to the screen could have been a plot within the story itself, but eventually the massive reception to The Godfather cemented its enduring significance, reviving Marlon Brando’s career and making stars of its cast of relative newcomers—including Al Pacino, James Caan, Diane Keaton, and Robert Duvall—as well as its determined director, Francis Ford Coppola.
Spanning the decade following the end of World War II, The Godfather follows the rise of Michael Corleone, a reserved war hero, as he follows the inevitable path of his father’s footsteps to Mafia leadership. Continue reading
The Godfather: Fredo’s Yellow Blazer in Las Vegas
John Cazale as Fredo Corleone in The Godfather (1972)
Vitals
John Cazale as Fredo Corleone, insecure Mafia casino manager
Las Vegas, Summer 1954
Film: The Godfather
Release Date: March 14, 1972
Director: Francis Ford Coppola
Costume Designer: Anna Hill Johnstone
Background
“New year, new you” is a theme constantly touted by clickbait articles and lifestyle magazines through early January so, in the spirit of #MafiaMonday and the start of the 50th anniversary year of The Godfather, let’s take a look at one of the more startling reinventions in the world of mob movies: Fredo Corleone’s attempted transformation from forgotten brother to flamboyant swinger.
Sure, Fredo may still need the occasional “straightening out”—after all, banging cocktail waitresses two at a time is hardly good for business—but Las Vegas presents him with the opportunity to shed his middle child syndrome and explore a more independent side of himself… for better or worse. Continue reading
The Godfather, Part III: Pacino’s Brick-Red Cardigan
Al Pacino as Michael Corleone in The Godfather Part III (1990)
Vitals
Al Pacino as Michael Corleone, repentant mob boss and World War II veteran
New York City, Fall 1979
Film: The Godfather Part III
Release Date: December 25, 1990
Director: Francis Ford Coppola
Costume Designer: Milena Canonero
WARNING! Spoilers ahead!
Background
Just when he thought he was out, they pulled him back in.
Sixteen years after its masterpiece sequel told the parallel stories of Michael Corleone (Al Pacino) and his father Vito (Robert De Niro) building their crime families, Francis Ford Coppola returned to the Corleone clan with the polarizing coda, The Godfather, Part III. Continue reading
The Godfather, Part II: Michael Corleone’s Navy Jacket and Cravats
Al Pacino as Michael Corleone in The Godfather Part II (1974)
Vitals
Al Pacino as Michael Corleone, calculating Mafia boss
Havana, December 1958, and Lake Tahoe, Spring 1959
Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle
WARNING! Spoilers ahead!
Background
When “gangster style” comes to mind, you may think first of the silk suits from Goodfellas or tracksuits of The Sopranos, but Michael Corleone established an aristocratic sense of style as he grew into his leadership role in accordance with his reserved nature. Continue reading
Apocalypse Now: Robert Duvall as Colonel Kilgore
Robert Duvall as Lieutenant Colonel Bill Kilgore in Apocalypse Now (1979)
Vitals
Robert Duvall as Lieutenant Colonel Bill Kilgore, U.S. Army Air Cavalry commander and surf fanatic
Vietnam, Summer 1969
Film: Apocalypse Now
Release Date: August 15, 1979
Director: Francis Ford Coppola
Costume Supervisor: Charles E. James
Costumers: Luster Bayless, Norman A. Burza, Dennis Fill, and George L. Little
Background
Happy 90th birthday, Robert Duvall! Today’s post looks at one of the most recognizable roles from the actor’s prolific career, his Academy Award-nominated performance as the gung-ho surf enthusiast Colonel Kilgore in Coppola’s war epic Apocalypse Now.
Loosely based on Joseph Conrad’s you-probably-had-to-read-it-in-high-school novella Heart of Darkness, Apocalypse Now needs little introduction, nor does Kilgore’s famous monologue celebrating the aromas of incendiary devices after commanding his 9th Cavalry squadron to attack a VC-held village to the tune of Wagner’s “Ride of the Valkyries”.
The Godfather, Part III: Vincent Mancini’s Leather Jacket
Andy Garcia as Vincent Mancini in The Godfather, Part III (1990)
Vitals
Andy Garcia as Vincent Mancini, hotheaded mob enforcer
New York City, Spring 1979
Film: The Godfather Part III
Release Date: December 25, 1990
Director: Francis Ford Coppola
Costume Designer: Milena Canonero
WARNING! Spoilers ahead!
Background
Caddyshack II.
Speed 2: Cruise Control.
Jaws 4: The Revenge.
The Godfather, Part III.
Francis Ford Coppola’s conclusion to the saga of the Corleone family may not be as bad as its fellow reviled franchise continuations, but it was certainly among the more disappointing given the quality and prestige of The Godfather‘s first two installments. Coppola sought to rectify its reputation with Mario Puzo’s The Godfather, Coda: The Death of Michael Corleone, a recut and restructured version released this month to coincide with the 30th anniversary of The Godfather, Part III‘s original theatrical release. The limited theatrical run of Coda began on Friday, December 4, and will be scheduled to release to streaming services and home video on Tuesday, December 8.
“In musical term, a coda is sort of like an epilogue, a summing up, and that’s what we intended the movie to be,” explained Coppola. “You’ll see a film which has a different beginning and ending, many scenes throughout have been repositioned, and the picture has been given, I think, a new life.” Continue reading
The Godfather, Part II: Tom Hagen’s Seersucker Suit
Robert Duvall as Tom Hagen in The Godfather, Part II (1974)
Vitals
Robert Duvall as Tom Hagen, levelheaded Mafia lawyer
Lake Tahoe, Fall 1958
Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle
WARNING! Spoilers ahead!
Background
The second Thursday in June is recognized as National Seersucker Day in the United States, an observance that began in Congress during the late 1990s to celebrate the traditional congressional summer dress in the days of the early 20th century before air conditioning reached the Capitol.
Apropos his quiet persona, Tom Hagen makes his inconspicuous return in The Godfather, Part II, seen almost in silhouette against the window as he greets the smarmy, crooked, and proudly blunt Senator Pat Geary (G.D. Spradlin) in the Don’s Lake Tahoe estate on the day of his son’s first communion. Continue reading
Michael Corleone’s Black New Year’s Eve Suit
Al Pacino as Michael Corleone in The Godfather Part II (1974)
Vitals
Al Pacino as Michael Corleone, cold and calculating Mafia boss
Havana, New Year’s Eve 1958
Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle
Background
Happy New Year’s Eve!
On this transitional #MafiaMonday, we transport back 60 years to New Year’s Eve 1958, a tumultuous night in world history as armed rebels connected to the vanguard 26th of July Movement overthrew Cuba’s incumbent president Fulgencio Batista, ending the five-year Cuban Revolution and establishing a communist government under the movement’s leader Fidel Castro.
“Gentlemen, to a night in Havana! Happy New Year… Feliz Año Nuevo!” toasts a gregarious Fredo Corleone (John Cazale) as he holds court in the Cuban capital with a bevy of politicians and his brother, taciturn and thoughtful mob boss Michael (Al Pacino). Continue reading
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