Tagged: Timex analog watch
The Dreamers: Michael Pitt’s Suede Jacket, Jeans, and Chuck Taylors
Michael Pitt in The Dreamers (2003)
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Michael Pitt as Matthew, expatriate student and self-professed cinephile
Paris, Spring 1968
Film: The Dreamers
Release Date: October 10, 2003
Director: Bernardo Bertolucci
Costume Designer: Louise Stjernsward
WARNING! Spoilers ahead!
Background
Much discourse around Bertolucci’s 2003 erotic drama The Dreamers (which premiered in Italy 22 years ago today) centers around what the characters aren’t wearing, so I’ll flip the script by focusing on Louise Stjernsward’s evocative costume design that brings to life Parisian culture against the backdrop of the 1968 student protests.
Hailing from San Diego and studying in Paris, Matthew encounters sibling activists Isabelle (Eva Green) and Théo Fontaine (Louis Garrel) among his “freemasonry of cinephiles”—introduced during the very French situation of Isabelle asking Matthew to take her cigarette during a police demonstration at the storied Cinémathèque française. He’s quickly drawn into the siblings’ strange dynamic of deeply incestuous overtones littered with cinematic references epitomized by Isabelle’s insistence on leading the trio on a run through the Louve as seen in Bande à part. Continue reading
The White Lotus: Walton Goggins’ Cream Tailoring in Bangkok
Walton Goggins on The White Lotus, Episode 3.08: “Amor Fati”
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Walton Goggins as Rick Hatchett, vengeful tourist
Bangkok, Thailand, Spring 2024
Series: The White Lotus
Episodes:
– “Denials” (Episode 3.06, aired 3/23/2025)
– “Killer Instincts” (Episode 3.07, aired 3/30/2025)
– “Amor Fati” (Episode 3.08, aired 4/6/2025)
Director: Mike White
Creator: Mike White
Costume Designer: Alex Bovaird
WARNING! Spoilers ahead!
Background
With Memorial Day weekend ushering in the unofficial start of summer, many gents are rotating their whites to the front of their closets.
On the latest season of Mike White’s anthological black comedy The White Lotus, costume designer Alex Bovaird contrasts the gloomy attitude of self-appointed vigilante Rick Hatchett (Walton Goggins) with an insouciant wardrobe of vibrant tropical shirts and bleached tailoring that he pulls together across the season’s final three episodes for his mission of revenge against the man he believes responsible for his father’s death: ruthless land baron Jim Hollinger (Scott Glenn). Continue reading
The White Lotus: Walton Goggins’ Crane-Printed Aloha Shirt
Walton Goggins on The White Lotus, Episode 3.03: “The Meaning of Dreams”
Photo credit: Fabio Lovino
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Walton Goggins as Rick Hatchett, troubled tourist
Koh Samui, Thailand, Spring 2024
Series: The White Lotus
Episode: “The Meaning of Dreams” (Episode 3.03)
Air Date: March 2, 2025
Director: Mike White
Creator: Mike White
Costume Designer: Alex Bovaird
WARNING! Spoilers ahead!
Background
Whether you’ve been a fan of Walton Goggins since his intensity on The Shield and Justified or his comic turns on Vice Principals and The Righteous Gemstones, it’s great to see the 53-year-old emerging as an unlikely heartthrob thanks to his back-to-back TV performances as the noseless Ghoul on Fallout and the moody Rick Hatchett on this season of The White Lotus. Continue reading
Pulp Fiction: Travolta’s Black Suit and Tie as Vincent Vega
John Travolta as Vincent Vega in Pulp Fiction (1994)
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John Travolta as Vincent Vega, laidback mob hitman and self-described “Elvis man”
Los Angeles, Summer 1992
Film: Pulp Fiction
Release Date: October 14, 1994
Director: Quentin Tarantino
Costume Designer: Betsy Heimann
WARNING! Spoilers ahead!
Background
Pulp Fiction was released 30 years ago today on October 14, 1994, establishing Quentin Tarantino’s trademarks like a nonlinear narrative, many references to older movies and TV, and even the “trunk shot” from the POV of an open car trunk.
In addition to establishing Tarantino as a serious filmmaker after his impressive debut Reservoir Dogs, the movie also revitalized John Travolta’s career. The actor received an Academy Award nomination for his performance as Vincent Vega, the canonical brother to Michael Madsen’s psychotic killer Vic Vega—aka “Mr. Blonde”—in Reservoir Dogs. Continue reading
The Office: Michael Scott’s Birthday Suit
Steve Carell as Michael Scott on The Office (Episode 2.19: “Michael’s Birthday”)
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Steve Carell as Michael Scott, paper sales regional manager
Scranton, Pennsylvania, March 2006
Series: The Office
Episode: “Michael’s Birthday” (Episode 2.19)
Air Date: March 30, 2006
Director: Ken Whittingham
Creator: Greg Daniels
Costume Designer: Carey Bennett
WARNING! Spoilers ahead!
Background
Today is my b-day and people around here just go crazy for it, I don’t know why. Oh, fun fact: I share my birthday with Eva Longoria. So I’ve a perfect icebreaker if I ever meet Teri Hatcher.
Before Andy Bernard brought his Brooks Brothers-informed sense of style to Dunder Mifflin Scranton, regional manager Michael Scott probably thought himself the branch’s snappiest dresser and particularly chose his 41st birthday as the time to exhibit that. Continue reading
Burt Reynolds in Smokey and the Bandit
Burt Reynolds as the Trans Am-driving “Bandit” in Smokey and the Bandit (1977)
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Burt Reynolds as Bo “the Bandit” Darville, daredevil driver
Texarkana to Atlanta, Summer 1976
Film: Smokey and the Bandit
Release Date: May 27, 1977
Director: Hal Needham
Background
♫ You’ve heard about the legend of Jesse James and John Henry just to mention some names,
Well, there’s a truck-drivin’ legend in the South today, a man called Bandit from Atlanta, GA… ♫
After seven years of biannual Car Week features, how did it take me this long get around to what might be the most famous “car movie” of all? On a day commemorating the anniversary of American independence, it feels appropriate to celebrate Burt Reynolds bedecked in red, white, and blue (or at least red and blue) as he speeds across half the country in a muscle car, all in the name of beer… or as the Bandit himself declares:
For the money, for the glory, and for the fun… but mostly for the money.
Happy birthday, America… from Burt Reynolds and BAMF Style.
The French Connection – Popeye Doyle’s Overcoat and Gray Suit
Gene Hackman as “Popeye” Doyle in The French Connection (1971). Over his right shoulder is Eddie Egan, the real-life inspiration for the character.
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Gene Hackman as Jimmy “Popeye” Doyle, gruff NYPD narcotics detective
New York City, December 1970
Film: The French Connection
Release Date: October 9, 1971
Director: William Friedkin
Costume Designer: Joseph Fretwell III
Background
Happy birthday to Gene Hackman, born this day in 1930! This year’s Academy Award nominations were announced last week, so today’s post explores the birthday boy’s first Oscar-winning performance as NYPD narc “Popeye” Doyle in The French Connection.
Eddie Egan was a real detective with the NYPD who, with his partner Sonny Grosso, was instrumental in a 1961 investigation that dissolved a massive heroin ring. The case would form the basis of a 1969 non-fiction book by Robin Moore that was swiftly adapted into the fictionalized film The French Connection. Gene Hackman, who by now had two Oscar nominations to his credit, was tapped for the role of “Popeye” Doyle, the profane detective modeled after Egan, while Egan himself would serve as technical advisor and play the smaller role of Walt Simonson, Doyle’s supervisor. Continue reading
The French Connection – Popeye Doyle’s Light Brown Suit
Gene Hackman as “Popeye” Doyle in The French Connection (1971)
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Gene Hackman as Jimmy “Popeye” Doyle, gruff NYPD narcotics detective
Brooklyn, December 1970
Film: The French Connection
Release Date: October 9, 1971
Director: William Friedkin
Costume Designer: Joseph Fretwell III
Background
To celebrate this weekend’s Academy Awards ceremony, BAMF Style is looking at The French Connection, which took home five Oscars in 1972 including Best Picture and—for Gene Hackman’s portrayal of unorthodox narc “Popeye” Doyle—Best Actor. It was the first R-rated movie to win the coveted Best Picture award, and its gritty realism set the tone for one of the greatest decades in American filmmaking. Continue reading
Popeye Doyle’s Peacoat and Pontiac
Gene Hackman as “Popeye” Doyle in The French Connection (1971)
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Gene Hackman as Jimmy “Popeye” Doyle, rough but dedicated NYPD narcotics detective
Brooklyn, December 1970
Film: The French Connection
Release Date: October 9, 1971
Director: William Friedkin
Costume Designer: Joseph Fretwell III
Background
Car chases have been ingrained in American cinema since the early days of the Keystone Kops. As the interest in cars grew, auto manufacturers began highlighting their most innovative products through on-screen action. The James Bond franchise innovated the use of car chases with Goldfinger‘s gadget-laden Aston Martin DB5 and a conveniently placed Ford Mustang convertible. The Mustang poked its head out again for the seminal chase in Bullitt as Steve McQueen faced off against a black ’68 Dodge Charger in his Mustang GT-390. After Bullitt, filmmakers began exploring the possibilities of cars on film. New, exciting cars were showcased like the new Dodge Challenger in Vanishing Point to the new Mustang Mach 1 in Diamonds are Forever.
For The French Connection, William Friedkin’s 1971 film based on Robin Moore’s book about intrepid NYPD cops Eddie Egan and Sonny Grosso, the car chase formula was injected with something new. Rather than the super-cool hero coolly chasing a villain in his super-cool car, the film places its ragged protagonist off-duty cop in an ordinary sedan commandeered from a civilian. Not only that, but this villain isn’t in a car; rather, he has hijacked an elevated train as Popeye is forced to race the train to each stop. Continue reading
Dirty Harry’s Brown Suit
Clint Eastwood in the climactic scene of Dirty Harry (1971).
After stuffing our faces and stomachs during the Thanksgiving holiday this weekend, it’s certainly appropriate that you’d want to return to work feeling like a badass. That’s what Clint Eastwood is here for.
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Clint Eastwood as Insp. Harry Callahan, frustrated San Francisco inspector
San Francisco, Summer 1971
Film: Dirty Harry
Release Date: December 23, 1971
Director: Don Siegel
Wardrobe Department: Glenn Wright
Background
Having established his central look earlier in the film as a sport coat and slacks (gray herringbone and brown plaid), Dirty Harry throws a lateral for the final confrontation against the brutal “Scorpio Killer” by wearing a sharp, slim cut brown three-piece suit.
A brown 3-piece suit is a very traditional look, but the fit and styling of Harry’s suit is very contemporary and fashion-forward for 1971. The traditional suiting makes sense for Harry, a contrast to the more liberal film cops like Bullitt and their more fashionable wardrobes. While not outfitted in a frock coat and striped cravat, Harry still looks more old-fashioned next to Bullitt in his shooting jacket and polo neck jumper. Continue reading