Category: Sport Jackets and Blazers

Local Hero: Burt Lancaster’s Tweed in Scotland

Burt Lancaster as Felix Happer in Local Hero (1983)

Burt Lancaster as Felix Happer in Local Hero (1983)

Vitals

Burt Lancaster as Felix Happer, eccentric oil executive

Scotland, Fall 1982

Film: Local Hero
Release Date: February 17, 1983
Director: Bill Forsyth
Costumes: Shawn Dale, Pip Newbery, and Penny Rose

Background

I’m talking about the sky, MacIntyre. The constellation of Virgo is very prominent in the sky right now in Scotland. I want you to keep an eye on Virgo for me. Will you do that?

As Leo season transitions into Virgo season, Local Hero feels like the appropriate focus, given the curious astronomy-themed orders under which Knox Oil and Gas president Felix Happer (Burt Lancaster) sends underling “Mac” MacIntyre (Peter Riegert) to Scotland, urging him to keep watching the sky, particularly for comet activity under the Leo and Virgo constellations. Continue reading

Magnificent Obsession: Rock Hudson’s Summer Norfolk Jacket and Toweling Polo

Rock Hudson as Bob Merrick in Magnificent Obsession (1954)

Rock Hudson as Bob Merrick in Magnificent Obsession (1954)

Vitals

Rock Hudson as Bob Merrick, conscience-stricken millionaire and ex-medical student

Brightwood, New York, Spring 1949

Film: Magnificent Obsession
Release Date: August 4, 1954
Director: Douglas Sirk
Costume Designer: Bill Thomas (gowns)

Background

German-born director Douglas Sirk and actor Rock Hudson had collaborated on nine movies throughout the 1950s, though their association may be best remembered for a trio of lush Technicolor melodramas beginning with Magnificent Obsession, released 68 years ago this month in August 1954. Continue reading

The Hot Spot: Don Johnson’s Gray Linen Jacket and Studebaker

Don Johnson as Harry Madox in The Hot Spot

Don Johnson as Harry Madox in The Hot Spot (1990)

Vitals

Don Johnson as Harry Madox, drifter and used car salesman

Texas, Summer 1990

Film: The Hot Spot
Release Date: October 12, 1990
Director: Dennis Hopper
Costume Designer: Mary Kay Stolz

Background

I’m wrapping up this summer’s #CarWeek with the under-discussed neo-noir The Hot Spot, made among the wave of sweaty erotic crime dramas of the ’80s and ’90s exemplified by movies like Body Heat through Basic Instinct.

Don Johnson was nearing the end of his star-making tenure on Miami Vice when he was tapped for The Hot Spot‘s leading role as Harry Madox, an enigmatic drifter whose arrival in the quiet Texas berg of Landers sets forth a series of events straight out of James M. Cain or Jim Thompson’s poison pen.

The Hot Spot comes by its pulp credentials honestly, adapted from Charles Williams’ 1952 novel Hell Hath No Fury and originally intended to be adapted as a Robert Mitchum vehicle in the early ’60s. Though set in the present, The Hot Spot retains much of this retro style inspired by the era of its original conception, as seen in many of the costumes and cars, most specifically Harry’s black ’59 Studebaker Silver Hawk that he drives into town. Continue reading

The Shining — Scatman Crothers’ Navy Blazer as Dick Hallorann

Scatman Crothers as Dick Hallorann in The Shining

Scatman Crothers as Dick Hallorann in The Shining (1980)

Vitals

Scatman Crothers as Dick Hallorann, intuitive hotel head chef

Silver Creek, Colorado, Fall 1979

Film: The Shining
Release Date: May 23, 1980
Director: Stanley Kubrick
Costume Designer: Milena Canonero

Background

To honor the late Scatman Crothers, who was born 112 years ago today on May 23, 1910, today’s post explores his memorable role as Dick Hallorann, the head chef at the mysterious Overlook Hotel in The Shining. (Coincidentally, The Shining was released 42 years ago today on Crothers’ 70th birthday!)

On the last day of the Overlook’s season, Dick presents himself to the newcomer Torrance family and is assigned by hotel manager Stuart Ullman (Barry Nelson) to provide a tour of the hotel’s vast kitchen. Dick shows an interest in nicknames, first establishing with Mrs. Torrance (Shelley Duvall) that she’s neither a Winnie nor a Freddie but a Wendy (“the prettiest,” he adds), while intuiting via his shine that the young Danny (Danny Lloyd) has been nicknamed “Doc” by his parents.

When Ullman comes to collect Wendy for the rest of a tour with her husband Jack (Jack Nicholson), Dick sits Danny down for a bowl of ice cream… and a discussion of their shared telepathic abilities. Continue reading

John Garfield in He Ran All the Way

John Garfield as Nick Robey in He Ran All the Way

John Garfield as Nick Robey in He Ran All the Way (1951)

Vitals

John Garfield as Nick Robey, desperate small-time thief

Los Angeles, Summer 1951

Film: He Ran All the Way
Release Date: June 19, 1951
Director: John Berry
Wardrobe Credit: Joe King

Background

John Garfield, one of the most talented and naturalistic actors of Hollywood’s “golden age”, died 70 years ago today on May 21, 1952. Garfield had long been troubled with heart health issues, but it’s been argued that the resulting stress brought on by harassment from the notorious House Un-American Activities Committee contributed to his early death at the age of 39, nearly a year after the release of his final film, He Ran All the Way (1951).

Continue reading

East of Eden: James Dean’s 1917 Sport Jacket

James Dean and Julie Harris in East of Eden

James Dean and Julie Harris in East of Eden (1955)

Vitals

James Dean as Caleb “Cal” Trask, angsty and entrepreneurial farmer’s son

Salinas, California, Fall 1917

Film: East of Eden
Release Date: March 9, 1955
Director: Elia Kazan
Costume Designer: Anna Hill Johnstone

Background

James Dean’s first of only three major credited screen roles also resulted in his first of two posthumous Academy Award nominations, starring as the moody Cal Trask in Elia Kazan’s adaptation of John Steinbeck’s novel East of Eden, itself a loose retelling of the story of Cain and Abel set in California’s Salinas Valley around the time of America’s entry into World War I.

Cal and his brother Aron (Richard Davalos) vie for the affections of their father Adam (Raymond Massey), a prominent farmer and draft board chairman, whom Cal hopes to impress by growing beans to raise funds that would support the family and supplant some of Adam’s own financial losses. As Cal’s success in the bean-fields grows, his competition with his brother extends to Aron’s girlfriend Abra (Julie Harris), growing closer to her after they meet up at a county fair. Continue reading

Roscoe Lee Browne in Topaz

Roscoe Lee Browne as Philippe Dubois in Topaz

Roscoe Lee Browne as Philippe Dubois in Topaz (1969)

Vitals

Roscoe Lee Browne as Philippe Dubois, smooth-talking Martinican-American sleeper agent

New York City, Fall 1962

Film: Topaz
Release Date: December 19, 1969
Director: Alfred Hitchcock
Costume Designer: Edith Head

Background

Following last month’s look at a “hero costume” from Alfred Hitchcock’s 1942 thriller Saboteur, I want to continue exploring style from the lesser-known entries in the Master of Suspense’s oeuvre. Loosely based on the “Martel affair” and events leading up to the Cuban Missile Crisis, Topaz was Hitch’s final movie centered around espionage, though I consider it to lack much of the spark that fueled his earlier successes like North by Northwest.

The single exception in Topaz may be a brief scene made more memorable by the appearance of Martinican agent Philippe Dubois, portrayed by Roscoe Lee Browne, the multi-talented star of stage and screen born 100 years ago today on May 2, 1922. Continue reading

Bond’s Nehru Jacket in Dr. No

Sean Connery and Ursula Andress in Dr. No

Sean Connery and Ursula Andress in Dr. No (1962)

Vitals

Sean Connery as James Bond, sophisticated and resourceful British government agent

Crab Key, Jamaica, Spring 1962

Film: Dr. No
Release Date: October 5, 1962
Director: Terence Young
Wardrobe Master: John Brady
Tailor: Anthony Sinclair

WARNING! Spoilers ahead!

Background

This year marks the 60th anniversary of the cinematic James Bond, as screen-going audiences who may have missed the 1954 Climax! episode starring Barry Nelson as the American agent “Jimmy” Bond were properly introduced in 1962 to the debonair yet dangerous 007 embodied by Sean Connery.

It was sixty years ago today—March 30, 1962—when principal photography was completed on Dr. No, whose modest million-dollar budget belied its significance as of the first installment of what would become one of the longest-running franchises in movie history.

While a few ingredients were yet to be finessed, it was Dr. No that established many of the hallmarks of the series, from Monty Norman’s iconic theme song as arranged by John Barry to our hero’s “shaken, not stirred” vodka martinis and his signature introduction:

Bond. James Bond.

Continue reading

The Sopranos: Tony’s “Kevin Finnerty” Navy Blazer

James Gandolfini as Anthony Soprano on The Sopranos

James Gandolfini as Anthony Soprano on The Sopranos (Episode 6.03: “Mayham”)

Vitals

James Gandolfini as Anthony Soprano, precision optics salesman with an uncanny resemblance to heating systems merchant Kevin Finnerty

Costa Mesa, California, Spring 2006

Series: The Sopranos
Episodes:
– “Join the Club” (Episode 6.02, dir. David Nutter, aired 3/19/2006)
– “Mayham” (Episode 6.03, dir. Jack Bender, aired 3/26/2006)
Creator: David Chase
Costume Designer: Juliet Polcsa

WARNING! Spoilers ahead!

Background

Who am I? Where am I going?

Sixteen years ago this week, The Sopranos first aired what became one of my favorite arcs from TV, exploring the mysterious, mythical adventures of the unconscious Tony Soprano, reborn as a de-Jersey-fied defense optics salesman on a surreal business trip in Costa Mesa. Continue reading

The Prisoner: Patrick McGoohan’s Rowing Blazer as Number Six

Patrick McGoohan on The Prisoner

Patrick McGoohan as “Number Six” on The Prisoner (Episode 8: “Dance of the Dead”)

Vitals

Patrick McGoohan as Number Six, recently resigned secret agent

“The Village”, Fall 1967

Series: The Prisoner
Created by: Patrick McGoohan & George Markstein
Wardrobe: Masada Wilmot & Dora Lloyd

WARNING! Spoilers ahead!

Background

Born 94 years ago today, Patrick McGoohan emerged as one of the most unique auteurs of ’60s television as the star and executive producer (and, occasionally, writer and director) of the allegorical and avant-garde “spy-fi” miniseries The Prisoner, which he co-created with George Markstein.

The Prisoner centers around its title character who, upon his contentious retirement from a shadowy British intelligence agency, wakes up mysteriously transported to a picturesque Italianate island village from which he would spend the duration of the series trying to escape. Continue reading